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    <title>Deborah Butterfield, &lt;i&gt;Woodrow&lt;/i&gt;  (1988)</title>
    <link>http://www.artsconnected.org/resource/90586/deborah-butterfield-woodrow-1988</link>
    <description>ArtsConnectEd.org Art Collector Set: Deborah Butterfield, &lt;i&gt;Woodrow&lt;/i&gt;  (1988)</description>
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      <title>Deborah Butterfield, &lt;i&gt;Woodrow&lt;/i&gt;  (1988)</title>
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<title>Deborah Butterfield, Woodrow  (1988)</title>
<link>http://www.artsconnected.org/resource/90586/deborah-butterfield-woodrow-1988</link>
<enclosure url="&lt;div class=&quot;gallery_item_text&quot; style=&quot;width:135px; height:115px;&quot; &gt;&quot;In the 1970s I made horses out of real mud and sticks. They were, in part, meant to reflect how much a horse is part of his environment--I combined the figure and the ground.&quot;--Deborah Butterfield

Deborah Butterfield's remarkable interpretations of horses are constructed from such materials as crushed metal, wire, mud, straw, and fragments of wood. The sculptor has several horses of her own on a ranch in Montana, where she studies their movements and form carefully. Unlike Marino Marini's sculpture Cavaliere (Horseman) (circa 1949), in which the horse is portrayed as a stylized creature, Butterfield's sculptures are portraits of individual animals. For Woodrow, the artist took a selection of sticks, tree branches, and bark that she cast in bronze, then assembled and welded the pieces together into the form of a horse. Even though Butterfield's sculpture is made of many fragments, its spare and elegant structure is very lifelike. Woodrow blends easily with the natural setting of the Garden because the artist patinated (colored) the bronze branches and twigs, making them look like natural wood.&lt;/div&gt;"  length="2175" type="image/jpeg" />
<pubDate>Mon, 01 Jun 1998 00:00:00 -0400</pubDate>
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&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Title&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Deborah Butterfield, &lt;i&gt;Woodrow&lt;/i&gt;  (1988)&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Author&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Walker Art Center&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Date&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;1998&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot; style=&quot;padding-right:7px;&quot;&gt;Institution&lt;/td&gt;
	&lt;td&gt;Walker Art Center&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;&lt;br/&gt;&quot;In the 1970s I made horses out of real mud and sticks. They were, in part, meant to reflect how much a horse is part of his environment--I combined the figure and the ground.&quot;--Deborah Butterfield&lt;br /&gt;
&lt;br /&gt;
Deborah Butterfield's remarkable interpretations of horses are constructed from such materials as crushed metal, wire, mud, straw, and fragments of wood. The sculptor has several horses of her own on a ranch in Montana, where she studies their movements and form carefully. Unlike Marino Marini's sculpture &lt;i&gt;Cavaliere (Horseman)&lt;/i&gt; (circa 1949), in which the horse is portrayed as a stylized creature, Butterfield's sculptures are portraits of individual animals. For &lt;i&gt;Woodrow&lt;/i&gt;, the artist took a selection of sticks, tree branches, and bark that she cast in bronze, then assembled and welded the pieces together into the form of a horse. Even though Butterfield's sculpture is made of many fragments, its spare and elegant structure is very lifelike. &lt;i&gt;Woodrow&lt;/i&gt; blends easily with the natural setting of the Garden because the artist patinated (colored) the bronze branches and twigs, making them look like natural wood.</description>
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<media:thumbnail url="<div class="gallery_item_text" style="width:135px; height:115px;" >"In the 1970s I made horses out of real mud and sticks. They were, in part, meant to reflect how much a horse is part of his environment--I combined the figure and the ground."--Deborah Butterfield

Deborah Butterfield's remarkable interpretations of horses are constructed from such materials as crushed metal, wire, mud, straw, and fragments of wood. The sculptor has several horses of her own on a ranch in Montana, where she studies their movements and form carefully. Unlike Marino Marini's sculpture Cavaliere (Horseman) (circa 1949), in which the horse is portrayed as a stylized creature, Butterfield's sculptures are portraits of individual animals. For Woodrow, the artist took a selection of sticks, tree branches, and bark that she cast in bronze, then assembled and welded the pieces together into the form of a horse. Even though Butterfield's sculpture is made of many fragments, its spare and elegant structure is very lifelike. Woodrow blends easily with the natural setting of the Garden because the artist patinated (colored) the bronze branches and twigs, making them look like natural wood.</div>" type="image/jpeg" /><media:content url="<div class="gallery_item_text" style="width:135px; height:115px;" >"In the 1970s I made horses out of real mud and sticks. They were, in part, meant to reflect how much a horse is part of his environment--I combined the figure and the ground."--Deborah Butterfield

Deborah Butterfield's remarkable interpretations of horses are constructed from such materials as crushed metal, wire, mud, straw, and fragments of wood. The sculptor has several horses of her own on a ranch in Montana, where she studies their movements and form carefully. Unlike Marino Marini's sculpture Cavaliere (Horseman) (circa 1949), in which the horse is portrayed as a stylized creature, Butterfield's sculptures are portraits of individual animals. For Woodrow, the artist took a selection of sticks, tree branches, and bark that she cast in bronze, then assembled and welded the pieces together into the form of a horse. Even though Butterfield's sculpture is made of many fragments, its spare and elegant structure is very lifelike. Woodrow blends easily with the natural setting of the Garden because the artist patinated (colored) the bronze branches and twigs, making them look like natural wood.</div>" type="image/jpeg" /><media:copyright>Copyright 1998 Walker Art Center</media:copyright><media:credit>Walker Art Center</media:credit></item>
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