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    <title>Avalokitesvara: Gallery Label - Current</title>
    <link>http://www.artsconnected.org/resource/110294/avalokitesvara-gallery-label-current</link>
    <description>ArtsConnectEd.org Art Collector Set: Avalokitesvara: Gallery Label - Current</description>
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<title>Avalokitesvara: Gallery Label - Current</title>
<link>http://www.artsconnected.org/resource/110294/avalokitesvara-gallery-label-current</link>
<enclosure url="&lt;div class=&quot;gallery_item_text&quot; style=&quot;width:135px; height:115px;&quot; &gt;Next to the Buddha, the most popular of all Buddhist deities is Kuan-yin, commonly called the Bodhisattva of Compassion. Due to its Indian origin, early Kuan-yin images were represented as Gandharan princes sumptuously dressed in dhotis and adorned with silk scarves and rich jewelry. Held in the left hand is a lotus bud, the Buddhist symbol of purity.
This figure of Kuan-yin is especially significant in that it provides the only dated example of a regional sub-style that marks a departure from the rigid frontality that characterized the sculpture of earlier generations. Inscriptions on the base date the sculpture to 571 and indicate it was commissioned by Meng-yen, a district magistrate; Meng Sung-hsun, a village head; and 41 civic leaders who helped establish a temple at Ku-shih po-Ssu near Sian in Shansi province. By 581, the statue had been desecrated by anti-Buddhists but in that year, according to the second inscription, the temple was restored and rededicated.
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<pubDate>Tue, 01 Jun 2004 00:00:00 -0400</pubDate>
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	&lt;td class=&quot;detail_label&quot;&gt;Title&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Avalokitesvara: Gallery Label - Current&lt;/h3&gt;&lt;/td&gt;
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	&lt;td&gt;&lt;h3&gt;Minneapolis Institute of Arts&lt;/h3&gt;&lt;/td&gt;
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	&lt;td class=&quot;detail_label&quot;&gt;Date&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;2004-01-13&lt;/h3&gt;&lt;/td&gt;
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	&lt;td class=&quot;detail_label&quot; style=&quot;padding-right:7px;&quot;&gt;Institution&lt;/td&gt;
	&lt;td&gt;Minneapolis Institute of Arts&lt;/td&gt;
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&lt;/table&gt;&lt;br/&gt;Next to the Buddha, the most popular of all Buddhist deities is Kuan-yin, commonly called the Bodhisattva of Compassion. Due to its Indian origin, early Kuan-yin images were represented as Gandharan princes sumptuously dressed in dhotis and adorned with silk scarves and rich jewelry. Held in the left hand is a lotus bud, the Buddhist symbol of purity.
&lt;p&gt;This figure of Kuan-yin is especially significant in that it provides the only dated example of a regional sub-style that marks a departure from the rigid frontality that characterized the sculpture of earlier generations. Inscriptions on the base date the sculpture to 571 and indicate it was commissioned by Meng-yen, a district magistrate; Meng Sung-hsun, a village head; and 41 civic leaders who helped establish a temple at Ku-shih po-Ssu near Sian in Shansi province. By 581, the statue had been desecrated by anti-Buddhists but in that year, according to the second inscription, the temple was restored and rededicated.&lt;/p&gt;
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This figure of Kuan-yin is especially significant in that it provides the only dated example of a regional sub-style that marks a departure from the rigid frontality that characterized the sculpture of earlier generations. Inscriptions on the base date the sculpture to 571 and indicate it was commissioned by Meng-yen, a district magistrate; Meng Sung-hsun, a village head; and 41 civic leaders who helped establish a temple at Ku-shih po-Ssu near Sian in Shansi province. By 581, the statue had been desecrated by anti-Buddhists but in that year, according to the second inscription, the temple was restored and rededicated.
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This figure of Kuan-yin is especially significant in that it provides the only dated example of a regional sub-style that marks a departure from the rigid frontality that characterized the sculpture of earlier generations. Inscriptions on the base date the sculpture to 571 and indicate it was commissioned by Meng-yen, a district magistrate; Meng Sung-hsun, a village head; and 41 civic leaders who helped establish a temple at Ku-shih po-Ssu near Sian in Shansi province. By 581, the statue had been desecrated by anti-Buddhists but in that year, according to the second inscription, the temple was restored and rededicated.
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