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    <title>Tour Guide Study Set: Hock E Aye Vi Edgar Heap of Birds</title>
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<title>Notes to the Reader</title>
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<pubDate>Thu, 06 Dec 2012 12:25:20 -0500</pubDate>
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<link>http://www.artsconnected.org/resource/153509</link>
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<link>http://www.artsconnected.org/resource/153510</link>
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<pubDate>Thu, 06 Dec 2012 12:25:22 -0500</pubDate>
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<pubDate>Thu, 06 Dec 2012 12:25:23 -0500</pubDate>
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<link>http://www.artsconnected.org/resource/153512</link>
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<pubDate>Thu, 06 Dec 2012 12:25:23 -0500</pubDate>
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<title>Telling Many Magpies, Telling Black Wolf, Telling Hachivi</title>
<link>http://www.artsconnected.org/resource/83925/telling-many-magpies-telling-black-wolf-telling-hachivi</link>
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<dc:identifier>http://www.artsconnected.org/resource/83925/telling-many-magpies-telling-black-wolf-telling-hachivi</dc:identifier>
<dc:type>Prints, Edition Prints/Proofs</dc:type>
<dc:creator>Hachivi Edgar Heap of Birds</dc:creator>
<dc:rights></dc:rights>
<dcterms:created>1989</dcterms:created>
<dcterms:temporal>1989</dcterms:temporal>
<dcterms:spatial>American</dcterms:spatial>
<dcterms:medium>screenprint on paper</dcterms:medium>
<dcterms:license valueURI="http://www.artsconnected.org/info/copyright"/>
<dc:subject>Prints</dc:subject>
<pubDate>Thu, 01 Jun 1989 00:00:00 -0400</pubDate>
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	&lt;td&gt;&lt;h3 property=&quot;dcterms:title cdwalite:title&quot;&gt;Telling Many Magpies, Telling Black Wolf, Telling Hachivi&lt;/h3&gt;&lt;/td&gt;
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	&lt;td&gt;&lt;h3 property=&quot;dcterms:created dc:date cdwalite:displayCreationDate cdwalite:earliestDate vra:date&quot; content=&quot;1989&quot;&gt;1989&lt;/h3&gt;&lt;/td&gt;
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	&lt;td class=&quot;detail_label&quot; style=&quot;padding-right:7px;&quot;&gt;Institution&lt;/td&gt;
	&lt;td&gt;&lt;a href=&quot;http://www.artsconnected.org/resource/list/breadcrumb/true/f_InstitutionTitle/Walker+Art+Center&quot;&gt;Walker Art Center&lt;/a&gt;&lt;/td&gt;
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		On view at the Walker Art Center, &lt;a href=&quot;http://www.artsconnected.org/resource/list/breadcrumb/true/query/location%3A%22%22&quot;&gt;&lt;/a&gt;	&lt;/td&gt;
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<guid>http://www.artsconnected.org/resource/83925/telling-many-magpies-telling-black-wolf-telling-hachivi</guid>
<media:thumbnail url="http://www.artsconnected.org/media/work.png" type="image/jpeg" /><media:content url="http://www.artsconnected.org/media/work.png" type="image/jpeg" /><media:copyright></media:copyright><media:credit>Hachivi Edgar Heap of Birds</media:credit></item>
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<title>Ta-te' Hdi-da (Wind Comes Home)</title>
<link>http://www.artsconnected.org/resource/91786/ta-te-hdi-da-wind-comes-home</link>
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<dc:identifier>http://www.artsconnected.org/resource/91786/ta-te-hdi-da-wind-comes-home</dc:identifier>
<dc:type>Sculpture, Sculptures</dc:type>
<dc:creator>Hachivi Edgar Heap of Birds</dc:creator>
<dc:rights>© Hachivi Edgar Heap of Birds</dc:rights>
<dcterms:created>1990</dcterms:created>
<dcterms:temporal>1990</dcterms:temporal>
<dcterms:spatial>American</dcterms:spatial>
<dcterms:medium>enamel on aluminum</dcterms:medium>
<dcterms:license valueURI="http://www.artsconnected.org/info/copyright"/>
<dc:subject>Sculpture</dc:subject>
<pubDate>Fri, 01 Jun 1990 00:00:00 -0400</pubDate>
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	&lt;td&gt;&lt;h3&gt;&lt;a property=&quot;dcterms:creator cdwalite:displayCreator&quot; href=&quot;http://www.artsconnected.org/resource/list/breadcrumb/true/f_workDisplayCreator/Hachivi+Edgar+Heap+of+Birds&quot;&gt;Hachivi Edgar Heap of Birds&lt;/a&gt;&lt;/h3&gt;&lt;/td&gt;
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	&lt;td&gt;&lt;h3 property=&quot;dcterms:created dc:date cdwalite:displayCreationDate cdwalite:earliestDate vra:date&quot; content=&quot;1990&quot;&gt;1990&lt;/h3&gt;&lt;/td&gt;
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	&lt;td class=&quot;detail_label&quot; style=&quot;padding-right:7px;&quot;&gt;Institution&lt;/td&gt;
	&lt;td&gt;&lt;a href=&quot;http://www.artsconnected.org/resource/list/breadcrumb/true/f_InstitutionTitle/Walker+Art+Center&quot;&gt;Walker Art Center&lt;/a&gt;&lt;/td&gt;
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				Not on view.
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<guid>http://www.artsconnected.org/resource/91786/ta-te-hdi-da-wind-comes-home</guid>
<media:thumbnail url="http://www.artsconnected.org/media/8b/05/380895ef0602f3adf125355de932/145/120/33507.jpg" type="image/jpeg" /><media:content url="http://www.artsconnected.org/media/8b/05/380895ef0602f3adf125355de932/1024/768/33507.jpg" type="image/jpeg" /><media:copyright>Courtesy Walker Art Center</media:copyright><media:credit>Hachivi Edgar Heap of Birds</media:credit></item>
<item>
<title>Hachivi Edgar Heap of Birds, TA-TE' HDI-DA (WIND COMES HOME), 1990</title>
<link>http://www.artsconnected.org/resource/90608/hachivi-edgar-heap-of-birds-ta-te-hdi-da-wind-comes-home-1990</link>
<enclosure url="&lt;div class=&quot;gallery_item_text&quot; style=&quot;width:135px; height:115px;&quot; &gt;Hachivi Edgar Heap of Birds' BUILDING MINNESOTA was on view on the West River Parkway in Minneapolis between the Third Avenue Bridge and Portland Avenue in conjunction with CLAIM YOUR COLOR (March 4-May 9, 1990), an exhibition at the Walker Art Center featuring the artist's work. In his site-specific public work, Heap of Birds  appropriates official signage and uses his own words to remind viewers of the lost history of that place. Each of the 38 signs that comprise BUILDING MINNESOTA recognizes a member of the Dakota tribe who was hanged at the end of the United States-Dakota Conflict of 1862. Heap of Birds chose this location for a number of reasons -- here the Mississippi River is both blocked from access by a chain link fence and harnessed to create power for a number of nearby grain processing mills. He felt this location represented changes of the river from a spiritual and life-giving resource for the Dakota people to a place associated with the economics of trade managed by the white settlers who named this stretch of the river's bank &quot;The Grain Belt.&quot;
As the land along the Parkway is owned by the Minneapolis Park Board, this commission demanded close cooperation between the City Council and the Walker. The Park Board donated the signs and the labor, and the Walker arranged for young adults to help the artist place the signs. In the commissioning contract, the artist retained the copyright to the commission and ownership of one complete set of signs (two sets were made in case of theft, vandalism, or loss) and the Walker reserved three signs for its permanent collection.  While CLAIM YOUR COLOR came down in early May 1990, the Minneapolis Park Board agreed to keep BUILDING MINNESOTA on site through the first week of September.
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<pubDate>Mon, 01 Jun 1998 00:00:00 -0400</pubDate>
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	&lt;td&gt;&lt;h3&gt;1998&lt;/h3&gt;&lt;/td&gt;
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	&lt;td&gt;Walker Art Center&lt;/td&gt;
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&lt;/table&gt;&lt;br/&gt;Hachivi Edgar Heap of Birds' BUILDING MINNESOTA was on view on the West River Parkway in Minneapolis between the Third Avenue Bridge and Portland Avenue in conjunction with CLAIM YOUR COLOR (March 4-May 9, 1990), an exhibition at the Walker Art Center featuring the artist's work. In his site-specific public work, Heap of Birds &lt;!-- (pictured here)--&gt; appropriates official signage and uses his own words to remind viewers of the lost history of that place. Each of the 38 signs that comprise BUILDING MINNESOTA recognizes a member of the Dakota tribe who was hanged at the end of the United States-Dakota Conflict of 1862. Heap of Birds chose this location for a number of reasons -- here the Mississippi River is both blocked from access by a chain link fence and harnessed to create power for a number of nearby grain processing mills. He felt this location represented changes of the river from a spiritual and life-giving resource for the Dakota people to a place associated with the economics of trade managed by the white settlers who named this stretch of the river's bank &quot;The Grain Belt.&quot;
&lt;p&gt;As the land along the Parkway is owned by the Minneapolis Park Board, this commission demanded close cooperation between the City Council and the Walker. The Park Board donated the signs and the labor, and the Walker arranged for young adults to help the artist place the signs. In the commissioning contract, the artist retained the copyright to the commission and ownership of one complete set of signs (two sets were made in case of theft, vandalism, or loss) and the Walker reserved three signs for its permanent collection. &lt;!--, two of which are seen here.--&gt; While CLAIM YOUR COLOR came down in early May 1990, the Minneapolis Park Board agreed to keep BUILDING MINNESOTA on site through the first week of September.&lt;/p&gt;
</description>
<guid>http://www.artsconnected.org/resource/90608/hachivi-edgar-heap-of-birds-ta-te-hdi-da-wind-comes-home-1990</guid>
<media:thumbnail url="<div class="gallery_item_text" style="width:135px; height:115px;" >Hachivi Edgar Heap of Birds' BUILDING MINNESOTA was on view on the West River Parkway in Minneapolis between the Third Avenue Bridge and Portland Avenue in conjunction with CLAIM YOUR COLOR (March 4-May 9, 1990), an exhibition at the Walker Art Center featuring the artist's work. In his site-specific public work, Heap of Birds  appropriates official signage and uses his own words to remind viewers of the lost history of that place. Each of the 38 signs that comprise BUILDING MINNESOTA recognizes a member of the Dakota tribe who was hanged at the end of the United States-Dakota Conflict of 1862. Heap of Birds chose this location for a number of reasons -- here the Mississippi River is both blocked from access by a chain link fence and harnessed to create power for a number of nearby grain processing mills. He felt this location represented changes of the river from a spiritual and life-giving resource for the Dakota people to a place associated with the economics of trade managed by the white settlers who named this stretch of the river's bank "The Grain Belt."
As the land along the Parkway is owned by the Minneapolis Park Board, this commission demanded close cooperation between the City Council and the Walker. The Park Board donated the signs and the labor, and the Walker arranged for young adults to help the artist place the signs. In the commissioning contract, the artist retained the copyright to the commission and ownership of one complete set of signs (two sets were made in case of theft, vandalism, or loss) and the Walker reserved three signs for its permanent collection.  While CLAIM YOUR COLOR came down in early May 1990, the Minneapolis Park Board agreed to keep BUILDING MINNESOTA on site through the first week of September.
</div>" type="image/jpeg" /><media:content url="<div class="gallery_item_text" style="width:135px; height:115px;" >Hachivi Edgar Heap of Birds' BUILDING MINNESOTA was on view on the West River Parkway in Minneapolis between the Third Avenue Bridge and Portland Avenue in conjunction with CLAIM YOUR COLOR (March 4-May 9, 1990), an exhibition at the Walker Art Center featuring the artist's work. In his site-specific public work, Heap of Birds  appropriates official signage and uses his own words to remind viewers of the lost history of that place. Each of the 38 signs that comprise BUILDING MINNESOTA recognizes a member of the Dakota tribe who was hanged at the end of the United States-Dakota Conflict of 1862. Heap of Birds chose this location for a number of reasons -- here the Mississippi River is both blocked from access by a chain link fence and harnessed to create power for a number of nearby grain processing mills. He felt this location represented changes of the river from a spiritual and life-giving resource for the Dakota people to a place associated with the economics of trade managed by the white settlers who named this stretch of the river's bank "The Grain Belt."
As the land along the Parkway is owned by the Minneapolis Park Board, this commission demanded close cooperation between the City Council and the Walker. The Park Board donated the signs and the labor, and the Walker arranged for young adults to help the artist place the signs. In the commissioning contract, the artist retained the copyright to the commission and ownership of one complete set of signs (two sets were made in case of theft, vandalism, or loss) and the Walker reserved three signs for its permanent collection.  While CLAIM YOUR COLOR came down in early May 1990, the Minneapolis Park Board agreed to keep BUILDING MINNESOTA on site through the first week of September.
</div>" type="image/jpeg" /><media:copyright>Copyright 1998 Walker Art Center</media:copyright><media:credit>Walker Art Center</media:credit></item>
<item>
<title>Ma-ka'tal-na'-zin (One Who Stands on the Earth)</title>
<link>http://www.artsconnected.org/resource/91787/ma-ka-tal-na-zin-one-who-stands-on-the-earth</link>
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<dc:identifier>http://www.artsconnected.org/resource/91787/ma-ka-tal-na-zin-one-who-stands-on-the-earth</dc:identifier>
<dc:type>Sculpture, Sculptures</dc:type>
<dc:creator>Hachivi Edgar Heap of Birds</dc:creator>
<dc:rights>© Hachivi Edgar Heap of Birds</dc:rights>
<dcterms:created>1990</dcterms:created>
<dcterms:temporal>1990</dcterms:temporal>
<dcterms:spatial>American</dcterms:spatial>
<dcterms:medium>enamel on aluminum</dcterms:medium>
<dcterms:license valueURI="http://www.artsconnected.org/info/copyright"/>
<dc:subject>Sculpture</dc:subject>
<pubDate>Fri, 01 Jun 1990 00:00:00 -0400</pubDate>
<description>&lt;table cellspacing=&quot;0&quot;&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Title&lt;/td&gt;
	&lt;td&gt;&lt;h3 property=&quot;dcterms:title cdwalite:title&quot;&gt;Ma-ka'tal-na'-zin (One Who Stands on the Earth)&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Artist&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;&lt;a property=&quot;dcterms:creator cdwalite:displayCreator&quot; href=&quot;http://www.artsconnected.org/resource/list/breadcrumb/true/f_workDisplayCreator/Hachivi+Edgar+Heap+of+Birds&quot;&gt;Hachivi Edgar Heap of Birds&lt;/a&gt;&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Date&lt;/td&gt;
	&lt;td&gt;&lt;h3 property=&quot;dcterms:created dc:date cdwalite:displayCreationDate cdwalite:earliestDate vra:date&quot; content=&quot;1990&quot;&gt;1990&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot; style=&quot;padding-right:7px;&quot;&gt;Institution&lt;/td&gt;
	&lt;td&gt;&lt;a href=&quot;http://www.artsconnected.org/resource/list/breadcrumb/true/f_InstitutionTitle/Walker+Art+Center&quot;&gt;Walker Art Center&lt;/a&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Location&lt;/td&gt;
	&lt;td&gt;
				Not on view.
			&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;&lt;br/&gt;gray sign with red text</description>
<guid>http://www.artsconnected.org/resource/91787/ma-ka-tal-na-zin-one-who-stands-on-the-earth</guid>
<media:thumbnail url="http://www.artsconnected.org/media/5c/8b/9d9b79d3a8ea86fbee73c1e3986e/145/120/33508.jpg" type="image/jpeg" /><media:content url="http://www.artsconnected.org/media/5c/8b/9d9b79d3a8ea86fbee73c1e3986e/1024/768/33508.jpg" type="image/jpeg" /><media:copyright>Courtesy Walker Art Center</media:copyright><media:credit>Hachivi Edgar Heap of Birds</media:credit></item>
<item>
<title>Hachivi Edgar Heap of Birds, Building Minnesota (1990), installation of enamel-on-metal signs, Courtesy the artist</title>
<link>http://www.artsconnected.org/resource/90691/hachivi-edgar-heap-of-birds-building-minnesota-1990-installation-of-enamel-on-metal-signs-courtesy-the-artist</link>
<enclosure url="&lt;div class=&quot;gallery_item_text&quot; style=&quot;width:135px; height:115px;&quot; &gt;In August 1862, bands of the Dakota people took up arms against white settlers as a result of U.S. government's failure to honor terms of the treaties that relocated the Dakota people onto reservations. The bloody conflict that ensued was quelled by the arrival of Colonel Henry Sibley and his army of more than a thousand men. After the fighting ceased at the end of September, the trials commenced. A military tribunal condemned 303 Dakota men to death by hanging. All but 40 had their sentences commuted by President Abraham Lincoln; of those, 38 were executed on the day after Christmas, 1862, in Mankato; two others were hung at Fort Snelling in November 1865.
In 1990, the Walker Art Center invited Hachivi Edgar Heap of Birds to create a commissioned work in Minneapolis. The 40 aluminum signs seen here formed the core element of that commission. Originally installed along the West River Parkway near downtown Minneapolis (see photos), the signs were planted in the earth to form a sweeping arc along the Mississippi River. Challenging established perceptions about Native American history and culture, Oklahoma artist Heap of Birds brings the weight of history to traditional road signage to address this still controversial moment in Minnesota history.
&lt;/div&gt;"  length="2175" type="image/jpeg" />
<pubDate>Mon, 01 Jun 1998 00:00:00 -0400</pubDate>
<description>&lt;table cellspacing=&quot;0&quot;&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Title&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Hachivi Edgar Heap of Birds, &lt;i&gt;Building Minnesota&lt;/i&gt; (1990), installation of enamel-on-metal signs, Courtesy the artist&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Author&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Walker Art Center&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Date&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;1998&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot; style=&quot;padding-right:7px;&quot;&gt;Institution&lt;/td&gt;
	&lt;td&gt;Walker Art Center&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;&lt;br/&gt;In August 1862, bands of the Dakota people took up arms against white settlers as a result of U.S. government's failure to honor terms of the treaties that relocated the Dakota people onto reservations. The bloody conflict that ensued was quelled by the arrival of Colonel Henry Sibley and his army of more than a thousand men. After the fighting ceased at the end of September, the trials commenced. A military tribunal condemned 303 Dakota men to death by hanging. All but 40 had their sentences commuted by President Abraham Lincoln; of those, 38 were executed on the day after Christmas, 1862, in Mankato; two others were hung at Fort Snelling in November 1865.
&lt;p&gt;In 1990, the Walker Art Center invited Hachivi Edgar Heap of Birds to create a commissioned work in Minneapolis. The 40 aluminum signs seen here formed the core element of that commission. Originally installed along the West River Parkway near downtown Minneapolis (see photos), the signs were planted in the earth to form a sweeping arc along the Mississippi River. Challenging established perceptions about Native American history and culture, Oklahoma artist Heap of Birds brings the weight of history to traditional road signage to address this still controversial moment in Minnesota history.&lt;/p&gt;
</description>
<guid>http://www.artsconnected.org/resource/90691/hachivi-edgar-heap-of-birds-building-minnesota-1990-installation-of-enamel-on-metal-signs-courtesy-the-artist</guid>
<media:thumbnail url="<div class="gallery_item_text" style="width:135px; height:115px;" >In August 1862, bands of the Dakota people took up arms against white settlers as a result of U.S. government's failure to honor terms of the treaties that relocated the Dakota people onto reservations. The bloody conflict that ensued was quelled by the arrival of Colonel Henry Sibley and his army of more than a thousand men. After the fighting ceased at the end of September, the trials commenced. A military tribunal condemned 303 Dakota men to death by hanging. All but 40 had their sentences commuted by President Abraham Lincoln; of those, 38 were executed on the day after Christmas, 1862, in Mankato; two others were hung at Fort Snelling in November 1865.
In 1990, the Walker Art Center invited Hachivi Edgar Heap of Birds to create a commissioned work in Minneapolis. The 40 aluminum signs seen here formed the core element of that commission. Originally installed along the West River Parkway near downtown Minneapolis (see photos), the signs were planted in the earth to form a sweeping arc along the Mississippi River. Challenging established perceptions about Native American history and culture, Oklahoma artist Heap of Birds brings the weight of history to traditional road signage to address this still controversial moment in Minnesota history.
</div>" type="image/jpeg" /><media:content url="<div class="gallery_item_text" style="width:135px; height:115px;" >In August 1862, bands of the Dakota people took up arms against white settlers as a result of U.S. government's failure to honor terms of the treaties that relocated the Dakota people onto reservations. The bloody conflict that ensued was quelled by the arrival of Colonel Henry Sibley and his army of more than a thousand men. After the fighting ceased at the end of September, the trials commenced. A military tribunal condemned 303 Dakota men to death by hanging. All but 40 had their sentences commuted by President Abraham Lincoln; of those, 38 were executed on the day after Christmas, 1862, in Mankato; two others were hung at Fort Snelling in November 1865.
In 1990, the Walker Art Center invited Hachivi Edgar Heap of Birds to create a commissioned work in Minneapolis. The 40 aluminum signs seen here formed the core element of that commission. Originally installed along the West River Parkway near downtown Minneapolis (see photos), the signs were planted in the earth to form a sweeping arc along the Mississippi River. Challenging established perceptions about Native American history and culture, Oklahoma artist Heap of Birds brings the weight of history to traditional road signage to address this still controversial moment in Minnesota history.
</div>" type="image/jpeg" /><media:copyright>Copyright 1998 Walker Art Center</media:copyright><media:credit>Walker Art Center</media:credit></item>
<item>
<title></title>
<link>http://www.artsconnected.org/resource/153513</link>
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<pubDate>Thu, 06 Dec 2012 12:25:24 -0500</pubDate>
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	&lt;td&gt;&lt;h3&gt;&lt;a href=&quot;/profile/67/abbie-anderson&quot;&gt;Abbie Anderson&lt;/a&gt;&lt;/h3&gt;&lt;/td&gt;
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<link>http://www.artsconnected.org/resource/153514</link>
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<link>http://www.artsconnected.org/resource/153515</link>
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<link>http://www.artsconnected.org/resource/153516</link>
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<link>http://www.artsconnected.org/resource/153518</link>
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<link>http://www.artsconnected.org/resource/153519</link>
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<link>http://www.artsconnected.org/resource/153520</link>
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<pubDate>Thu, 06 Dec 2012 12:25:27 -0500</pubDate>
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