RL: It was hard to get a painting that was despicable enough so that no one would hang it -- everybody was hanging everything. It was almost acceptable to hang a dripping paint rag, everybody was accustomed to this. The one thing everyone hated was commercial art; apparently they didn't hate that enough, either. . . .
GRS: Are you anti-experimental?
RL: I think so, and anti-contemplative, anti-nuance, anti-getting-away-from-the-tyranny-of-the-rectangle, anti-movement-and-light, anti-mystery, anti-paint-quality, anti-Zen, and anti all of those brilliant ideas of preceding movements which everyone understands so thoroughly. Roy Lichtenstein, 1963