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    <title>Ann Klein with a Baby in Transit: Gallery Label - Current</title>
    <link>http://www.artsconnected.org/resource/125064/ann-klein-with-a-baby-in-transit-gallery-label-current</link>
    <description>ArtsConnectEd.org Art Collector Set: Ann Klein with a Baby in Transit: Gallery Label - Current</description>
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      <title>Ann Klein with a Baby in Transit: Gallery Label - Current</title>
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<title>Ann Klein with a Baby in Transit: Gallery Label - Current</title>
<link>http://www.artsconnected.org/resource/125064/ann-klein-with-a-baby-in-transit-gallery-label-current</link>
<enclosure url="&lt;div class=&quot;gallery_item_text&quot; style=&quot;width:135px; height:115px;&quot; &gt;Influenced by African sculpture, Willie Cole constructed this piece of mother and child from a stockpile of discarded high-heeled shoes. Ann Klein with a Baby in Transit takes its name from the American fashion designer's label that appears inside two of the shoes. Cole has created similarly ironic artworks out of other used consumer objects, ranging from lawn jockeys and bicycle parts to salvaged irons and blow dryers. The rich, black color and well-worn surfaces of the footwear evoke the beautiful patina of many traditional African sculptures. When reassembled by Cole, these contemporary cast-offs become potent objects that appear to issue from another time and place.&lt;/div&gt;"  length="2175" type="image/jpeg" />
<pubDate>Wed, 01 Jun 2011 00:00:00 -0400</pubDate>
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&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Title&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Ann Klein with a Baby in Transit: Gallery Label - Current&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Author&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Minneapolis Institute of Arts&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Date&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;2011-07-08&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot; style=&quot;padding-right:7px;&quot;&gt;Institution&lt;/td&gt;
	&lt;td&gt;Minneapolis Institute of Arts&lt;/td&gt;
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&lt;/table&gt;&lt;br/&gt;Influenced by African sculpture, Willie Cole constructed this piece of mother and child from a stockpile of discarded high-heeled shoes. &lt;i&gt;Ann Klein with a Baby in Transit&lt;/i&gt; takes its name from the American fashion designer's label that appears inside two of the shoes. Cole has created similarly ironic artworks out of other used consumer objects, ranging from lawn jockeys and bicycle parts to salvaged irons and blow dryers. The rich, black color and well-worn surfaces of the footwear evoke the beautiful patina of many traditional African sculptures. When reassembled by Cole, these contemporary cast-offs become potent objects that appear to issue from another time and place.</description>
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<media:thumbnail url="<div class="gallery_item_text" style="width:135px; height:115px;" >Influenced by African sculpture, Willie Cole constructed this piece of mother and child from a stockpile of discarded high-heeled shoes. Ann Klein with a Baby in Transit takes its name from the American fashion designer's label that appears inside two of the shoes. Cole has created similarly ironic artworks out of other used consumer objects, ranging from lawn jockeys and bicycle parts to salvaged irons and blow dryers. The rich, black color and well-worn surfaces of the footwear evoke the beautiful patina of many traditional African sculptures. When reassembled by Cole, these contemporary cast-offs become potent objects that appear to issue from another time and place.</div>" type="image/jpeg" /><media:content url="<div class="gallery_item_text" style="width:135px; height:115px;" >Influenced by African sculpture, Willie Cole constructed this piece of mother and child from a stockpile of discarded high-heeled shoes. Ann Klein with a Baby in Transit takes its name from the American fashion designer's label that appears inside two of the shoes. Cole has created similarly ironic artworks out of other used consumer objects, ranging from lawn jockeys and bicycle parts to salvaged irons and blow dryers. The rich, black color and well-worn surfaces of the footwear evoke the beautiful patina of many traditional African sculptures. When reassembled by Cole, these contemporary cast-offs become potent objects that appear to issue from another time and place.</div>" type="image/jpeg" /><media:copyright>Copyright Minneapolis Institute of Arts</media:copyright><media:credit>Minneapolis Institute of Arts</media:credit></item>
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