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    <title>Kara Walker, Selected drawings from &lt;i&gt;Do You Like Creme in Your Coffee and Chocolate in Your Milk?&lt;/i&gt; (1997)</title>
    <link>http://www.artsconnected.org/resource/86848/kara-walker-selected-drawings-from-do-you-like-creme-in-your-coffee-and-chocolate-in-your-milk-1997</link>
    <description>ArtsConnectEd.org Art Collector Set: Kara Walker, Selected drawings from &lt;i&gt;Do You Like Creme in Your Coffee and Chocolate in Your Milk?&lt;/i&gt; (1997)</description>
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      <title>Kara Walker, Selected drawings from &lt;i&gt;Do You Like Creme in Your Coffee and Chocolate in Your Milk?&lt;/i&gt; (1997)</title>
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<title>Kara Walker, Selected drawings from Do You Like Creme in Your Coffee and Chocolate in Your Milk? (1997)</title>
<link>http://www.artsconnected.org/resource/86848/kara-walker-selected-drawings-from-do-you-like-creme-in-your-coffee-and-chocolate-in-your-milk-1997</link>
<enclosure url="&lt;div class=&quot;gallery_item_text&quot; style=&quot;width:135px; height:115px;&quot; &gt;Kara Walker's art takes an irreverent, humorous, ghoulish, and all-around fantastical look at the underbelly of America's obsessions with race, sex, and violence. Although best known for her room-size tableaus of black-and-white silhouettes, Walker also sustains a prolific output of smaller drawings and works on paper. The artist draws her iconography from sources as varied as the pre-Civil War American South, historical romance novels, commercial culture, and slave narratives. Through a &quot;collusion of fact and fiction,&quot; she creates a complex reading of history that is at once seductive and terrifying. What at first glance appears innocent in its fairy-tale rendering is, upon closer inspection, soon revealed to be full of surprising twists and outlandish situations.&lt;/div&gt;"  length="2175" type="image/jpeg" />
<pubDate>Tue, 01 Jun 1999 00:00:00 -0400</pubDate>
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	&lt;td class=&quot;detail_label&quot;&gt;Title&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Kara Walker, Selected drawings from &lt;i&gt;Do You Like Creme in Your Coffee and Chocolate in Your Milk?&lt;/i&gt; (1997)&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Author&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Walker Art Center&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Date&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;1999&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot; style=&quot;padding-right:7px;&quot;&gt;Institution&lt;/td&gt;
	&lt;td&gt;Walker Art Center&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;&lt;br/&gt;Kara Walker's art takes an irreverent, humorous, ghoulish, and all-around fantastical look at the underbelly of America's obsessions with race, sex, and violence. Although best known for her room-size tableaus of black-and-white silhouettes, Walker also sustains a prolific output of smaller drawings and works on paper. The artist draws her iconography from sources as varied as the pre-Civil War American South, historical romance novels, commercial culture, and slave narratives. Through a &quot;collusion of fact and fiction,&quot; she creates a complex reading of history that is at once seductive and terrifying. What at first glance appears innocent in its fairy-tale rendering is, upon closer inspection, soon revealed to be full of surprising twists and outlandish situations.</description>
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<media:thumbnail url="<div class="gallery_item_text" style="width:135px; height:115px;" >Kara Walker's art takes an irreverent, humorous, ghoulish, and all-around fantastical look at the underbelly of America's obsessions with race, sex, and violence. Although best known for her room-size tableaus of black-and-white silhouettes, Walker also sustains a prolific output of smaller drawings and works on paper. The artist draws her iconography from sources as varied as the pre-Civil War American South, historical romance novels, commercial culture, and slave narratives. Through a "collusion of fact and fiction," she creates a complex reading of history that is at once seductive and terrifying. What at first glance appears innocent in its fairy-tale rendering is, upon closer inspection, soon revealed to be full of surprising twists and outlandish situations.</div>" type="image/jpeg" /><media:content url="<div class="gallery_item_text" style="width:135px; height:115px;" >Kara Walker's art takes an irreverent, humorous, ghoulish, and all-around fantastical look at the underbelly of America's obsessions with race, sex, and violence. Although best known for her room-size tableaus of black-and-white silhouettes, Walker also sustains a prolific output of smaller drawings and works on paper. The artist draws her iconography from sources as varied as the pre-Civil War American South, historical romance novels, commercial culture, and slave narratives. Through a "collusion of fact and fiction," she creates a complex reading of history that is at once seductive and terrifying. What at first glance appears innocent in its fairy-tale rendering is, upon closer inspection, soon revealed to be full of surprising twists and outlandish situations.</div>" type="image/jpeg" /><media:copyright>Copyright 1999 Walker Art Center</media:copyright><media:credit>Walker Art Center</media:credit></item>
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