http://www.artsconnected.org/resource/109591/horse-and-rider-gallery-label-current ArtsConnectEd.org Art Collector Set: Horse and Rider: Gallery Label - Current http://www.artsconnected.org/images/favicon.png http://www.artsconnected.org/resource/109591/horse-and-rider-gallery-label-current 16 16 http://www.artsconnected.org/resource/109591/horse-and-rider-gallery-label-current Sat, 01 Jun 2002 00:00:00 -0400 <table cellspacing="0"> <tr> <td class="detail_label">Title</td> <td><h3>Horse and Rider: Gallery Label - Current</h3></td> </tr> <tr> <td class="detail_label">Author</td> <td><h3>Minneapolis Institute of Arts</h3></td> </tr> <tr> <td class="detail_label">Date</td> <td><h3>2002-06-11</h3></td> </tr> <tr> <td class="detail_label" style="padding-right:7px;">Institution</td> <td>Minneapolis Institute of Arts</td> </tr> </table><br/>Elaborate burials are a defining aspect of traditional Chinese culture and grave goods provide us extraordinary amounts of information about how the ancient Chinese lived. The horse-riding military, which began in the 3rd century b.c., grew rapidly during the 2nd century b.c. to meet the challenge of horse-riding peoples threatening China along the northern frontier. These large, powerful, horses were new to China. Traded for luxurious silk, they were the first major import to China from the newly established trade corridor to the Mediterranean world now known as the "silk road." Within a few years, the marvelous Arabian steeds had become immensely popular with military and aristocracy alike and upper-class tombs began to be filled with images of these great horses for use in the after life. <p>While this magnificent horse and rider is typical of the ceramic sculpture excavated from several pits at Yang-chia wan in Shansi Province, it is the largest such horse and rider known made in this style. It is also one of the most powerfully modeled with a good deal of the original color remaining.</p> http://www.artsconnected.org/resource/109591/horse-and-rider-gallery-label-current Elaborate burials are a defining aspect of traditional Chinese culture and grave goods provide us extraordinary amounts of information about how the ancient Chinese lived. The horse-riding military, which began in the 3rd century b.c., grew rapidly during the 2nd century b.c. to meet the challenge of horse-riding peoples threatening China along the northern frontier. These large, powerful, horses were new to China. Traded for luxurious silk, they were the first major import to China from the newly established trade corridor to the Mediterranean world now known as the "silk road." Within a few years, the marvelous Arabian steeds had become immensely popular with military and aristocracy alike and upper-class tombs began to be filled with images of these great horses for use in the after life. While this magnificent horse and rider is typical of the ceramic sculpture excavated from several pits at Yang-chia wan in Shansi Province, it is the largest such horse and rider known made in this style. It is also one of the most powerfully modeled with a good deal of the original color remaining. " type="image/jpeg" />Elaborate burials are a defining aspect of traditional Chinese culture and grave goods provide us extraordinary amounts of information about how the ancient Chinese lived. The horse-riding military, which began in the 3rd century b.c., grew rapidly during the 2nd century b.c. to meet the challenge of horse-riding peoples threatening China along the northern frontier. These large, powerful, horses were new to China. Traded for luxurious silk, they were the first major import to China from the newly established trade corridor to the Mediterranean world now known as the "silk road." Within a few years, the marvelous Arabian steeds had become immensely popular with military and aristocracy alike and upper-class tombs began to be filled with images of these great horses for use in the after life. While this magnificent horse and rider is typical of the ceramic sculpture excavated from several pits at Yang-chia wan in Shansi Province, it is the largest such horse and rider known made in this style. It is also one of the most powerfully modeled with a good deal of the original color remaining. " type="image/jpeg" />Copyright Minneapolis Institute of ArtsMinneapolis Institute of Arts