http://www.artsconnected.org/resource/95206/nocturne-palaces-from-the-second-venice-set-gallery-label-current ArtsConnectEd.org Art Collector Set: Nocturne: Palaces from "The Second Venice Set": Gallery Label - Current http://www.artsconnected.org/images/favicon.png http://www.artsconnected.org/resource/95206/nocturne-palaces-from-the-second-venice-set-gallery-label-current 16 16 http://www.artsconnected.org/resource/95206/nocturne-palaces-from-the-second-venice-set-gallery-label-current Wed, 01 Jun 2011 00:00:00 -0400 <table cellspacing="0"> <tr> <td class="detail_label">Title</td> <td><h3>Nocturne: Palaces from "The Second Venice Set": Gallery Label - Current</h3></td> </tr> <tr> <td class="detail_label">Author</td> <td><h3>Minneapolis Institute of Arts</h3></td> </tr> <tr> <td class="detail_label">Date</td> <td><h3>2011-02-04</h3></td> </tr> <tr> <td class="detail_label" style="padding-right:7px;">Institution</td> <td>Minneapolis Institute of Arts</td> </tr> </table><br/>Palaces, like apparitions, mysteriously float between the dark water and the night sky. The lantern on the bridge faintly glows. Whistler used etching and drypoint to suggest the structure of the palaces, but to capture the subtle splendor of Venice by night he left a veil of ink on his plate to produce the glassy surface of the water and duskiness of the sky. http://www.artsconnected.org/resource/95206/nocturne-palaces-from-the-second-venice-set-gallery-label-current Palaces, like apparitions, mysteriously float between the dark water and the night sky. The lantern on the bridge faintly glows. Whistler used etching and drypoint to suggest the structure of the palaces, but to capture the subtle splendor of Venice by night he left a veil of ink on his plate to produce the glassy surface of the water and duskiness of the sky." type="image/jpeg" />Palaces, like apparitions, mysteriously float between the dark water and the night sky. The lantern on the bridge faintly glows. Whistler used etching and drypoint to suggest the structure of the palaces, but to capture the subtle splendor of Venice by night he left a veil of ink on his plate to produce the glassy surface of the water and duskiness of the sky." type="image/jpeg" />Copyright Minneapolis Institute of ArtsMinneapolis Institute of Arts