http://www.artsconnected.org/resource/85998/dan-graham-two-way-mirror-punched-steel-hedge-labyrinth-1994-1996 ArtsConnectEd.org Art Collector Set: Dan Graham, <i>Two-Way Mirror Punched Steel Hedge Labyrinth</i> (1994-1996) http://www.artsconnected.org/images/favicon.png http://www.artsconnected.org/resource/85998/dan-graham-two-way-mirror-punched-steel-hedge-labyrinth-1994-1996 16 16 http://www.artsconnected.org/resource/85998/dan-graham-two-way-mirror-punched-steel-hedge-labyrinth-1994-1996 Mon, 01 Jun 1998 00:00:00 -0400 <table cellspacing="0"> <tr> <td class="detail_label">Title</td> <td><h3>Dan Graham, <i>Two-Way Mirror Punched Steel Hedge Labyrinth</i> (1994-1996)</h3></td> </tr> <tr> <td class="detail_label">Author</td> <td><h3>Walker Art Center</h3></td> </tr> <tr> <td class="detail_label">Date</td> <td><h3>1998</h3></td> </tr> <tr> <td class="detail_label" style="padding-right:7px;">Institution</td> <td>Walker Art Center</td> </tr> </table><br/>Since the mid-1960s, conceptual artist Dan Graham has been investigating how spaces affect human behavior, how art and audiences are connected, and the ways works of art are linked to their physical, economic, and social contexts. Graham's work is often said to exist between the worlds of art and architecture. For the Minneapolis Sculpture Garden he created a large geometric maze with walls that provide both transparent and reflective surfaces. As we interact with the sculpture we both see and are seen, viewing the surrounding environment and our own reflections. The piece conjures up questions about inside and outside, about public and private spaces, and--as the reflective surfaces respond to the motion of clouds and sun--about nature and culture. http://www.artsconnected.org/resource/85998/dan-graham-two-way-mirror-punched-steel-hedge-labyrinth-1994-1996 Since the mid-1960s, conceptual artist Dan Graham has been investigating how spaces affect human behavior, how art and audiences are connected, and the ways works of art are linked to their physical, economic, and social contexts. Graham's work is often said to exist between the worlds of art and architecture. For the Minneapolis Sculpture Garden he created a large geometric maze with walls that provide both transparent and reflective surfaces. As we interact with the sculpture we both see and are seen, viewing the surrounding environment and our own reflections. The piece conjures up questions about inside and outside, about public and private spaces, and--as the reflective surfaces respond to the motion of clouds and sun--about nature and culture." type="image/jpeg" />Since the mid-1960s, conceptual artist Dan Graham has been investigating how spaces affect human behavior, how art and audiences are connected, and the ways works of art are linked to their physical, economic, and social contexts. Graham's work is often said to exist between the worlds of art and architecture. For the Minneapolis Sculpture Garden he created a large geometric maze with walls that provide both transparent and reflective surfaces. As we interact with the sculpture we both see and are seen, viewing the surrounding environment and our own reflections. The piece conjures up questions about inside and outside, about public and private spaces, and--as the reflective surfaces respond to the motion of clouds and sun--about nature and culture." type="image/jpeg" />Copyright 1998 Walker Art CenterWalker Art Center