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| Title | Tour Guide Study Set: Hock E Aye Vi Edgar Heap of Birds |
| Author | Abbie Anderson |
| Date | October 29, 2012 |
| Institution | ArtsConnectEd |
Details
| Type: | Instructional Set |
| Grades: | Adult |
| Instructional Method: | Research Project |
| Added to Site: | October 29, 2012 |
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Slides
NOTES TO THE READER




Heap of Birds' Artist Talk at Otis Fine Arts

Heap of Birds' Bio

Heap of Birds' Curriculum Vitae
Heap of Birds in Walker Art Center history
Hachivi Edgar Heap of Birds

Hachivi Edgar Heap of Birds' BUILDING MINNESOTA was on view on the West River Parkway in Minneapolis between the Third Avenue Bridge and Portland Avenue in conjunction with CLAIM YOUR COLOR (March 4-May 9, 1990), an exhibition at the Walker Art Center featuring the artist's work. In his site-specific public work, Heap of Birds appropriates official signage and uses his own words to remind viewers of the lost history of that place. Each of the 38 signs that comprise BUILDING MINNESOTA recognizes a member of the Dakota tribe who was hanged at the end of the United States-Dakota Conflict of 1862. Heap of Birds chose this location for a number of reasons -- here the Mississippi River is both blocked from access by a chain link fence and harnessed to create power for a number of nearby grain processing mills. He felt this location represented changes of the river from a spiritual and life-giving resource for the Dakota people to a place associated with the economics of trade managed by the white settlers who named this stretch of the river's bank "The Grain Belt."
As the land along the Parkway is owned by the Minneapolis Park Board, this commission demanded close cooperation between the City Council and the Walker. The Park Board donated the signs and the labor, and the Walker arranged for young adults to help the artist place the signs. In the commissioning contract, the artist retained the copyright to the commission and ownership of one complete set of signs (two sets were made in case of theft, vandalism, or loss) and the Walker reserved three signs for its permanent collection. While CLAIM YOUR COLOR came down in early May 1990, the Minneapolis Park Board agreed to keep BUILDING MINNESOTA on site through the first week of September.
Ta-te' Hdi-da (Wind Comes Home)
Hachivi Edgar Heap of Birds

In August 1862, bands of the Dakota people took up arms against white settlers as a result of U.S. government's failure to honor terms of the treaties that relocated the Dakota people onto reservations. The bloody conflict that ensued was quelled by the arrival of Colonel Henry Sibley and his army of more than a thousand men. After the fighting ceased at the end of September, the trials commenced. A military tribunal condemned 303 Dakota men to death by hanging. All but 40 had their sentences commuted by President Abraham Lincoln; of those, 38 were executed on the day after Christmas, 1862, in Mankato; two others were hung at Fort Snelling in November 1865.
In 1990, the Walker Art Center invited Hachivi Edgar Heap of Birds to create a commissioned work in Minneapolis. The 40 aluminum signs seen here formed the core element of that commission. Originally installed along the West River Parkway near downtown Minneapolis (see photos), the signs were planted in the earth to form a sweeping arc along the Mississippi River. Challenging established perceptions about Native American history and culture, Oklahoma artist Heap of Birds brings the weight of history to traditional road signage to address this still controversial moment in Minnesota history.
Ma-ka'tal-na'-zin (One Who Stands on the Earth)
Hachivi Edgar Heap of Birds

"...one of the most moving works of public art I've ever seen..."


Relevant to us today: Cultural Misappropriation


Relevant to us today: 150 years since the U.S.-Dakota War


Relevant to us today: American Indians are part of our community
ADDITIONAL RESOURCES
Attachments
This resource was developed for tour guides to accompany Telling Many Magpies, Telling Black Wolf, Telling Hachivi by Hock E Aye Vi Edgar Heap of Birds. The value of this resource is not in the listing of words, but rather in leading a reflective discussion about the words’ connotations, histories, and power.
Brochure printed by the Walker Art Center to accompany Building Minnesota, a commissioned public artwork by Hock E Aye Vi Edgar Heap of Birds, 1990. Original available for study in the Walker Art Center Library
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