Art 251 Exhibition 2012

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Title	Art 251 Exhibition 2012
Author	Matthew Rohn
Date	December 30, 2009
Institution	ArtsConnectEd

The Artist's Daughter, Julie, with her Nanny, Berthe Morisot

The following set of images consists of works on view in the MIA,19th-century art galleries January 2012. The images are structured as MIA curators have arranged by gallery.

St. Olaf College Art 251 students should chose one of these for their formal analysis paper and use the full set for the exhibition gallery guide assignments.

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Slides

Welcome to the St. Olaf, Art 251 Exhibition of Art 1780-1880

Berthe Morisot

Gallery 307 (Mostly Rococo art with at least one example of Neo-classical sculpture, some Baroque works and examples by British art of the Late Georgian period and earlier as well as well as Italian paintings for British gentlemen taking the Grand Tour.)

View up the Grand Canal Toward the Rialto

Francesco Guardi

Imaginary Landscape, Italian Harbor Scene

Claude-Joseph Vernet

Grand Canal from Palazzo Flangini to Palazzo Bembo

Canaletto (Giovanni Antonio Canale)

The Sleeping Congregation (note: this reproduction flips the painting)

William Hogarth

Mrs. Froude, née Phyllis Hurrell (d. 1826)

Sir Joshua Reynolds

The Madonna and Child with the Infant St. John

Francesco de Mura

Head of a Philosopher

Giovanni Domenico Tiepolo

Self-Portrait

Jean-Laurent Mosnier

The Fallen Tree

Thomas Gainsborough R.A.

Ganymede and the Eagle

Bertel Thorvaldsen

Gallery 306 (Rococo; Neoclassicism; British Late Georgian; &, some odd combinations of styles the French Revolution helped produce)

Portrait of Madame de Sérilly

Jean-Antoine Houdon

The Attributes of the Arts and the Rewards Which Are Accorded Them

Jean-Baptiste-Siméon Chardin

The Rustic Bridge, Château de Méréville, France

Hubert Robert

Portrait of Countess Maria Theresia Bucquoi, née Parr (1746-1818)

Marie Louise Elisabeth Vigée-Le Brun

The Letter

Michel Garnier

The Poorly Defended Rose

Michel Garnier

Portrait of Mlle. Lange as Danae

Anne-Louis Girodet de Roucy-Trioson

The Union of Love and Friendship

Pierre-Paul Prud'hon

Portrait of Dr. Thomas Penrose

Louis Gauffier

Psyche Abandoned

Augustin Pajou ; Possibly Pierre-Phillippe Thomire

Portrait of Sarah Allen, née Sargent (1729-1792)

John Singleton Copley

Cottage on Fire

Joseph Wright of Derby

Gallery 305 (Small entryway gallery with a mixture of things; most of these are examples of Romanticism)

Bacchante and Satyr

Jean-Baptiste Auguste Clésinger

An Arrangement with Flowers

Georgius Jacobus Van Os

Gallery 321 (Romanticism, including orientalism; landscape painting encompassing romanticism, realist tendencies and the Barbizon School; Academic painting; Realism; Nazarenes)

Theseus Slaying the Centaur Bianor

Antoine-Louis Barye ; F. (Ferdinand) Barbedienne

View of Mont Blanc, Seen from La Faucille

Théodore Rousseau

Village Scene, Sunset

Jules Dupré

Silenus

Jean-Baptiste-Camille Corot

Pasture near Cherbourg (Normandy)

Jean-François Millet

Deer in the Forest

Gustave Courbet

Fontainebleau Oaks

Jules Dupré

Self-Portrait with Dr. Arrieta

Francisco Jose de Goya y Lucientes

Frame, formerly on Granet,"The Choir in the Capuchin Church on the Piazza Barberini, Rome"

François-Marius Granet

Seated Shepherdess

Jean-François Millet

The Crossroads of the Eagle’s Nest, Fontainebleau Forest

Charles-François Daubigny

View of St. Peter's, Rome

Jean-Baptiste-Camille Corot

The Cat's Paw

Sir Edwin Henry Landseer

The Fallen Branch, Fontainebleau

Achille Etna Michallon

Gallery 323 (American and British mid-19th-century art often showing provencial approaches to Neoclassicism, Romanticism, and Realism)

The Bronze Horses of San Marco, Venice

Charles Caryl Coleman

Catskill Mountain House

Jasper Francis Cropsey

Hudson River Landscape

Homer Dodge Martin

A Scene on the Tohickon Creek: Autumn

Thomas Moran

Reminiscences of 1865

John Frederick Peto

A Fishing Party Off Long Island

Junius Brutus Stearns

Edge of the Moor, Brittany

Hugh Bolton Jones

Gallery 357 (A mix of interests including Academic painting, orientalism, British aestheticism and Pre-Raphaelite art and forays into Realism and Impressionism)