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    <title>Jasper Johns, &lt;i&gt;Flashlight&lt;/i&gt; (1960)</title>
    <link>http://www.artsconnected.org/resource/86867/jasper-johns-flashlight-1960</link>
    <description>ArtsConnectEd.org Art Collector Set: Jasper Johns, &lt;i&gt;Flashlight&lt;/i&gt; (1960)</description>
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      <title>Jasper Johns, &lt;i&gt;Flashlight&lt;/i&gt; (1960)</title>
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<title>Jasper Johns, Flashlight (1960)</title>
<link>http://www.artsconnected.org/resource/86867/jasper-johns-flashlight-1960</link>
<enclosure url="&lt;div class=&quot;gallery_item_text&quot; style=&quot;width:135px; height:115px;&quot; &gt;I had a particular idea in my mind what a flashlight looked like and I wanted to go and buy one as a model. I looked for a week for what I thought looked like an ordinary flashlight, and I found all kinds of flashlights with red plastic shields, wings on the sides . . . and this made me very suspect of my idea, because it was so difficult to find this thing I had thought was so common. Actually the choice is quite personal and is not really based on one's observations at all . . . --Jasper Johns, 1965
Along with Robert Rauschenberg, American artist Jasper Johns is known as a forerunner of the Pop Art movement. Although not a Pop artist himself, Johns incorporated recurring icons and motifs into his painting, sculpture, and prints--such as American flags, targets, stenciled words, and numbers--that set the stage for the proliferation of popular imagery in art during the 1960s.
Flashlight is one of his Johns' earliest pedestal-based sculptures. Cast in bronze, it is the final version of an earlier work the artist created in sculpmetal, a pliable claylike substance that, when dry, emulates cast metal. By adding two iron bars that align the flashlight with the base, Johns ironically comments upon the tradition of sculpture as a rare, precious object. .
Walker solo exhibition: Jasper Johns: Printed Symbols, 1980
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<pubDate>Tue, 01 Jun 1999 00:00:00 -0400</pubDate>
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&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Title&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Jasper Johns, &lt;i&gt;Flashlight&lt;/i&gt; (1960)&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Author&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Walker Art Center&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Date&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;1999&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot; style=&quot;padding-right:7px;&quot;&gt;Institution&lt;/td&gt;
	&lt;td&gt;Walker Art Center&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;&lt;br/&gt;&lt;i&gt;I had a particular idea in my mind what a flashlight looked like and I wanted to go and buy one as a model. I looked for a week for what I thought looked like an ordinary flashlight, and I found all kinds of flashlights with red plastic shields, wings on the sides . . . and this made me very suspect of my idea, because it was so difficult to find this thing I had thought was so common. Actually the choice is quite personal and is not really based on one's observations at all . . .&lt;/i&gt; --Jasper Johns, 1965
&lt;p&gt;Along with Robert Rauschenberg, American artist Jasper Johns is known as a forerunner of the Pop Art movement. Although not a Pop artist himself, Johns incorporated recurring icons and motifs into his painting, sculpture, and prints--such as American flags, targets, stenciled words, and numbers--that set the stage for the proliferation of popular imagery in art during the 1960s.&lt;/p&gt;
&lt;p&gt;&lt;i&gt;Flashlight&lt;/i&gt; is one of his Johns' earliest pedestal-based sculptures. Cast in bronze, it is the final version of an earlier work the artist created in sculpmetal, a pliable claylike substance that, when dry, emulates cast metal. By adding two iron bars that align the flashlight with the base, Johns ironically comments upon the tradition of sculpture as a rare, precious object. .&lt;/p&gt;
&lt;p&gt;Walker solo exhibition: &lt;i&gt;Jasper Johns: Printed Symbols,&lt;/i&gt; 1980&lt;/p&gt;
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<media:thumbnail url="<div class="gallery_item_text" style="width:135px; height:115px;" >I had a particular idea in my mind what a flashlight looked like and I wanted to go and buy one as a model. I looked for a week for what I thought looked like an ordinary flashlight, and I found all kinds of flashlights with red plastic shields, wings on the sides . . . and this made me very suspect of my idea, because it was so difficult to find this thing I had thought was so common. Actually the choice is quite personal and is not really based on one's observations at all . . . --Jasper Johns, 1965
Along with Robert Rauschenberg, American artist Jasper Johns is known as a forerunner of the Pop Art movement. Although not a Pop artist himself, Johns incorporated recurring icons and motifs into his painting, sculpture, and prints--such as American flags, targets, stenciled words, and numbers--that set the stage for the proliferation of popular imagery in art during the 1960s.
Flashlight is one of his Johns' earliest pedestal-based sculptures. Cast in bronze, it is the final version of an earlier work the artist created in sculpmetal, a pliable claylike substance that, when dry, emulates cast metal. By adding two iron bars that align the flashlight with the base, Johns ironically comments upon the tradition of sculpture as a rare, precious object. .
Walker solo exhibition: Jasper Johns: Printed Symbols, 1980
</div>" type="image/jpeg" /><media:content url="<div class="gallery_item_text" style="width:135px; height:115px;" >I had a particular idea in my mind what a flashlight looked like and I wanted to go and buy one as a model. I looked for a week for what I thought looked like an ordinary flashlight, and I found all kinds of flashlights with red plastic shields, wings on the sides . . . and this made me very suspect of my idea, because it was so difficult to find this thing I had thought was so common. Actually the choice is quite personal and is not really based on one's observations at all . . . --Jasper Johns, 1965
Along with Robert Rauschenberg, American artist Jasper Johns is known as a forerunner of the Pop Art movement. Although not a Pop artist himself, Johns incorporated recurring icons and motifs into his painting, sculpture, and prints--such as American flags, targets, stenciled words, and numbers--that set the stage for the proliferation of popular imagery in art during the 1960s.
Flashlight is one of his Johns' earliest pedestal-based sculptures. Cast in bronze, it is the final version of an earlier work the artist created in sculpmetal, a pliable claylike substance that, when dry, emulates cast metal. By adding two iron bars that align the flashlight with the base, Johns ironically comments upon the tradition of sculpture as a rare, precious object. .
Walker solo exhibition: Jasper Johns: Printed Symbols, 1980
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