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| Title | Art as Response |
| Author | Alicia Dolentz |
| Date | January 3, 2013 |
| Institution | ArtsConnectEd |
Details
| Type: | Instructional Set |
| Grades: | 9-Adult |
| Instructional Method: | Classroom Discussion, Interdisciplinary, Lecture, Multimedia Instruction, Self-paced Learning, Thematic Approach |
| Added to Site: | January 3, 2013 |
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Slides
![Untitled [Birmingham Race Riot] from the portfolio Ten Works by Ten Painters, Andy Warhol](http://www.artsconnected.org/media/3b/53/c7504554ac85e0fae466eadb9ad7/145/120/49250.jpg)
Response to Injustice
Andy Warhol

Response to the Human Experience
Gilles Peress

Response to Personal Experience
Art as Protest

Biography: Artist Shirin Neshat
"The reality of contemporary feminism in Iran is that resistance is an essential part of a woman's experience. As a result, women are very tough, the exact opposite of the outside image we have of these women. My attempt has always been to reveal, in a very candid way, the layers of unpredictability and strength that are not so evident on the surface."
--Shirin Neshat, 2000
"I had been working on the subject of the female body in relation to politics in Islam and the way in which a woman's body has been a type of battleground for various kinds of rhetoric and political ideology. Recently, through some reading, I became very interested in how space and special boundaries are also politicized and are designed to lift personal and individual desire from the public domain and contain it within private spaces. Ultimately, men dominate public spaces and women exist for the most part in private spaces . . . "
--Shirin Neshat, 1997
Many of Neshat's works relate to women's rights in conflict with contemporary Islamic practice, which dictates strict rules for women's behavior and mode of dress. But the artist cautions that feminist ideas from the United States may not apply to feminists in Iran. Equality between women and men is a goal often associated with U.S. feminism. Neshat, however, believes that Iranian feminists don't desire equality with men. They accept and respect differences between men and women, and seek rights that serve women as equal partners with men, but with different roles in society.
Rights: Women's Experience
Walker Art Center
Choosing a Response

In Soliloquy, Shirin Neshat wears clothing resembling a chador, the traditional Iranian dress for Muslim women. A chador is a large cloth worn as a combination head covering, veil, and shawl. The garment was forbidden in Iran when Mohammad Reza Pahlavi was in charge, before 1979. Known as the shah, he wanted to modernize Iran and was supported by the United States. After the Iranian Revolution removed him from power, women were seen as key to achieving public change and they were required by the government to wear the garment. Since that time the chador has become more a political issue and less a religious one. (In fact, the law of Islam as written in the Koran does not require women to wear veils.)
In Iran, wearing a chador allows women to move outside the confinement of home into public and professional areas. As one Iranian schoolgirl explains: "We want to stop men from treating us like sex objects. . . . We want them to ignore our appearance and be attentive to our personalities and minds. We want them to take us seriously and treat us as equals, not just chase us around for our bodies and physical looks."
Excerpt from Women in World History Curriculum 2002
Shirin Neshat has firsthand knowledge of the chador and its complex history, having grown up in an Iran that forbade the chador and now representing her homeland in her work. But the complicated symbols suggested by the chador are a small part of what Neshat is after. For her, it points to larger issues of women's roles and cultural identity in a global world.
Explanation of Soliloquy
Shirin Neshat
Soliloquy: West v. East


Soliloquy: Part 1/2 (play videos simultaneously)


Soliloquy: Part 2/2 (play videos simultaneously)

A Call to Action
Thomas F. Arndt
Attachments
Meta Data
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