Event Horizon: A Study Set

Event Horizon

Tue, 01 Dec 2009 12:26:58 -0500

Title	Event Horizon
Author	Abbie Anderson

Tue, 01 Dec 2009 12:26:59 -0500

Title
Author	Abbie Anderson

Peinture acrylique blanche sur tissu rayé blanc et orange (White acrylic painting on white and orange striped fabric)

Daniel Buren — Wed, 01 Jun 1966 00:00:00 -0400

Title	Peinture acrylique blanche sur tissu rayé blanc et orange (White acrylic painting on white and orange striped fabric)
Artist	Daniel Buren
Date	1966
Institution	Walker Art Center
Location	Not on view.

A stretched piece of orange and white striped fabric with white acrylic paint stripes at the left and right edges. Fabric has stitched seams in multiple locations.

A common material: fabric for awnings.

Tue, 01 Dec 2009 12:27:00 -0500

Title	A common material: fabric for awnings.
Author	Abbie Anderson

Tue, 01 Dec 2009 12:27:00 -0500

Title
Author	Abbie Anderson

Barre de bois rond (Round Bar of Wood)

André Cadere — Wed, 01 Jun 1977 00:00:00 -0400

Title	Barre de bois rond (Round Bar of Wood)
Artist	André Cadere
Date	1977
Institution	Walker Art Center
Location	Not on view.

A wooden staff comprised of painted wooden spools glued together

Abstract Relief: Archaeology

Thomas Hirschhorn — Thu, 01 Jun 2000 00:00:00 -0400

Title	Abstract Relief: Archaeology
Artist	Thomas Hirschhorn
Date	2000
Institution	Walker Art Center
Location	Not on view.

A painted wooden frame spanned and crisscrossed with plastic, aluminum foil and clear adhesive tape tendrils. A board is attached in the bottom right corner on which appropriated magazine images are attached

Repressed Spatial Relationships Rendered as Fluid, No. 4: Stevenson Junior High and Satellites

Mike Kelley — Sat, 01 Jun 2002 00:00:00 -0400

Title	Repressed Spatial Relationships Rendered as Fluid, No. 4: Stevenson Junior High and Satellites
Artist	Mike Kelley
Date	2002
Institution	Walker Art Center
Location	Not on view.

A mobile, based on the drawing of the floor and site plans of a school that the artist attended.

Repressed Spatial Relationships Rendered as Fluid, No. 4: Stevenson Junior High and Satellites

Mike Kelley — Sat, 01 Jun 2002 00:00:00 -0400

Title	Repressed Spatial Relationships Rendered as Fluid, No. 4: Stevenson Junior High and Satellites
Artist	Mike Kelley
Date	2002
Institution	Walker Art Center
Location	Not on view.

A mobile, based on the drawing of the floor and site plans of a school that the artist attended.

La Fortune (after Man Ray: 3)

Sherrie Levine — Fri, 01 Jun 1990 00:00:00 -0400

Title	La Fortune (after Man Ray: 3)
Artist	Sherrie Levine
Date	1990
Institution	Walker Art Center
Location	Not on view.

The Green Diamond Eat The Red Diamond Die

Robert Indiana — Fri, 01 Jun 1962 00:00:00 -0400

Title	The Green Diamond Eat The Red Diamond Die
Artist	Robert Indiana
Date	1962
Institution	Walker Art Center
Location	Not on view.

Eat: green field with red overlay. Red is circular with work EAT in negative allowing green to show through. Die: red/orange field under black circle with work DIE in yellow

The Green Diamond Eat The Red Diamond Die

Robert Indiana — Fri, 01 Jun 1962 00:00:00 -0400

Title	The Green Diamond Eat The Red Diamond Die
Artist	Robert Indiana
Date	1962
Institution	Walker Art Center
Location	Not on view.

Eat: green field with red overlay. Red is circular with work EAT in negative allowing green to show through. Die: red/orange field under black circle with work DIE in yellow

Untitled

Raymond Hains — Mon, 01 Jun 1959 00:00:00 -0400

Title	Untitled
Artist	Raymond Hains
Date	1959–1960/2002
Institution	Walker Art Center
Location	Not on view.

Torn advertisement posters adhered to rusted sheet metal, nailed to wood

White Field

Günther Uecker — Mon, 01 Jun 1964 00:00:00 -0400

Title	White Field
Artist	Günther Uecker
Date	1964
Institution	Walker Art Center
Location	Not on view.

Many nails painted white partially driven into a white piece of wood.

Untitled from Edition MAT 64

Niki de Saint Phalle — Mon, 01 Jun 1964 00:00:00 -0400

Title	Untitled from Edition MAT 64
Artist	Niki de Saint Phalle
Date	1964
Institution	Walker Art Center
Location	Not on view.

white ground with 9 circular areas of color from which the color dripped and splattered onto the white area of work.

3 Pass-stücke (3 Adaptives)

Franz West — Sun, 01 Jun 1997 00:00:00 -0400

Title	3 Pass-stücke (3 Adaptives)
Artist	Franz West
Date	1997
Institution	Walker Art Center
Location	Not on view.

Three white painted epoxy forms pierced with steel rods. The forms are designed to be carried around a gallery by a visitor

Sixteen Jackies

Andy Warhol — Mon, 01 Jun 1964 00:00:00 -0400

Title	Sixteen Jackies
Artist	Andy Warhol
Date	1964
Institution	Walker Art Center
Location	Not on view.

4 different poses of Jackie repeated four times secured together in four rows. Source image photograph by Henri Dauman, 1963

Andy Warhol, 16 Jackies (1964)

Tue, 01 Jun 1999 00:00:00 -0400

Title	Andy Warhol, 16 Jackies (1964)
Author	Walker Art Center
Date	1999
Institution	Walker Art Center

"The more you look at the same exact thing, the more the meaning goes away and the better and emptier you feel."--Andy Warhol, 1975

For Warhol and fellow Pop artists, reproducing images from popular culture was the visual means for expressing detachment from emotions, an attitude they regarded as characteristic of the 1960s. Like droning newscasts, repetition dissipates meaning and with it the capacity of images to move or disturb. Warhol created 16 Jackies in response to the November 1963 assassination of President John F. Kennedy, an event whose mass-media coverage reached an unparalleled number of people.

The four images of Jacqueline Kennedy, each repeated four times, were enlargements of news photographs that appeared widely and continually in the media after the assassination. Taken from issues of Life magazine, the images depict, from top to bottom: Jackie stepping off the plane upon arrival at Love Field in Dallas; stunned at the swearing-in ceremony for Lyndon B. Johnson aboard Air Force One after the president's death; grieving at the Capitol; and smiling in the limousine before the assassination. 16 Jackies combines a number of themes important in Warhol's work, such as his fascination with American icons and celebrities, his interest in the mass media and the dissemination of imagery, and his preoccupation with death.

Andy Warhol, 16 Jackies (1964)

Mon, 01 Jun 1998 00:00:00 -0400

Title	Andy Warhol, 16 Jackies (1964)
Author	Walker Art Center
Date	1998
Institution	Walker Art Center

Although Warhol was already impressed with the glamour of Jackie Kennedy by 1962,¹ he was unmoved by the news of John Kennedy's assassination the following year. He later recalled:

I heard the news over the radio when I was alone painting in my studio. I don't think I missed a stroke. I wanted to know what was going on out there, but that was the extent of my reaction.... Henry Geldzahler wanted to know why I wasn't more upset, so I told him about the time I was walking in India and saw a bunch of people in a clearing having a ball because somebody they really liked had just died and how I realized then that everything was just how you decided to think about it. I'd been thrilled having Kennedy as president; he was handsome, young, smart--but it didn't bother me that much that he was dead. What bothered me was the way the television and radio were programming everybody to feel so sad. It seemed like no matter how hard you tried, you couldn't get away from the thing.... John Quinn, the playwright ... was moaning over and over, "But Jackie was the most glamorous First Lady we'll every get."²

For Warhol, the visual means for expressing detachment from emotions, an attitude he regarded as characteristic of the 1960s in general,³ was through the replication of images. Like the droning repetition of newscasts, the device dissipates meaning, and with it the capacity of images to move or disturb: "The more you look at the same exact thing, the more the meaning goes away and the better and emptier you feel."⁴

The sixteen faces of Jackie Kennedy in Warhol's painting were blown up from four news photos that appeared ubiquitously in the media after the assassination. From top to bottom, the images are of Jackie smiling at Love Field on arrival in Dallas; stunned at the swearing-in ceremony for L.B.J. on Air Force One after the president's death; grieving at the Capitol; and in the limousine before the shooting. The top three appeared in the 24 November and 6 December 1963 issues of Life magazine: the first by an unidentified photographer; the second and third by Cecil Stoughton and Fred Ward, respectively; the source for the bottom one has not been identified, although a U.P.I. photograph similar to it was reproduced in Newsweek. Eventually, in Warhol's view, these images became so familiar that neutral identification is all that the viewer experiences.

Warhol make this point by repeating each of the four image of Jackie four times, in a simple well-designed non-sequential alternation of strips of "before and after" pictures. The high-contrast, low-information pictures, each as different from the others as one reproduction from another, are cropped to focus on Jackie's face, rhythmically directed one way along one row and then the other along the next. A deliberately careless look gives the painting a sense of chance and hurry, suggesting the quick duplication and dissemination of images.⁵ Additionally, expressivity is, in a sense, absent from the images themselves. Public expectation forces the face of the politician's wife into a perpetual, meaningless smile, while shock renders the widow as inexpressive and numb as one of Warhol's somnambulant superstars. The two faces, perceived by Warhol as equally unreal, have been further sapped of meaning by the mythologizing American culture and the techniques of reproduction, and are finally emptied of meaning by the artist's stylization.

¹ See Andy Warhol and Pat Hackett, PoPism: The Warhol '60s (New York and London: Harcourt Brace Jovanovich, 1980), p. 36.

² Ibid., p. 60.

³ Andy Warhol, The Philosophy of Andy Warhol (New York and London: Harcourt Brace Jovanovich, 1975), p. 27.

⁴ Warhol, PoPism, p. 50. It is interesting to note that 16 Jackies ignited the passion of a vandal who inscribed the words "HOGWASH/USA" on the panel third from the top on the leftmost column and "BLACK" on the panel second from the top on the rightmost column in ballpoint pen in November 1967; the inscriptions were successfully removed by Daniel Goldreyer in New York by late January 1968.

⁵ Warhol describes the silkscreening process he used, which allowed him to turn the work of reproducing the design over to Gerard Malanga and other assistants: "You pick a photograph, blow it up, transfer it in glue onto silk, and then roll ink across it so the ink goes through the silk but not through the glue. That way you get the same image, slightly different each time. It was all so simple-quick and chancy;" Warhol, PoPism, p. 22.

Andy Warhol, 16 Jackies (1964)

Mon, 01 Jun 1998 00:00:00 -0400

Title	Andy Warhol, 16 Jackies (1964)
Author	Walker Art Center
Date	1998
Institution	Walker Art Center

"I'd been thrilled having Kennedy as president; he was handsome, young, smart--but it didn't bother me that much that he was dead. What bothered me was the way the television and radio were programming everybody to feel so sad."--Andy Warhol

After President John F. Kennedy was assassinated in 1963, Andy Warhol began his series of "Jackie paintings" in response to the media blitz that followed the incident. 16 Jackies is a grid of four different images based on news photos of Jacqueline Kennedy from international press coverage of JFK's death.

As in Brillo Boxes (1964/1969, also on view here), the artist elevates commercial iconography to the status of fine art. In so doing, Warhol allows his viewer to consider the overlap of things that American culture values: wealth and success, human emotion, and artistic expression.

Richard Flood discusses Andy Warhol's 16 Jackies (1964)

Tue, 01 Jun 1999 00:00:00 -0400

Title	Richard Flood discusses Andy Warhol's 16 Jackies (1964)
Author	Richard Flood
Date	September 1999
Institution	Walker Art Center

Jackie Kennedy has this place in the culture that is very confusing and very interesting that all came out of that day, that funeral, where the images that Warhol selected from came from. It was more than a marker in this country and, in a funny sort of way, through her choice of ritual to allow the country to begin to move ahead after what was an unbelievably traumatic event, I think people just never forgot and could never thank her enough for . . . At a moment of really incredible difficulty in this country, learning to mourn, she actually was able to shape a mourning ritual that allowed everyone to participate on some level. I don't know that the life she went on to live was of any great significance to anyone other than her and her family and that's as it should be. She became a private citizen. But, I think that moment is a very, very big moment and kind of Whitmanesque in a funny sort of way. It's a deep kind of poetry that resonates around that time and those images of her. What she pulled together at that time is very much a collage from a variety of different possible scenarios and she made it history. In America, where ritual tends to be a very awkward thing, that she created something that really was a classic was amazing.

1987 Toyota Celica, 500 lbs ANFO explosive (Energetic Materials Research and Testing Center (EMRTC), New Mexico Tech, Socorro, NM)

Paul Shambroom — Wed, 01 Jun 2005 00:00:00 -0400

Title	1987 Toyota Celica, 500 lbs ANFO explosive (Energetic Materials Research and Testing Center (EMRTC), New Mexico Tech, Socorro, NM)
Artist	Paul Shambroom
Date	2005
Institution	Walker Art Center
Location	Not on view.

An image of the remnants of a car that has been destroyed by explosives.

Bounce; Group Primary Accumulation on Rafts; Man Walking Down the Side of a Building; Ocean

Tue, 01 Dec 2009 12:27:01 -0500

Title	Bounce; Group Primary Accumulation on Rafts; Man Walking Down the Side of a Building; Ocean
Author	Abbie Anderson

Bounce

Tue, 01 Dec 2009 12:27:02 -0500

Title	Bounce
Author	Abbie Anderson

Man Walking Down the Side of a Building

Tue, 01 Dec 2009 12:27:02 -0500

Title	Man Walking Down the Side of a Building
Author	Abbie Anderson

Ocean

Tue, 01 Dec 2009 12:27:03 -0500

Title	Ocean
Author	Abbie Anderson

Olympic Winners Platform (Pollution Olympics - Pollution Game - L'art pressentiment)

Tetsumi Kudo — Mon, 01 Jun 1970 00:00:00 -0400

Title	Olympic Winners Platform (Pollution Olympics - Pollution Game - L'art pressentiment)
Artist	Tetsumi Kudo
Date	1970-1972
Institution	Walker Art Center
Location	Not on view.

Light I

Tue, 01 Dec 2009 12:27:04 -0500

Title	Light I
Author	Abbie Anderson

Gallery 2

Tue, 01 Dec 2009 12:27:04 -0500

Title	Gallery 2
Author	Abbie Anderson

Upside Down City

Claes Oldenburg — Fri, 01 Jun 1962 00:00:00 -0400

Title	Upside Down City
Artist	Claes Oldenburg
Date	1962
Institution	Walker Art Center
Location	Not on view.

14 stufffed muslin buildings hang from rack, attached with clothespins and wire hangers

Morning Cleaning, Mies van der Rohe Foundation, Barcelona

Jeff Wall — Tue, 01 Jun 1999 00:00:00 -0400

Title	Morning Cleaning, Mies van der Rohe Foundation, Barcelona
Artist	Jeff Wall
Date	1999
Institution	Walker Art Center
Location	Not on view.

An image of a man cleaning the interior windows of the Van der Rohe Foundation in Barcelona

31 Variations on a Meal: Eaten by Bruce Conner

Daniel Spoerri — Mon, 01 Jun 1964 00:00:00 -0400

Title	31 Variations on a Meal: Eaten by Bruce Conner
Artist	Daniel Spoerri
Date	1964
Institution	Walker Art Center
Location	Not on view.

The remnants of a meal eaten by Bruce Conner in 1964

Bruce Conner's CROSSROADS

Tue, 01 Dec 2009 12:27:05 -0500

Title	Bruce Conner's CROSSROADS
Author	Abbie Anderson

Bounce; Group Primary Accumulation on Rafts; Man Walking Down the Side of a Building; Ocean

Tue, 01 Dec 2009 12:27:06 -0500

Title	Bounce; Group Primary Accumulation on Rafts; Man Walking Down the Side of a Building; Ocean
Author	Abbie Anderson

Last Supper at Uncle Tom's Cabin/The Promised Land

Tue, 01 Dec 2009 12:27:06 -0500

Title	Last Supper at Uncle Tom's Cabin/The Promised Land
Author	Abbie Anderson

The Success of Failure (or, The Failure of Success)

Tue, 01 Dec 2009 12:27:07 -0500

Title	The Success of Failure (or, The Failure of Success)
Author	Abbie Anderson

Come home Charley Patton

Tue, 01 Dec 2009 12:27:07 -0500

Title	Come home Charley Patton
Author	Abbie Anderson

APPLAUSECOPYRIGHT © 1966 BY BRUCE CONNER. ALL RIGHTS RESERVED

Bruce Conner — Mon, 01 Jun 1970 00:00:00 -0400

Title	APPLAUSECOPYRIGHT © 1966 BY BRUCE CONNER. ALL RIGHTS RESERVED
Artist	Bruce Conner
Date	1970 second edition (first edition, 1966)
Institution	Walker Art Center
Location	Not on view.

the word "APPLAUSE" in black text

UNTITLED

Bruce Conner — Tue, 01 Jun 1954 00:00:00 -0400

Title	UNTITLED
Artist	Bruce Conner
Date	1954–1961
Institution	Walker Art Center
Location	Not on view.

double-sided collage

Genpei Akasegawa — Fri, 09 Sep 2011 02:03:00 -0400

Title
Artist	Genpei Akasegawa
Date	1963
Institution	Walker Art Center
Location	Not on view.

A plaster mask covered with imitation one-thousand-Yen notes, wrapped with a string netting. Impound tags are affixed to the string netting.

Genpei Akasegawa — Fri, 09 Sep 2011 02:03:00 -0400

Title
Artist	Genpei Akasegawa
Date	1967
Institution	Walker Art Center
Location	Not on view.

Bundles of Zero-Yen notes and a lidded jar containing correspondence and currency sent to the artist in exchange for zero-yen notes.

Genpei Akasegawa — Fri, 09 Sep 2011 02:03:00 -0400

Title
Artist	Genpei Akasegawa
Date	1967
Institution	Walker Art Center
Location	Not on view.

Bundles of Zero-Yen notes and a lidded jar containing correspondence and currency sent to the artist in exchange for zero-yen notes.

Trophy II (for Teeny and Marcel Duchamp)

Robert Rauschenberg — Wed, 01 Jun 1960 00:00:00 -0400

Title	Trophy II (for Teeny and Marcel Duchamp)
Artist	Robert Rauschenberg
Date	1960
Institution	Walker Art Center
Location	On view at the Walker Art Center,

Abstract composition incorporating collage elements. Five panels are attached, four vertically and one horizontally. The remaining two canvases are displayed on each side of the attached canvases. Drinking glass in not the original.

Robert Rauschenberg, Trophy II (for Teeny and Marcel Duchamp) (1960)

Tue, 01 Jun 1999 00:00:00 -0400

Title	Robert Rauschenberg, Trophy II (for Teeny and Marcel Duchamp) (1960)
Author	Walker Art Center
Date	1999
Institution	Walker Art Center

Any incentive to paint is as good as any other. There is no poor subject. Painting is always strongest when in spite of composition, color, etc., it appears as a fact, or an inevitability, as opposed to a souvenir or arrangement. Painting relates to both art and life. Neither can be made . . . A pair of socks is no less suitable to make a painting with than wood, nails, turpentine, oil, and fabric. --Robert Rauschenberg, 1959

In the early 1950s, Robert Rauschenberg devised a radical new form, blending two- dimensional collage techniques with three-dimensional objects on painted surfaces. Definable neither as sculpture nor painting, these works were dubbed "combines" by the artist to describe their interdisciplinary formal roots. Rauschenberg's combination of found imagery and gestural brushwork places these works between two movements in painting: Abstract Expressionism and Pop Art.

Trophy II (for Teeny and Marcel Duchamp) is one of a series of five combines, all called "trophies," which alluded to the unconventional creative spirit of artists whose work Rauschenberg greatly admired: in this case, Marcel Duchamp and his wife, Teeny. Using found objects, photographs, and paint, the artist considered himself "a collaborator with objects." In this way, he sought to avoid excessive autobiographical readings and instead refers to the dynamics of the urban landscape.

Walker solo exhibition: Robert Rauschenberg: Painting, 1965

Robert Rauschenberg, Trophy II (for Teeny and Marcel Duchamp) (1960)

Mon, 01 Jun 1998 00:00:00 -0400

Title	Robert Rauschenberg, Trophy II (for Teeny and Marcel Duchamp) (1960)
Author	Walker Art Center
Date	1998
Institution	Walker Art Center

"I find [Marcel Duchamp's] life and work a constant inspiration. . . . His Bicycle Wheel has always struck me as one of the most beautiful pieces of sculpture I've ever seen."--Robert Rauschenberg

Trophy II is one of a series of five combines, all called "trophies," which alluded to the unconventional creative spirit of artists whose work Rauschenberg greatly admired. Using found objects, photographs, and paint, the artist considered himself "a collaborator with objects." In this way, he sought to avoid excessive autobiographical readings and instead refers to the dynamics of the urban landscape.

Artwork of the Month: Robert Rauschenberg's Trophy II (for Teeny and Marcel Duchamp)

Mon, 01 Jun 1998 00:00:00 -0400

Title	Artwork of the Month: Robert Rauschenberg's Trophy II (for Teeny and Marcel Duchamp)
Author	Walker Art Center
Date	March 1998
Institution	Walker Art Center

The Artwork of the Month's activity and label focus on a single work in the Walker's collection and provide entertaining art experiences for young people. You can see an activity with the ArtsConnectEd image viewer or download the PDF file to your computer. Use the Prev/Next buttons to move between images of the PDF and the actual file.

About the Artwork

I find [Marcel Duchamp's life and work a constant inspiration. . . . His Bicycle Wheel has always struck me as one of the most beautiful pieces of sculpture I've ever seen.
—Robert Rauschenberg

During the 1950s, Robert Rauschenberg socialized with the group of artists known as the Abstract Expressionists and even participated in exhibitions they organized. However, it was another group of artists whose experimental approaches to dance, music, and the visual arts had the greatest impact on his work. Marcel Duchamp was one of the most significant of these. Duchamp changed the course of 20th-century art when, in the early part of the century, he developed the notion of the "readymade," a sculpture made by only slightly manipulating a found object.

In the early 1950s, inspired by Duchamp, Rauschenberg devised his own radical new form, blending two-dimensional collage techniques with three-dimensional found objects on painted surfaces. Definable neither as sculpture nor painting, these works were dubbed "combines" by the artist to describe their interdisciplinary formal roots. Using found objects, photographs, and paint, the artist considered himself "a collaborator with objects." In this way, he sought to avoid excessive autobiographical readings and instead refers to the dynamics of the urban landscape.

Trophy II is one of a series of five combines, all called "trophies," which alluded to the unconventional creative spirit of artists whose work Rauschenberg greatly admired. The others honored in this way were dancer/choreographer Merce Cunningham, sculptor Jean Tinguely, composer John Cage, and painter Jasper Johns.

Roy Cohn and Jack Smith

Tue, 01 Dec 2009 12:27:08 -0500

Title	Roy Cohn and Jack Smith
Author	Abbie Anderson

Fool's House

Jasper Johns — Thu, 01 Jun 1972 00:00:00 -0400

Title	Fool's House
Artist	Jasper Johns
Date	1972
Institution	Walker Art Center
Location	Not on view.

An image of a broom on a grey background. Line image of towel BL, stretcher BC. An image of a coffee cup BR extending onto margin. Each object is identified with black printed handwritten text. Across top printed in black "USE FOOL'S HO" A lithograph from one stone and eight aluminum plates. Same image as 85.338.

Actions, Vienna 1965/66

Rudolf Schwarzkogler — Sun, 01 Jun 1975 00:00:00 -0400

Title	Actions, Vienna 1965/66
Artist	Rudolf Schwarzkogler
Date	1975-1982
Institution	Walker Art Center
Location	Not on view.

Photographic documentation of 6 actions performed in Vienna in 1965-1966.

Actions, Vienna 1965/66

Rudolf Schwarzkogler — Sun, 01 Jun 1975 00:00:00 -0400

Title	Actions, Vienna 1965/66
Artist	Rudolf Schwarzkogler
Date	1975-1982
Institution	Walker Art Center
Location	Not on view.

Photographic documentation of 6 actions performed in Vienna in 1965-1966.

Actions, Vienna 1965/66

Rudolf Schwarzkogler — Sun, 01 Jun 1975 00:00:00 -0400

Title	Actions, Vienna 1965/66
Artist	Rudolf Schwarzkogler
Date	1975-1982
Institution	Walker Art Center
Location	Not on view.

Photographic documentation of 6 actions performed in Vienna in 1965-1966.

Actions, Vienna 1965/66

Rudolf Schwarzkogler — Sun, 01 Jun 1975 00:00:00 -0400

Title	Actions, Vienna 1965/66
Artist	Rudolf Schwarzkogler
Date	1975-1982
Institution	Walker Art Center
Location	Not on view.

Photographic documentation of 6 actions performed in Vienna in 1965-1966.

Trisha Donnelly — Fri, 09 Sep 2011 02:03:02 -0400

Title
Artist	Trisha Donnelly
Date	2008
Institution	Walker Art Center
Location	Not on view.

Two painted plaster Sphinx figures each with the face covered by a pillow onto which a functioning nautical light fixture is attached.

New Heaven Hook

Jay Heikes — Wed, 01 Jun 2005 00:00:00 -0400

Title	New Heaven Hook
Artist	Jay Heikes
Date	2005
Institution	Walker Art Center
Location	Not on view.

A polished aluminum shepherds crook.

Nelson Leirner — Fri, 09 Sep 2011 02:01:42 -0400

Title
Artist	Nelson Leirner
Date	1967
Institution	Walker Art Center
Location	Not on view.

A painting comprised of multiple layers of different colored fabrics each with a horizontal zipper.

Empty Room

Peter Fischli, David Weiss — Thu, 01 Jun 1995 00:00:00 -0400

Title	Empty Room
Artist	Peter Fischli, David Weiss
Date	1995-1996
Institution	Walker Art Center
Location	Not on view.

construction tools and objects replicated from the Walker crews' construction materials

Peter Fischli's and David Weiss's Empty Room

Tue, 01 Dec 2009 12:27:09 -0500

Title	Peter Fischli's and David Weiss's Empty Room
Author	Abbie Anderson

Gallery 3

Tue, 01 Dec 2009 12:27:09 -0500

Title	Gallery 3
Author	Abbie Anderson

"Untitled" (Last Light)

Felix Gonzalez-Torres — Tue, 01 Jun 1993 00:00:00 -0400

Title	"Untitled" (Last Light)
Artist	Felix Gonzalez-Torres
Date	1993
Institution	Walker Art Center
Location	Not on view.

A light string with 24 lightsockets each containing an ABCO, 10W candelabra base, satin white, #03864 lightbulb. The work can be configured in any arrangement and may displayed with either all of the bulbs light or dark.

untitled (Canis Major constellation)

Joseph Cornell — Wed, 01 Jun 1960 00:00:00 -0400

Title	untitled (Canis Major constellation)
Artist	Joseph Cornell
Date	circa 1960
Institution	Walker Art Center
Location	Not on view.

High Heel in Ruins

Peter Hujar — Sat, 01 Jun 1985 00:00:00 -0400

Title	High Heel in Ruins
Artist	Peter Hujar
Date	1985
Institution	Walker Art Center
Location	Not on view.

An image of a high-heel shoe amongst street garbage.

Andromeda (Sand Fountain)

Joseph Cornell — Mon, 01 Jun 1953 00:00:00 -0400

Title	Andromeda (Sand Fountain)
Artist	Joseph Cornell
Date	1953 - 1956
Institution	Walker Art Center
Location	Not on view.

sealed box construction

Eclipsing Binary, Algol, with Magnitude Changes

Joseph Cornell — Tue, 01 Jun 1965 00:00:00 -0400

Title	Eclipsing Binary, Algol, with Magnitude Changes
Artist	Joseph Cornell
Date	circa 1965
Institution	Walker Art Center
Location	Not on view.

Rose Hobart: A film by Joseph Cornell

Wed, 01 Jun 2005 00:00:00 -0400

Title	Rose Hobart: A film by Joseph Cornell
Author	Walker Art Center
Date	2005
Institution	Walker Art Center

untitled (pink ballet case)

Joseph Cornell — Mon, 01 Jun 1942 00:00:00 -0400

Title	untitled (pink ballet case)
Artist	Joseph Cornell
Date	circa 1942
Institution	Walker Art Center
Location	Not on view.

untitled (small slipcase object)

Joseph Cornell — Thu, 01 Jun 1939 00:00:00 -0400

Title	untitled (small slipcase object)
Artist	Joseph Cornell
Date	circa 1939
Institution	Walker Art Center
Location	Not on view.

untitled (yellow sand tray, sun and planets images)

Joseph Cornell — Thu, 01 Jun 1950 00:00:00 -0400

Title	untitled (yellow sand tray, sun and planets images)
Artist	Joseph Cornell
Date	circa 1950
Institution	Walker Art Center
Location	Not on view.

For Emily Dickinson

Joseph Cornell — Tue, 01 Jun 1965 00:00:00 -0400

Title	For Emily Dickinson
Artist	Joseph Cornell
Date	circa 1965
Institution	Walker Art Center
Location	Not on view.

girls skipping rope, sunset

untitled

Joseph Cornell — Wed, 01 Jun 1960 00:00:00 -0400

Title	untitled
Artist	Joseph Cornell
Date	circa 1960
Institution	Walker Art Center
Location	Not on view.

nude, back turned, shore

untitled

Joseph Cornell — Wed, 01 Jun 1960 00:00:00 -0400

Title	untitled
Artist	Joseph Cornell
Date	circa 1960
Institution	Walker Art Center
Location	Not on view.

dark bird on picket fence

Tue, 01 Dec 2009 12:27:10 -0500

Title
Author	Abbie Anderson

Turbulent Surface-Sperlonga

Peter Hujar — Thu, 01 Jun 1978 00:00:00 -0400

Title	Turbulent Surface-Sperlonga
Artist	Peter Hujar
Date	1978
Institution	Walker Art Center
Location	Not on view.

A image of the surf.

Palermo Catacombs #10

Peter Hujar — Sat, 01 Jun 1963 00:00:00 -0400

Title	Palermo Catacombs #10
Artist	Peter Hujar
Date	1963
Institution	Walker Art Center
Location	Not on view.

An image of a mummified body in a glass-walled casket.

Dead Dog, Newark

Peter Hujar — Sat, 01 Jun 1985 00:00:00 -0400

Title	Dead Dog, Newark
Artist	Peter Hujar
Date	1985
Institution	Walker Art Center
Location	Not on view.

An image of a dead dog.

Blanket

Peter Hujar — Sat, 01 Jun 1985 00:00:00 -0400

Title	Blanket
Artist	Peter Hujar
Date	1985
Institution	Walker Art Center
Location	Not on view.

A image of a draped blanket.

How Deep is the Ocean?

Udomsak Krisanamis — Mon, 01 Jun 1998 00:00:00 -0400

Title	How Deep is the Ocean?
Artist	Udomsak Krisanamis
Date	1998
Institution	Walker Art Center
Location	On view at the Walker Art Center, Gallery 4

strips of newspaper attached to a bed sheet and colored with dark blue and orange ink.

How Deep is the Ocean?

Udomsak Krisanamis — Mon, 01 Jun 1998 00:00:00 -0400

Title	How Deep is the Ocean?
Artist	Udomsak Krisanamis
Date	1998
Institution	Walker Art Center
Location	On view at the Walker Art Center, Gallery 4

strips of newspaper attached to a bed sheet and colored with dark blue and orange ink.

Tue, 01 Dec 2009 12:27:10 -0500

Title
Author	Abbie Anderson

Tue, 01 Dec 2009 12:27:11 -0500

Title
Author	Abbie Anderson

Bounce; Group Primary Accumulation on Rafts; Man Walking Down the Side of a Building; Ocean

Tue, 01 Dec 2009 12:27:12 -0500

Title	Bounce; Group Primary Accumulation on Rafts; Man Walking Down the Side of a Building; Ocean
Author	Abbie Anderson

FASE: Four Movements to the Music of Steve Reich

Tue, 01 Dec 2009 12:27:12 -0500

Title	FASE: Four Movements to the Music of Steve Reich
Author	Abbie Anderson

Hey Girl!

Tue, 01 Dec 2009 12:27:13 -0500

Title	Hey Girl!
Author	Abbie Anderson

[OR]

Tue, 01 Dec 2009 12:27:13 -0500

Title	[OR]
Author	Abbie Anderson

Lake Shore Drive, Chicago

Tue, 01 Dec 2009 12:27:14 -0500

Title	Lake Shore Drive, Chicago
Author	Abbie Anderson

Analog

Mark Bradford — Tue, 01 Jun 2004 00:00:00 -0400

Title	Analog
Artist	Mark Bradford
Date	2004
Institution	Walker Art Center
Location	On view at the Walker Art Center, Gallery 3

A large scale collage made of printed billboard images and end papers used in hair treatment, coverded with a layer of varnish

Manfred Pernice — Fri, 09 Sep 2011 02:01:14 -0400

Title
Artist	Manfred Pernice
Date	2004
Institution	Walker Art Center
Location	Not on view.

A large bench-like form with a light installed on one end and a ceramic vessel on the other

From Hand to Ear

Christian Marclay — Wed, 01 Jun 1994 00:00:00 -0400

Title	From Hand to Ear
Artist	Christian Marclay
Date	1994
Institution	Walker Art Center
Location	On view at the Walker Art Center, Gallery 2

A portrait of the artist's arm extending up from the shoulder to include the ear.

Newspaper

Robert Gober — Mon, 01 Jun 1992 00:00:00 -0400

Title	Newspaper
Artist	Robert Gober
Date	1992
Institution	Walker Art Center
Location	Not on view.

Stack of newspapers printed on Super Fine Mohawk archival paper and bound in twine with image of bride on top of stack (image of artist). Frequently described as "Having it All" or "Wedding Gown" image.

Harper's Pictorial History of the Civil War (Annotated)

Kara Walker — Wed, 01 Jun 2005 00:00:00 -0400

Title	Harper's Pictorial History of the Civil War (Annotated)
Artist	Kara Walker
Date	2005
Institution	Walker Art Center
Location	Not on view.

Images appropriated from Harper's, printed in offset, overprinted with the artist's characters, in black screenprint.

Harper's Pictorial History of the Civil War (Annotated)

Kara Walker — Wed, 01 Jun 2005 00:00:00 -0400

Title	Harper's Pictorial History of the Civil War (Annotated)
Artist	Kara Walker
Date	2005
Institution	Walker Art Center
Location	Not on view.

Images appropriated from Harper's, printed in offset, overprinted with the artist's characters, in black screenprint.

Harper's Pictorial History of the Civil War (Annotated)

Kara Walker — Wed, 01 Jun 2005 00:00:00 -0400

Title	Harper's Pictorial History of the Civil War (Annotated)
Artist	Kara Walker
Date	2005
Institution	Walker Art Center
Location	Not on view.

Images appropriated from Harper's, printed in offset, overprinted with the artist's characters, in black screenprint.

Harper's Pictorial History of the Civil War (Annotated)

Kara Walker — Wed, 01 Jun 2005 00:00:00 -0400

Title	Harper's Pictorial History of the Civil War (Annotated)
Artist	Kara Walker
Date	2005
Institution	Walker Art Center
Location	Not on view.

Images appropriated from Harper's, printed in offset, overprinted with the artist's characters, in black screenprint.

Untitled (mouth/stones)

Ann Hamilton — Tue, 01 Jun 1993 00:00:00 -0400

Title	Untitled (mouth/stones)
Artist	Ann Hamilton
Date	1993
Institution	Walker Art Center
Location	Not on view.

stones rolling in an open mouth; monitor is set into the wall; sound the the stone rolling

Konvex/Konkav (Convex/Concave)

Olafur Eliasson — Thu, 01 Jun 1995 00:00:00 -0400

Title	Konvex/Konkav (Convex/Concave)
Artist	Olafur Eliasson
Date	1995–2000
Institution	Walker Art Center
Location	Not on view.

A pump mechanism inflates and deflates a circular piece of stretched mirrored mylar, making the mirror convex and concave

Todd Norsten — Fri, 09 Sep 2011 02:02:09 -0400

Title
Artist	Todd Norsten
Date	2008
Institution	Walker Art Center
Location	Not on view.

A text based work in which the painted letters, appear to be created from adhesive tape. Text "Ceaseless Boundless Endless Joy"

Sixth Light

Paul Chan — Fri, 01 Jun 2007 00:00:00 -0400

Title	Sixth ~~Light~~
Artist	Paul Chan
Date	2007
Institution	Walker Art Center
Location	Not on view.

i.Mirror by China Tracy (AKA: Cao Fei)

Fei Cao — Fri, 01 Jun 2007 00:00:00 -0400

Title	i.Mirror by China Tracy (AKA: Cao Fei)
Artist	Fei Cao
Date	2007
Institution	Walker Art Center
Location	Not on view.

Silver Jackie with Pink Spot

Jack Pierson — Sat, 01 Jun 1991 00:00:00 -0400

Title	Silver Jackie with Pink Spot
Artist	Jack Pierson
Date	1991
Institution	Walker Art Center
Location	On view at the Walker Art Center,

a black plywood platform that stands in front of the two mylar curtains installed in a corner on walls painted black. The strand of lights are installed in the berry corner where the two curtains meet. The butts are randomly placed on the platform. Pink gel spots lights are installed from the ceiling, focused on the curtains. A view of the piece installed is in the catalog The Lonely Life in the library

Untitled

Cindy Sherman — Mon, 01 Jun 1981 00:00:00 -0400

Title	Untitled
Artist	Cindy Sherman
Date	1981
Institution	Walker Art Center
Location	Not on view.

color photograph

Bettlerhand (Beggar's Hand)

Katharina Fritsch — Fri, 01 Jun 2007 00:00:00 -0400

Title	Bettlerhand (Beggar's Hand)
Artist	Katharina Fritsch
Date	2007
Institution	Walker Art Center
Location	Not on view.

A bright purple hand with palm upturned.

Hellgrüner Schirm (Light Green Umbrella)

Katharina Fritsch — Tue, 01 Jun 2004 00:00:00 -0400

Title	Hellgrüner Schirm (Light Green Umbrella)
Artist	Katharina Fritsch
Date	2004
Institution	Walker Art Center
Location	Not on view.

A light green umbrella that can be suspended from the ceiling or be displayed propped on the ground

Prayer

Siah Armajani — Fri, 01 Jun 1962 00:00:00 -0400

Title	Prayer
Artist	Siah Armajani
Date	1962
Institution	Walker Art Center
Location	Not on view.

Islamic prayer in puzzle-like formations

Prayer

Siah Armajani — Fri, 01 Jun 1962 00:00:00 -0400

Title	Prayer
Artist	Siah Armajani
Date	1962
Institution	Walker Art Center
Location	Not on view.

Islamic prayer in puzzle-like formations

Tue, 01 Dec 2009 12:27:15 -0500

Title
Author	Abbie Anderson

Aeid

Tomma Abts — Thu, 01 Jun 2006 00:00:00 -0400

Title	Aeid
Artist	Tomma Abts
Date	2006
Institution	Walker Art Center
Location	Not on view.

Tue, 01 Dec 2009 12:27:15 -0500

Title
Author	Abbie Anderson

Event Horizon: A Study Set

Event Horizon

Event Horizon

Peinture acrylique blanche sur tissu rayé blanc et orange (White acrylic painting on white and orange striped fabric)

Peinture acrylique blanche sur tissu rayé blanc et orange (White acrylic painting on white and orange striped fabric)

1966

A common material: fabric for awnings.

A common material: fabric for awnings.

Barre de bois rond (Round Bar of Wood)

Barre de bois rond (Round Bar of Wood)

1977

Abstract Relief: Archaeology

Abstract Relief: Archaeology

2000

Repressed Spatial Relationships Rendered as Fluid, No. 4: Stevenson Junior High and Satellites

Repressed Spatial Relationships Rendered as Fluid, No. 4: Stevenson Junior High and Satellites

2002

Repressed Spatial Relationships Rendered as Fluid, No. 4: Stevenson Junior High and Satellites

Repressed Spatial Relationships Rendered as Fluid, No. 4: Stevenson Junior High and Satellites

2002

La Fortune (after Man Ray: 3)

La Fortune (after Man Ray: 3)

1990

The Green Diamond Eat The Red Diamond Die

The Green Diamond Eat The Red Diamond Die

1962

The Green Diamond Eat The Red Diamond Die

The Green Diamond Eat The Red Diamond Die

1962

Untitled

Untitled

1959–1960/2002

White Field

White Field

1964

Untitled from Edition MAT 64

Untitled from Edition MAT 64

1964

3 Pass-stücke (3 Adaptives)

3 Pass-stücke (3 Adaptives)

1997

Sixteen Jackies

Sixteen Jackies

1964

Andy Warhol, 16 Jackies (1964)

Andy Warhol, 16 Jackies (1964)

Walker Art Center

1999

Andy Warhol, 16 Jackies (1964)

Andy Warhol, 16 Jackies (1964)

Walker Art Center

1998

Andy Warhol, 16 Jackies (1964)

Andy Warhol, 16 Jackies (1964)

Walker Art Center

1998

Richard Flood discusses Andy Warhol's 16 Jackies (1964)

Richard Flood discusses Andy Warhol's 16 Jackies (1964)

Richard Flood

September 1999

1987 Toyota Celica, 500 lbs ANFO explosive (Energetic Materials Research and Testing Center (EMRTC), New Mexico Tech, Socorro, NM)

1987 Toyota Celica, 500 lbs ANFO explosive (Energetic Materials Research and Testing Center (EMRTC), New Mexico Tech, Socorro, NM)

2005

Bounce; Group Primary Accumulation on Rafts; Man Walking Down the Side of a Building; Ocean

Bounce; Group Primary Accumulation on Rafts; Man Walking Down the Side of a Building; Ocean

Bounce

Bounce

Man Walking Down the Side of a Building

Man Walking Down the Side of a Building

Ocean

Ocean

Olympic Winners Platform (Pollution Olympics - Pollution Game - L'art pressentiment)

Olympic Winners Platform (Pollution Olympics - Pollution Game - L'art pressentiment)

1970-1972

Light I

Light I

Gallery 2

Gallery 2

Upside Down City

Upside Down City