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    <title>Santos Dumont - The Father of Aviation II: Gallery Label - Current</title>
    <link>http://www.artsconnected.org/resource/133580/santos-dumont-the-father-of-aviation-ii-gallery-label-current</link>
    <description>ArtsConnectEd.org Art Collector Set: Santos Dumont - The Father of Aviation II: Gallery Label - Current</description>
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      <title>Santos Dumont - The Father of Aviation II: Gallery Label - Current</title>
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<title>Santos Dumont - The Father of Aviation II: Gallery Label - Current</title>
<link>http://www.artsconnected.org/resource/133580/santos-dumont-the-father-of-aviation-ii-gallery-label-current</link>
<enclosure url="&lt;div class=&quot;gallery_item_text&quot; style=&quot;width:135px; height:115px;&quot; &gt;Wiley is best known for his large-scale portraits of contemporary African-American men depicted in poses that recall &quot;old master&quot; canvases, reminiscent especially of Renaissance and Baroque painting. Collapsing history and style into a uniquely contemporary vision, these portraits reject traditional hierarchies of class and race. Instead, Wiley's paintings address the image and status of young African-American and African-diaspora men in contemporary culture. Wiley's Brazilian models in Santos-Dumont - The Father of Aviation II mimic the pose of two figures found in a well-known public monument in Rio de Janeiro. Dedicated to Brazil's pioneer aviator, Alberto Santos-Dumont, the sculpture includes two heroic but &quot;fallen&quot; figures lying at its base. It is these men that Wiley chooses to represent in this canvas, where they become heroic symbols of the struggles of Afro-Brazilian youth who are portrayed as vanquished but are also celebrated for their physical beauty.&lt;/div&gt;"  length="2175" type="image/jpeg" />
<pubDate>Wed, 01 Jun 2011 00:00:00 -0400</pubDate>
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	&lt;td class=&quot;detail_label&quot;&gt;Title&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Santos Dumont - The Father of Aviation II: Gallery Label - Current&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Author&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Minneapolis Institute of Arts&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Date&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;2011-07-08&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot; style=&quot;padding-right:7px;&quot;&gt;Institution&lt;/td&gt;
	&lt;td&gt;Minneapolis Institute of Arts&lt;/td&gt;
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&lt;/table&gt;&lt;br/&gt;Wiley is best known for his large-scale portraits of contemporary African-American men depicted in poses that recall &quot;old master&quot; canvases, reminiscent especially of Renaissance and Baroque painting. Collapsing history and style into a uniquely contemporary vision, these portraits reject traditional hierarchies of class and race. Instead, Wiley's paintings address the image and status of young African-American and African-diaspora men in contemporary culture. Wiley's Brazilian models in &lt;i&gt;Santos-Dumont - The Father of Aviation II&lt;/i&gt; mimic the pose of two figures found in a well-known public monument in Rio de Janeiro. Dedicated to Brazil's pioneer aviator, Alberto Santos-Dumont, the sculpture includes two heroic but &quot;fallen&quot; figures lying at its base. It is these men that Wiley chooses to represent in this canvas, where they become heroic symbols of the struggles of Afro-Brazilian youth who are portrayed as vanquished but are also celebrated for their physical beauty.</description>
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<media:thumbnail url="<div class="gallery_item_text" style="width:135px; height:115px;" >Wiley is best known for his large-scale portraits of contemporary African-American men depicted in poses that recall "old master" canvases, reminiscent especially of Renaissance and Baroque painting. Collapsing history and style into a uniquely contemporary vision, these portraits reject traditional hierarchies of class and race. Instead, Wiley's paintings address the image and status of young African-American and African-diaspora men in contemporary culture. Wiley's Brazilian models in Santos-Dumont - The Father of Aviation II mimic the pose of two figures found in a well-known public monument in Rio de Janeiro. Dedicated to Brazil's pioneer aviator, Alberto Santos-Dumont, the sculpture includes two heroic but "fallen" figures lying at its base. It is these men that Wiley chooses to represent in this canvas, where they become heroic symbols of the struggles of Afro-Brazilian youth who are portrayed as vanquished but are also celebrated for their physical beauty.</div>" type="image/jpeg" /><media:content url="<div class="gallery_item_text" style="width:135px; height:115px;" >Wiley is best known for his large-scale portraits of contemporary African-American men depicted in poses that recall "old master" canvases, reminiscent especially of Renaissance and Baroque painting. Collapsing history and style into a uniquely contemporary vision, these portraits reject traditional hierarchies of class and race. Instead, Wiley's paintings address the image and status of young African-American and African-diaspora men in contemporary culture. Wiley's Brazilian models in Santos-Dumont - The Father of Aviation II mimic the pose of two figures found in a well-known public monument in Rio de Janeiro. Dedicated to Brazil's pioneer aviator, Alberto Santos-Dumont, the sculpture includes two heroic but "fallen" figures lying at its base. It is these men that Wiley chooses to represent in this canvas, where they become heroic symbols of the struggles of Afro-Brazilian youth who are portrayed as vanquished but are also celebrated for their physical beauty.</div>" type="image/jpeg" /><media:copyright>Copyright Minneapolis Institute of Arts</media:copyright><media:credit>Minneapolis Institute of Arts</media:credit></item>
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