http://www.artsconnected.org/resource/110415/section-of-a-frieze-gallery-label-current ArtsConnectEd.org Art Collector Set: Section of a frieze: Gallery Label - Current http://www.artsconnected.org/images/favicon.png http://www.artsconnected.org/resource/110415/section-of-a-frieze-gallery-label-current 16 16 http://www.artsconnected.org/resource/110415/section-of-a-frieze-gallery-label-current Wed, 01 Jun 2005 00:00:00 -0400 <table cellspacing="0"> <tr> <td class="detail_label">Title</td> <td><h3>Section of a frieze: Gallery Label - Current</h3></td> </tr> <tr> <td class="detail_label">Author</td> <td><h3>Minneapolis Institute of Arts</h3></td> </tr> <tr> <td class="detail_label">Date</td> <td><h3>2005-12-08</h3></td> </tr> <tr> <td class="detail_label" style="padding-right:7px;">Institution</td> <td>Minneapolis Institute of Arts</td> </tr> </table><br/>These decorative terra-cotta tiles for the Farmers and Merchants Bank in Hector, Minnesota were designed by George Grant Elmslie in his own style of organic ornamentation, developed during twenty years as Louis Sullivan's chief draftsman. Stylized plant forms combined with geometric patterns, repeated throughout the facade, separate the brick lower level from the light stucco second story. This section was removed in 1970 when the bank was remodeled. http://www.artsconnected.org/resource/110415/section-of-a-frieze-gallery-label-current These decorative terra-cotta tiles for the Farmers and Merchants Bank in Hector, Minnesota were designed by George Grant Elmslie in his own style of organic ornamentation, developed during twenty years as Louis Sullivan's chief draftsman. Stylized plant forms combined with geometric patterns, repeated throughout the facade, separate the brick lower level from the light stucco second story. This section was removed in 1970 when the bank was remodeled." type="image/jpeg" />These decorative terra-cotta tiles for the Farmers and Merchants Bank in Hector, Minnesota were designed by George Grant Elmslie in his own style of organic ornamentation, developed during twenty years as Louis Sullivan's chief draftsman. Stylized plant forms combined with geometric patterns, repeated throughout the facade, separate the brick lower level from the light stucco second story. This section was removed in 1970 when the bank was remodeled." type="image/jpeg" />Copyright Minneapolis Institute of ArtsMinneapolis Institute of Arts