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    <title>Guardian figure, one of a pair: Gallery Label - Current</title>
    <link>http://www.artsconnected.org/resource/109112/guardian-figure-one-of-a-pair-gallery-label-current</link>
    <description>ArtsConnectEd.org Art Collector Set: Guardian figure, one of a pair: Gallery Label - Current</description>
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<title>Guardian figure, one of a pair: Gallery Label - Current</title>
<link>http://www.artsconnected.org/resource/109112/guardian-figure-one-of-a-pair-gallery-label-current</link>
<enclosure url="&lt;div class=&quot;gallery_item_text&quot; style=&quot;width:135px; height:115px;&quot; &gt;Ni-o_, literally &quot;two kings,&quot; are guardian images which flank the entrances of Buddhist temples. Befitting their role as protectors of the Buddhist faith, they are usually depicted as ferocious, semi-nude figures with exaggerated musculature and facial expressions. They are represented as uttering the cosmic sounds of &quot;a&quot; (open-mouthed) and &quot;un&quot; the first and last letters of the Sanskrit alphabet, symbolizing the beginning and ending of all things, thus reminding us of the brevity of life. The hyper-realism and full-plasticity of these figures was achieved through the yosegi technique of multiple block construction. Originally, both images would have been brightly painted over a layer of black lacquer.&lt;/div&gt;"  length="2175" type="image/jpeg" />
<pubDate>Fri, 01 Jun 2001 00:00:00 -0400</pubDate>
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	&lt;td class=&quot;detail_label&quot;&gt;Title&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Guardian figure, one of a pair: Gallery Label - Current&lt;/h3&gt;&lt;/td&gt;
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	&lt;td class=&quot;detail_label&quot;&gt;Author&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;Minneapolis Institute of Arts&lt;/h3&gt;&lt;/td&gt;
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	&lt;td class=&quot;detail_label&quot;&gt;Date&lt;/td&gt;
	&lt;td&gt;&lt;h3&gt;2001-05-17&lt;/h3&gt;&lt;/td&gt;
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	&lt;td class=&quot;detail_label&quot; style=&quot;padding-right:7px;&quot;&gt;Institution&lt;/td&gt;
	&lt;td&gt;Minneapolis Institute of Arts&lt;/td&gt;
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&lt;/table&gt;&lt;br/&gt;Ni-o_, literally &quot;two kings,&quot; are guardian images which flank the entrances of Buddhist temples. Befitting their role as protectors of the Buddhist faith, they are usually depicted as ferocious, semi-nude figures with exaggerated musculature and facial expressions. They are represented as uttering the cosmic sounds of &quot;a&quot; (open-mouthed) and &quot;un&quot; the first and last letters of the Sanskrit alphabet, symbolizing the beginning and ending of all things, thus reminding us of the brevity of life. The hyper-realism and full-plasticity of these figures was achieved through the &lt;i&gt;yosegi&lt;/i&gt; technique of multiple block construction. Originally, both images would have been brightly painted over a layer of black lacquer.</description>
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<media:thumbnail url="<div class="gallery_item_text" style="width:135px; height:115px;" >Ni-o_, literally "two kings," are guardian images which flank the entrances of Buddhist temples. Befitting their role as protectors of the Buddhist faith, they are usually depicted as ferocious, semi-nude figures with exaggerated musculature and facial expressions. They are represented as uttering the cosmic sounds of "a" (open-mouthed) and "un" the first and last letters of the Sanskrit alphabet, symbolizing the beginning and ending of all things, thus reminding us of the brevity of life. The hyper-realism and full-plasticity of these figures was achieved through the yosegi technique of multiple block construction. Originally, both images would have been brightly painted over a layer of black lacquer.</div>" type="image/jpeg" /><media:content url="<div class="gallery_item_text" style="width:135px; height:115px;" >Ni-o_, literally "two kings," are guardian images which flank the entrances of Buddhist temples. Befitting their role as protectors of the Buddhist faith, they are usually depicted as ferocious, semi-nude figures with exaggerated musculature and facial expressions. They are represented as uttering the cosmic sounds of "a" (open-mouthed) and "un" the first and last letters of the Sanskrit alphabet, symbolizing the beginning and ending of all things, thus reminding us of the brevity of life. The hyper-realism and full-plasticity of these figures was achieved through the yosegi technique of multiple block construction. Originally, both images would have been brightly painted over a layer of black lacquer.</div>" type="image/jpeg" /><media:copyright>Copyright Minneapolis Institute of Arts</media:copyright><media:credit>Minneapolis Institute of Arts</media:credit></item>
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