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Expression
This set involves color, shapes and light to create dramatic effects to the eye. Each painting has caught my eye in different ways and some deal closely with my artist Edward Hopper who is displayed in the set as well.
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Office at Night
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_1.12890625" id="zoomer_22225_48848iip_loading" src="http://www.artsconnected.org/media/cb/b6/9a23d2d3f6125f8a4729b6308663/140/120/22225.jpg" class="iip_loading" title="" alt="Office at Night, Edward Hopper" height_offset="0" /></div>
Edward Hopper, New York
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_0.78515625" id="zoomer_113840_62792iip_loading" src="http://www.artsconnected.org/media/b3/fa/972652063c3ed3d2052b444d3de8/140/120/113840.jpg" class="iip_loading" title="" alt="Edward Hopper, New York, Berenice Abbott" height_offset="0" /></div>
Double House, Gloucester
<div class="unzoomed_thumbnail" style="width:140px; height:91.46484375px;"><img class="inline_img fake_1.53064275037" id="zoomer_70551_8798iip_loading" src="http://www.artsconnected.org/media/a5/bb/9450c9414dae9ab3b932423b9cac/140/120/70551.jpg" class="iip_loading" title="" alt="Double House, Gloucester, Edward Hopper" height_offset="0" /></div>
Beams of Light Through Glass
<div class="unzoomed_thumbnail" style="width:140px; height:114.382978723px;"><img class="inline_img fake_1.22395833333" id="zoomer_103499_59320iip_loading" src="http://www.artsconnected.org/media/10/43/c0a7aff5619c2e9575c8bcff8019/140/120/103499.jpg" class="iip_loading" title="" alt="Beams of Light Through Glass, Berenice Abbott ; Parasol Press Ltd., New York" height_offset="0" /></div>
Light Signs #10 (Korea)
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_1.09244791667" id="zoomer_22140_63157iip_loading" src="http://www.artsconnected.org/media/6a/58/bffbb55e640bf49e0bce4e77978b/140/120/22140.jpg" class="iip_loading" title="" alt="Light Signs #10 (Korea), Gabriel Orozco" height_offset="0" /></div>
Untitled
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_1.14973958333" id="zoomer_68823_27789iip_loading" src="http://www.artsconnected.org/media/68/2e/ee30a002e7c8d5f5791f224e761c/140/120/68823.jpg" class="iip_loading" title="" alt="Untitled, James Kielkopf" height_offset="0" /></div>
Relational Painting, Tondo #40
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_0.998697916667" id="zoomer_22194_30214iip_loading" src="http://www.artsconnected.org/media/62/ef/6d27698b6d4c36665f0de9f9f403/140/120/22194.jpg" class="iip_loading" title="" alt="Relational Painting, Tondo #40, Fritz Glarner" height_offset="0" /></div>
Four Geometric Figures in a Room
<div class="unzoomed_thumbnail" style="width:140px; height:102.40234375px;"><img class="inline_img fake_1.36715620828" id="zoomer_22257_53411iip_loading" src="http://www.artsconnected.org/media/0b/43/16d2b1f56835697bc7bc6dd2605e/140/120/22257.jpg" class="iip_loading" title="" alt="Four Geometric Figures in a Room, Sol LeWitt" height_offset="0" /></div>
Synchromy Number 4 (1914) To Form
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_0.809895833333" id="zoomer_22318_28145iip_loading" src="http://www.artsconnected.org/media/de/e7/d89938843f615757ccd439b11b4e/140/120/22318.jpg" class="iip_loading" title="" alt="Synchromy Number 4 (1914) To Form, Morgan Russell" height_offset="0" /></div>
Hidden Fortress
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_0.584635416667" id="zoomer_22217_51792iip_loading" src="http://www.artsconnected.org/media/27/82/33f6dbdd829272616f866c97a226/140/120/22217.jpg" class="iip_loading" title="" alt="Hidden Fortress, Al Held" height_offset="0" /></div>
