<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" 
      xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/"
      xmlns:atom="http://www.w3.org/2005/Atom"
      xmlns:media="http://search.yahoo.com/mrss" 
      xmlns:dc="http://purl.org/dc/elements/1.1/"
      xmlns:dcterms="http://purl.org/dc/terms/">
  <channel>
    <title>Selling Fish: Gallery Label - Current</title>
    <link>http://www.artsconnected.org/resource/95754/selling-fish-gallery-label-current</link>
    <description>ArtsConnectEd.org Art Collector Set: Selling Fish: Gallery Label - Current</description>
    <image>
      <title>Selling Fish: Gallery Label - Current</title>
      <url>http://www.artsconnected.org/images/favicon.png</url>
      <link>http://www.artsconnected.org/resource/95754/selling-fish-gallery-label-current</link>
      <width>16</width>
      <height>16</height>
    </image>
<item>
<title>Selling Fish: Gallery Label - Current</title>
<link>http://www.artsconnected.org/resource/95754/selling-fish-gallery-label-current</link>
<enclosure url="&lt;div class=&quot;gallery_item_text&quot; style=&quot;width:135px; height:115px;&quot; &gt;George Morland, although dissolute and short-lived, nevertheless ranks among the most accomplished British genre painters of the 18th century. This picture dates to his most productive and original period of the 1790s when he frequently sought refuge on the Isle of Wight. The subject, while not unique in Morland's work, is rarely treated with such assurance and breadth of handling.&lt;/div&gt;"  length="2175" type="image/jpeg" />
<pubDate>Fri, 01 Jun 2012 00:00:00 -0400</pubDate>
<description>&lt;table cellspacing=&quot;0&quot;&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Title&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Selling Fish: Gallery Label - Current&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Author&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Minneapolis Institute of Arts&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Date&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;2012-02-22&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot; style=&quot;padding-right:7px;&quot;&gt;Institution&lt;/td&gt;
	&lt;td&gt;Minneapolis Institute of Arts&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;&lt;br/&gt;George Morland, although dissolute and short-lived, nevertheless ranks among the most accomplished British genre painters of the 18th century. This picture dates to his most productive and original period of the 1790s when he frequently sought refuge on the Isle of Wight. The subject, while not unique in Morland's work, is rarely treated with such assurance and breadth of handling.</description>
<guid>http://www.artsconnected.org/resource/95754/selling-fish-gallery-label-current</guid>
<media:thumbnail url="<div class="gallery_item_text" style="width:135px; height:115px;" >George Morland, although dissolute and short-lived, nevertheless ranks among the most accomplished British genre painters of the 18th century. This picture dates to his most productive and original period of the 1790s when he frequently sought refuge on the Isle of Wight. The subject, while not unique in Morland's work, is rarely treated with such assurance and breadth of handling.</div>" type="image/jpeg" /><media:content url="<div class="gallery_item_text" style="width:135px; height:115px;" >George Morland, although dissolute and short-lived, nevertheless ranks among the most accomplished British genre painters of the 18th century. This picture dates to his most productive and original period of the 1790s when he frequently sought refuge on the Isle of Wight. The subject, while not unique in Morland's work, is rarely treated with such assurance and breadth of handling.</div>" type="image/jpeg" /><media:copyright>Copyright Minneapolis Institute of Arts</media:copyright><media:credit>Minneapolis Institute of Arts</media:credit></item>
  </channel>
</rss>