http://www.artsconnected.org/resource/96896/the-japanese-bridge-gallery-label-current ArtsConnectEd.org Art Collector Set: The Japanese Bridge: Gallery Label - Current http://www.artsconnected.org/images/favicon.png http://www.artsconnected.org/resource/96896/the-japanese-bridge-gallery-label-current 16 16 http://www.artsconnected.org/resource/96896/the-japanese-bridge-gallery-label-current Wed, 01 Jun 2011 00:00:00 -0400 <table cellspacing="0"> <tr> <td class="detail_label">Title</td> <td><h3>The Japanese Bridge: Gallery Label - Current</h3></td> </tr> <tr> <td class="detail_label">Author</td> <td><h3>Minneapolis Institute of Arts</h3></td> </tr> <tr> <td class="detail_label">Date</td> <td><h3>2011-06-24</h3></td> </tr> <tr> <td class="detail_label" style="padding-right:7px;">Institution</td> <td>Minneapolis Institute of Arts</td> </tr> </table><br/>Frame: Gift of Myron KuninMonet made the footbridge in his garden at Giverny the subject of two series in 1895-1900 and 1919, and he returned to its wisteria-covered frame repeatedly in the 1920s. With its raw vigor and passionate coloring, this picture underscores an observation Monet once made of his water landscapes in general - it reveals "the instability of a universe transforming itself every moment before our eyes."This reproduction frame, with its ribbon-and-stave moulding detail, is in the style of those used by Paul Durand-Ruel, the famed dealer who worked with and promoted the Impressionists. http://www.artsconnected.org/resource/96896/the-japanese-bridge-gallery-label-current Frame: Gift of Myron KuninMonet made the footbridge in his garden at Giverny the subject of two series in 1895-1900 and 1919, and he returned to its wisteria-covered frame repeatedly in the 1920s. With its raw vigor and passionate coloring, this picture underscores an observation Monet once made of his water landscapes in general - it reveals "the instability of a universe transforming itself every moment before our eyes."This reproduction frame, with its ribbon-and-stave moulding detail, is in the style of those used by Paul Durand-Ruel, the famed dealer who worked with and promoted the Impressionists." type="image/jpeg" />Frame: Gift of Myron KuninMonet made the footbridge in his garden at Giverny the subject of two series in 1895-1900 and 1919, and he returned to its wisteria-covered frame repeatedly in the 1920s. With its raw vigor and passionate coloring, this picture underscores an observation Monet once made of his water landscapes in general - it reveals "the instability of a universe transforming itself every moment before our eyes."This reproduction frame, with its ribbon-and-stave moulding detail, is in the style of those used by Paul Durand-Ruel, the famed dealer who worked with and promoted the Impressionists." type="image/jpeg" />Copyright Minneapolis Institute of ArtsMinneapolis Institute of Arts