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    <title>Attendant to the King of Hell: Gallery Label - Current</title>
    <link>http://www.artsconnected.org/resource/109773/attendant-to-the-king-of-hell-gallery-label-current</link>
    <description>ArtsConnectEd.org Art Collector Set: Attendant to the King of Hell: Gallery Label - Current</description>
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<title>Attendant to the King of Hell: Gallery Label - Current</title>
<link>http://www.artsconnected.org/resource/109773/attendant-to-the-king-of-hell-gallery-label-current</link>
<enclosure url="&lt;div class=&quot;gallery_item_text&quot; style=&quot;width:135px; height:115px;&quot; &gt;Subsidiary halls within Buddhist monastic complexes often featured statues or paintings depicting the fierce Kings of Hell. Here, prayers were offered in an attempt to mitigate the punishments meted out on the souls of the deceased. In addition to painted and sculptural images of the Kings of Hell, artists also depicted attendant figures. This wooden sculpture represents one such figure, holding a long scroll on which the names and judgments would be recorded. The charming, simplified carving style and compact form of the figure are characteristic of Korean folk sculpture. In an interesting mixture of religious beliefs, the figure is dressed in the robes and lacquered hat of a Confucian scholar-official.&lt;/div&gt;"  length="2175" type="image/jpeg" />
<pubDate>Tue, 01 Jun 2004 00:00:00 -0400</pubDate>
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	&lt;td class=&quot;detail_label&quot;&gt;Title&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Attendant to the King of Hell: Gallery Label - Current&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
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	&lt;td class=&quot;detail_label&quot;&gt;Author&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Minneapolis Institute of Arts&lt;/h3&gt;&lt;/td&gt;
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	&lt;td class=&quot;detail_label&quot;&gt;Date&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;2004-01-13&lt;/h3&gt;&lt;/td&gt;
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	&lt;td class=&quot;detail_label&quot; style=&quot;padding-right:7px;&quot;&gt;Institution&lt;/td&gt;
	&lt;td&gt;Minneapolis Institute of Arts&lt;/td&gt;
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&lt;/table&gt;&lt;br/&gt;Subsidiary halls within Buddhist monastic complexes often featured statues or paintings depicting the fierce Kings of Hell. Here, prayers were offered in an attempt to mitigate the punishments meted out on the souls of the deceased. In addition to painted and sculptural images of the Kings of Hell, artists also depicted attendant figures. This wooden sculpture represents one such figure, holding a long scroll on which the names and judgments would be recorded. The charming, simplified carving style and compact form of the figure are characteristic of Korean folk sculpture. In an interesting mixture of religious beliefs, the figure is dressed in the robes and lacquered hat of a Confucian scholar-official.</description>
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<media:thumbnail url="<div class="gallery_item_text" style="width:135px; height:115px;" >Subsidiary halls within Buddhist monastic complexes often featured statues or paintings depicting the fierce Kings of Hell. Here, prayers were offered in an attempt to mitigate the punishments meted out on the souls of the deceased. In addition to painted and sculptural images of the Kings of Hell, artists also depicted attendant figures. This wooden sculpture represents one such figure, holding a long scroll on which the names and judgments would be recorded. The charming, simplified carving style and compact form of the figure are characteristic of Korean folk sculpture. In an interesting mixture of religious beliefs, the figure is dressed in the robes and lacquered hat of a Confucian scholar-official.</div>" type="image/jpeg" /><media:content url="<div class="gallery_item_text" style="width:135px; height:115px;" >Subsidiary halls within Buddhist monastic complexes often featured statues or paintings depicting the fierce Kings of Hell. Here, prayers were offered in an attempt to mitigate the punishments meted out on the souls of the deceased. In addition to painted and sculptural images of the Kings of Hell, artists also depicted attendant figures. This wooden sculpture represents one such figure, holding a long scroll on which the names and judgments would be recorded. The charming, simplified carving style and compact form of the figure are characteristic of Korean folk sculpture. In an interesting mixture of religious beliefs, the figure is dressed in the robes and lacquered hat of a Confucian scholar-official.</div>" type="image/jpeg" /><media:copyright>Copyright Minneapolis Institute of Arts</media:copyright><media:credit>Minneapolis Institute of Arts</media:credit></item>
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