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    <title>Bride from Wedding Procession: Gallery Label - Current</title>
    <link>http://www.artsconnected.org/resource/109121/bride-from-wedding-procession-gallery-label-current</link>
    <description>ArtsConnectEd.org Art Collector Set: Bride from Wedding Procession: Gallery Label - Current</description>
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      <title>Bride from Wedding Procession: Gallery Label - Current</title>
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<title>Bride from Wedding Procession: Gallery Label - Current</title>
<link>http://www.artsconnected.org/resource/109121/bride-from-wedding-procession-gallery-label-current</link>
<enclosure url="&lt;div class=&quot;gallery_item_text&quot; style=&quot;width:135px; height:115px;&quot; &gt;The Chinese considered weddings to be joyous and auspicious occasions. Marriage was central to the strong Confucian values of family unity and continuity. Within a well-furnished tomb, a ceramic procession such as this would replicate an important and festive occasion for the deceased in their afterlife.
The procession is shown formed up at the bride’s house preparing to leave with the wedding party and the loud accompaniment of musicians to join the groom at his parents’ home. Several aspects of a traditional Chinese marriage are described in extraordinary detail. Included are the courtyard home of the bride with “spirit blocking screen” inside the main door, behind which is a nine-course wedding banquet. Outside the home the bride’s dowry is indicated by the five chests. Next are shown the bride’s relatives with litter bearers carrying her in a large dragon-decorated palanquin in the middle of the procession. The party is accompanied by nearly thirty musicians playing drums, horns, cymbals, and clappers. Leading the parade are equestrian musicians.
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<pubDate>Fri, 01 Jun 2001 00:00:00 -0400</pubDate>
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	&lt;td class=&quot;detail_label&quot;&gt;Title&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Bride from Wedding Procession: Gallery Label - Current&lt;/h3&gt;&lt;/td&gt;
&lt;/tr&gt;
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	&lt;td class=&quot;detail_label&quot;&gt;Author&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Minneapolis Institute of Arts&lt;/h3&gt;&lt;/td&gt;
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	&lt;td class=&quot;detail_label&quot;&gt;Date&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;2001-05-17&lt;/h3&gt;&lt;/td&gt;
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	&lt;td class=&quot;detail_label&quot; style=&quot;padding-right:7px;&quot;&gt;Institution&lt;/td&gt;
	&lt;td&gt;Minneapolis Institute of Arts&lt;/td&gt;
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&lt;/table&gt;&lt;br/&gt;The Chinese considered weddings to be joyous and auspicious occasions. Marriage was central to the strong Confucian values of family unity and continuity. Within a well-furnished tomb, a ceramic procession such as this would replicate an important and festive occasion for the deceased in their afterlife.
&lt;p&gt;The procession is shown formed up at the bride’s house preparing to leave with the wedding party and the loud accompaniment of musicians to join the groom at his parents’ home. Several aspects of a traditional Chinese marriage are described in extraordinary detail. Included are the courtyard home of the bride with “spirit blocking screen” inside the main door, behind which is a nine-course wedding banquet. Outside the home the bride’s dowry is indicated by the five chests. Next are shown the bride’s relatives with litter bearers carrying her in a large dragon-decorated palanquin in the middle of the procession. The party is accompanied by nearly thirty musicians playing drums, horns, cymbals, and clappers. Leading the parade are equestrian musicians.&lt;/p&gt;
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<media:thumbnail url="<div class="gallery_item_text" style="width:135px; height:115px;" >The Chinese considered weddings to be joyous and auspicious occasions. Marriage was central to the strong Confucian values of family unity and continuity. Within a well-furnished tomb, a ceramic procession such as this would replicate an important and festive occasion for the deceased in their afterlife.
The procession is shown formed up at the bride’s house preparing to leave with the wedding party and the loud accompaniment of musicians to join the groom at his parents’ home. Several aspects of a traditional Chinese marriage are described in extraordinary detail. Included are the courtyard home of the bride with “spirit blocking screen” inside the main door, behind which is a nine-course wedding banquet. Outside the home the bride’s dowry is indicated by the five chests. Next are shown the bride’s relatives with litter bearers carrying her in a large dragon-decorated palanquin in the middle of the procession. The party is accompanied by nearly thirty musicians playing drums, horns, cymbals, and clappers. Leading the parade are equestrian musicians.
</div>" type="image/jpeg" /><media:content url="<div class="gallery_item_text" style="width:135px; height:115px;" >The Chinese considered weddings to be joyous and auspicious occasions. Marriage was central to the strong Confucian values of family unity and continuity. Within a well-furnished tomb, a ceramic procession such as this would replicate an important and festive occasion for the deceased in their afterlife.
The procession is shown formed up at the bride’s house preparing to leave with the wedding party and the loud accompaniment of musicians to join the groom at his parents’ home. Several aspects of a traditional Chinese marriage are described in extraordinary detail. Included are the courtyard home of the bride with “spirit blocking screen” inside the main door, behind which is a nine-course wedding banquet. Outside the home the bride’s dowry is indicated by the five chests. Next are shown the bride’s relatives with litter bearers carrying her in a large dragon-decorated palanquin in the middle of the procession. The party is accompanied by nearly thirty musicians playing drums, horns, cymbals, and clappers. Leading the parade are equestrian musicians.
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