http://www.artsconnected.org/resource/133604/saint-paul-gallery-label-current ArtsConnectEd.org Art Collector Set: Saint Paul: Gallery Label - Current http://www.artsconnected.org/images/favicon.png http://www.artsconnected.org/resource/133604/saint-paul-gallery-label-current 16 16 http://www.artsconnected.org/resource/133604/saint-paul-gallery-label-current Fri, 01 Jun 2012 00:00:00 -0400 <table cellspacing="0"> <tr> <td class="detail_label">Title</td> <td><h3>Saint Paul: Gallery Label - Current</h3></td> </tr> <tr> <td class="detail_label">Author</td> <td><h3>Minneapolis Institute of Arts</h3></td> </tr> <tr> <td class="detail_label">Date</td> <td><h3>2012-04-11</h3></td> </tr> <tr> <td class="detail_label" style="padding-right:7px;">Institution</td> <td>Minneapolis Institute of Arts</td> </tr> </table><br/><i>Saint Paul</i> and <i>Saint Sirus</i> are panel paintings likely from the same large altarpiece. Panel painting was a lengthy process that required many steps. The panel is a plank of wood that was prepared with many layers of gesso, a glue-size-chalk substance that forms the white base layer of the paintings. Gesso is also used to create the raised areas, or <i>pastiglia</i>, seen in each painting: the top of staff and edges of the headpiece in <i>Saint Sirus</i> and areas on the hilt of the sword in <i>Saint Paul</i>. Red bole, a size-clay mixture, was added to areas that were to be gilded with gold leaf. The final step was painting the figures in numerous layers of egg tempera, a paint made of ground pigments, water, and egg yolk. http://www.artsconnected.org/resource/133604/saint-paul-gallery-label-current Saint Paul and Saint Sirus are panel paintings likely from the same large altarpiece. Panel painting was a lengthy process that required many steps. The panel is a plank of wood that was prepared with many layers of gesso, a glue-size-chalk substance that forms the white base layer of the paintings. Gesso is also used to create the raised areas, or pastiglia, seen in each painting: the top of staff and edges of the headpiece in Saint Sirus and areas on the hilt of the sword in Saint Paul. Red bole, a size-clay mixture, was added to areas that were to be gilded with gold leaf. The final step was painting the figures in numerous layers of egg tempera, a paint made of ground pigments, water, and egg yolk." type="image/jpeg" />Saint Paul and Saint Sirus are panel paintings likely from the same large altarpiece. Panel painting was a lengthy process that required many steps. The panel is a plank of wood that was prepared with many layers of gesso, a glue-size-chalk substance that forms the white base layer of the paintings. Gesso is also used to create the raised areas, or pastiglia, seen in each painting: the top of staff and edges of the headpiece in Saint Sirus and areas on the hilt of the sword in Saint Paul. Red bole, a size-clay mixture, was added to areas that were to be gilded with gold leaf. The final step was painting the figures in numerous layers of egg tempera, a paint made of ground pigments, water, and egg yolk." type="image/jpeg" />Copyright Minneapolis Institute of ArtsMinneapolis Institute of Arts