http://www.artsconnected.org/resource/94524/elephant-attacking-a-feline-gallery-label-current ArtsConnectEd.org Art Collector Set: Elephant Attacking a Feline: Gallery Label - Current http://www.artsconnected.org/images/favicon.png http://www.artsconnected.org/resource/94524/elephant-attacking-a-feline-gallery-label-current 16 16 http://www.artsconnected.org/resource/94524/elephant-attacking-a-feline-gallery-label-current Wed, 01 Jun 2005 00:00:00 -0400 <table cellspacing="0"> <tr> <td class="detail_label">Title</td> <td><h3>Elephant Attacking a Feline: Gallery Label - Current</h3></td> </tr> <tr> <td class="detail_label">Author</td> <td><h3>Minneapolis Institute of Arts</h3></td> </tr> <tr> <td class="detail_label">Date</td> <td><h3>2005-01-19</h3></td> </tr> <tr> <td class="detail_label" style="padding-right:7px;">Institution</td> <td>Minneapolis Institute of Arts</td> </tr> </table><br/>Animal combat is a Near Eastern theme which entered early into Greek and later Roman art. The introduction of large-scale animal compositions was an important innovation in mosaic decoration, possibly stimulated by circus spectacles. In the fourth century A.D. pavement mosaics of hunting scenes were installed in the villa of Constantine the Great in Antioch, setting an important local precedent. <p>In this fragment of a larger scene, the elephant appears to be somersaulting the tiger with his trunk. The two animals are flattened and generalized into a linear surface pattern, with little attempt at anatomical accuracy. The Romans associated the African elephant with military victory, while tradition held that the tiger, a native of Asia, gave his name to theTigris river. Although this mosaic formed part of a pavement in an Early Christian church, any eventual religious significance of the animals remains obscure, and may not have been intended.</p> http://www.artsconnected.org/resource/94524/elephant-attacking-a-feline-gallery-label-current Animal combat is a Near Eastern theme which entered early into Greek and later Roman art. The introduction of large-scale animal compositions was an important innovation in mosaic decoration, possibly stimulated by circus spectacles. In the fourth century A.D. pavement mosaics of hunting scenes were installed in the villa of Constantine the Great in Antioch, setting an important local precedent. In this fragment of a larger scene, the elephant appears to be somersaulting the tiger with his trunk. The two animals are flattened and generalized into a linear surface pattern, with little attempt at anatomical accuracy. The Romans associated the African elephant with military victory, while tradition held that the tiger, a native of Asia, gave his name to theTigris river. Although this mosaic formed part of a pavement in an Early Christian church, any eventual religious significance of the animals remains obscure, and may not have been intended. " type="image/jpeg" />Animal combat is a Near Eastern theme which entered early into Greek and later Roman art. The introduction of large-scale animal compositions was an important innovation in mosaic decoration, possibly stimulated by circus spectacles. In the fourth century A.D. pavement mosaics of hunting scenes were installed in the villa of Constantine the Great in Antioch, setting an important local precedent. In this fragment of a larger scene, the elephant appears to be somersaulting the tiger with his trunk. The two animals are flattened and generalized into a linear surface pattern, with little attempt at anatomical accuracy. The Romans associated the African elephant with military victory, while tradition held that the tiger, a native of Asia, gave his name to theTigris river. Although this mosaic formed part of a pavement in an Early Christian church, any eventual religious significance of the animals remains obscure, and may not have been intended. " type="image/jpeg" />Copyright Minneapolis Institute of ArtsMinneapolis Institute of Arts