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    <title>Frontlet: Gallery Label - Current</title>
    <link>http://www.artsconnected.org/resource/110286/frontlet-gallery-label-current</link>
    <description>ArtsConnectEd.org Art Collector Set: Frontlet: Gallery Label - Current</description>
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      <title>Frontlet: Gallery Label - Current</title>
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<title>Frontlet: Gallery Label - Current</title>
<link>http://www.artsconnected.org/resource/110286/frontlet-gallery-label-current</link>
<enclosure url="&lt;div class=&quot;gallery_item_text&quot; style=&quot;width:135px; height:115px;&quot; &gt;Frontlets were created by most tribal groups in the Northwest Coast region, and were usually decorated with figures. They were worn with an ensemble that included a robe and dance outfit, and were used for special events like greeting important visitors and potlatches. During the ceremonial, the abalone shells of the frontlet and the whiteness of the ermine fur would glow. On the center of this object is an unknown figure that probably derives from the Bella Coola’s traditional stories. It has abalone canine teeth and a pronounced nose. The upper portion of the frontlet features a figure that wears headgear in the shape of a bird. The lower figure may represent the spirit of the main figure. It is unclear whether the arms and hands are from the lower or main figure.The Bella Coola are known for their strong carving tradition, and many tribal groups looked at their work for inspiration, including their neighbors the Kwakwaka'wakw (Kwakiutl).&lt;/div&gt;"  length="2175" type="image/jpeg" />
<pubDate>Mon, 01 Jun 2009 00:00:00 -0400</pubDate>
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	&lt;td class=&quot;detail_label&quot;&gt;Title&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Frontlet: Gallery Label - Current&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Author&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Minneapolis Institute of Arts&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot;&gt;Date&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;2009-05-15&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
	&lt;td class=&quot;detail_label&quot; style=&quot;padding-right:7px;&quot;&gt;Institution&lt;/td&gt;
	&lt;td&gt;Minneapolis Institute of Arts&lt;/td&gt;
&lt;/tr&gt;
&lt;/table&gt;&lt;br/&gt;Frontlets were created by most tribal groups in the Northwest Coast region, and were usually decorated with figures. They were worn with an ensemble that included a robe and dance outfit, and were used for special events like greeting important visitors and potlatches. During the ceremonial, the abalone shells of the frontlet and the whiteness of the ermine fur would glow. On the center of this object is an unknown figure that probably derives from the Bella Coola’s traditional stories. It has abalone canine teeth and a pronounced nose. The upper portion of the frontlet features a figure that wears headgear in the shape of a bird. The lower figure may represent the spirit of the main figure. It is unclear whether the arms and hands are from the lower or main figure.The Bella Coola are known for their strong carving tradition, and many tribal groups looked at their work for inspiration, including their neighbors the Kwakwaka'wakw (Kwakiutl).</description>
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<media:thumbnail url="<div class="gallery_item_text" style="width:135px; height:115px;" >Frontlets were created by most tribal groups in the Northwest Coast region, and were usually decorated with figures. They were worn with an ensemble that included a robe and dance outfit, and were used for special events like greeting important visitors and potlatches. During the ceremonial, the abalone shells of the frontlet and the whiteness of the ermine fur would glow. On the center of this object is an unknown figure that probably derives from the Bella Coola’s traditional stories. It has abalone canine teeth and a pronounced nose. The upper portion of the frontlet features a figure that wears headgear in the shape of a bird. The lower figure may represent the spirit of the main figure. It is unclear whether the arms and hands are from the lower or main figure.The Bella Coola are known for their strong carving tradition, and many tribal groups looked at their work for inspiration, including their neighbors the Kwakwaka'wakw (Kwakiutl).</div>" type="image/jpeg" /><media:content url="<div class="gallery_item_text" style="width:135px; height:115px;" >Frontlets were created by most tribal groups in the Northwest Coast region, and were usually decorated with figures. They were worn with an ensemble that included a robe and dance outfit, and were used for special events like greeting important visitors and potlatches. During the ceremonial, the abalone shells of the frontlet and the whiteness of the ermine fur would glow. On the center of this object is an unknown figure that probably derives from the Bella Coola’s traditional stories. It has abalone canine teeth and a pronounced nose. The upper portion of the frontlet features a figure that wears headgear in the shape of a bird. The lower figure may represent the spirit of the main figure. It is unclear whether the arms and hands are from the lower or main figure.The Bella Coola are known for their strong carving tradition, and many tribal groups looked at their work for inspiration, including their neighbors the Kwakwaka'wakw (Kwakiutl).</div>" type="image/jpeg" /><media:copyright>Copyright Minneapolis Institute of Arts</media:copyright><media:credit>Minneapolis Institute of Arts</media:credit></item>
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