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    <title>Cottage on Fire: Gallery Label - Current</title>
    <link>http://www.artsconnected.org/resource/94988/cottage-on-fire-gallery-label-current</link>
    <description>ArtsConnectEd.org Art Collector Set: Cottage on Fire: Gallery Label - Current</description>
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      <title>Cottage on Fire: Gallery Label - Current</title>
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<title>Cottage on Fire: Gallery Label - Current</title>
<link>http://www.artsconnected.org/resource/94988/cottage-on-fire-gallery-label-current</link>
<enclosure url="&lt;div class=&quot;gallery_item_text&quot; style=&quot;width:135px; height:115px;&quot; &gt;This nocturnal scene features dramatic contrasts: the hot red light of the fire versus the cool white moonlight, the cottage abruptly consumed by flames as opposed to the slowly decaying castle. Unusual light effects fascinated Joseph Wright, who knew several prominent English scientists investigating the nature of light and vision. After a trip to Italy in 1773-75, where he witnessed a violent eruption of Mount Vesuvius and a spectacular fireworks display at the Castel Sant'Angelo in Rome, Wright made sensational lighting effects the keynote of many of his landscapes. Wright's work prefigured trends in Romantic landscape painting a generation later: themes of tragic destruction would become popular in the 19th century in both England and France. At the same time, this picture reveals its kinship with the decorative landscape styles of the 18th century, seen in its gracefully curving trees, flickering highlights, and simplified coloring.&lt;/div&gt;"  length="2175" type="image/jpeg" />
<pubDate>Fri, 01 Jun 2012 00:00:00 -0400</pubDate>
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	&lt;td class=&quot;detail_label&quot;&gt;Title&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Cottage on Fire: Gallery Label - Current&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Author&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Minneapolis Institute of Arts&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Date&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;2012-02-22&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot; style=&quot;padding-right:7px;&quot;&gt;Institution&lt;/td&gt;
	&lt;td&gt;Minneapolis Institute of Arts&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;&lt;br/&gt;This nocturnal scene features dramatic contrasts: the hot red light of the fire versus the cool white moonlight, the cottage abruptly consumed by flames as opposed to the slowly decaying castle. Unusual light effects fascinated Joseph Wright, who knew several prominent English scientists investigating the nature of light and vision. After a trip to Italy in 1773-75, where he witnessed a violent eruption of Mount Vesuvius and a spectacular fireworks display at the Castel Sant'Angelo in Rome, Wright made sensational lighting effects the keynote of many of his landscapes. Wright's work prefigured trends in Romantic landscape painting a generation later: themes of tragic destruction would become popular in the 19th century in both England and France. At the same time, this picture reveals its kinship with the decorative landscape styles of the 18th century, seen in its gracefully curving trees, flickering highlights, and simplified coloring.</description>
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<media:thumbnail url="<div class="gallery_item_text" style="width:135px; height:115px;" >This nocturnal scene features dramatic contrasts: the hot red light of the fire versus the cool white moonlight, the cottage abruptly consumed by flames as opposed to the slowly decaying castle. Unusual light effects fascinated Joseph Wright, who knew several prominent English scientists investigating the nature of light and vision. After a trip to Italy in 1773-75, where he witnessed a violent eruption of Mount Vesuvius and a spectacular fireworks display at the Castel Sant'Angelo in Rome, Wright made sensational lighting effects the keynote of many of his landscapes. Wright's work prefigured trends in Romantic landscape painting a generation later: themes of tragic destruction would become popular in the 19th century in both England and France. At the same time, this picture reveals its kinship with the decorative landscape styles of the 18th century, seen in its gracefully curving trees, flickering highlights, and simplified coloring.</div>" type="image/jpeg" /><media:content url="<div class="gallery_item_text" style="width:135px; height:115px;" >This nocturnal scene features dramatic contrasts: the hot red light of the fire versus the cool white moonlight, the cottage abruptly consumed by flames as opposed to the slowly decaying castle. Unusual light effects fascinated Joseph Wright, who knew several prominent English scientists investigating the nature of light and vision. After a trip to Italy in 1773-75, where he witnessed a violent eruption of Mount Vesuvius and a spectacular fireworks display at the Castel Sant'Angelo in Rome, Wright made sensational lighting effects the keynote of many of his landscapes. Wright's work prefigured trends in Romantic landscape painting a generation later: themes of tragic destruction would become popular in the 19th century in both England and France. At the same time, this picture reveals its kinship with the decorative landscape styles of the 18th century, seen in its gracefully curving trees, flickering highlights, and simplified coloring.</div>" type="image/jpeg" /><media:copyright>Copyright Minneapolis Institute of Arts</media:copyright><media:credit>Minneapolis Institute of Arts</media:credit></item>
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