Po Cheng (Ritual Bell)

Artist Unknown (China) — Tue, 30 Aug 2011 02:12:26 -0400

Title	Po Cheng (Ritual Bell)
Artist	Artist Unknown (China)
Date	late 6th-early 5th century B.C.
Institution	Minneapolis Institute of Arts
Location	On view at the Minneapolis Institute of Arts, G215

This richly adorned bell, of pointed oval cross section, is typical of the advanced Huai style. The suspending device consists of one big snake with two bodies, each rising in a bold S-curve. It is flanked by two tigers whose long necks pass under and around the first curve of the snake's bodies, and whose heads are turned so that their noses rest on their backs. Their shoulder line is emphasized by a big, comma-shaped spiral. Their hindquarters have similar comma-shaped loops and their bodies are covered with granulation. The top surface of the bell displays a complicated geometrical scheme of narrow, rope-patterned bands and comma figures. The bell itself is decorated with three bare bands of bosses formed of coiled snakes. Two narrow belts between display dragons in a decor applied by dies. The original drawing for these belts was obviously somewhat wider, inasmuch as parts of the dragon bodies have been cut off. An elaborate t'ao-t'ieh appears in a small, empty space in the center of the forehead. The interlaced and extensively embellished body of the main t'ao-t'ieh is decorated with scale-bands, pointed spirals, and granulation. For a clarification of this involved decor area, see Karlgren, Number 58, figures 62 and 63. Patinagrey-green with blue patches.

Po Cheng (Ritual Bell)

Po Cheng (Ritual Bell)

Po Cheng (Ritual Bell)

Artist Unknown (China)

late 6th-early 5th century B.C.