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Realism vs. Abstraction - Is THAT art?
This art collector set seeks to provide middle school students (grades 6-8) with a clear understanding of the major differences between realism and abstraction. The set analyzes realism and abstraction through technique, subject matter, and a contemporary social context.
Students should answer the questions posed throughout the set in their journals. These questions can also be used to stimulate discussion and dialogue about the differences and similarities of realistic and abstract art.
Press the space bar for the next slide.
The Conch Divers by Winslow Homer
History of Realism:
This movement began in the late 1800s and carried on through to the early 1900s. Realistic painters began to focus their work on REAL people and REAL everyday lives. Realistic artists could paint average occasions with normal people.
The image to the left was done by Winslow Homer in 1885. This work is typical realism because of its subject matter - nothing royal or religious here! Just a painting demonstrating the everyday activities of life.
<div class="unzoomed_thumbnail" style="width:140px; height:96.38671875px;"><img class="inline_img fake_1.4524822695" id="zoomer_72869_41780iip_loading" src="http://www.artsconnected.org/media/d6/b8/6b2b872e155411565ffad459d5c4/140/120/72869.jpg" class="iip_loading" title="" alt="The Conch Divers, Winslow Homer" height_offset="0" /></div>
Portrait of Elizabeth L. Burton by Thomas Eakins
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_0.842447916667" id="zoomer_637_14727iip_loading" src="http://www.artsconnected.org/media/a9/4d/ed7a70498c5770af04c3048efff1/140/120/637.jpg" class="iip_loading" title="" alt="Portrait of Elizabeth L. Burton, Thomas Eakins" height_offset="0" /></div>
Château d’Ornans by Gustave Courbet
Characteristics of Realistic Paintings:
Realistic painting attempts to demonstrate what the eyes actually see, including human hardships.
This goal of accuracy includes color choice, subject matter, and brush strokes. The painting should represent the subject clearly and viewers should know what they are looking at.
<div class="unzoomed_thumbnail" style="width:140px; height:97.0703125px;"><img class="inline_img fake_1.44225352113" id="zoomer_580_6816iip_loading" src="http://www.artsconnected.org/media/8c/1e/8d65f1bf4fb9faa126b0e5cf8a7f/140/120/580.jpg" class="iip_loading" title="" alt="Château d’Ornans, Gustave Courbet" height_offset="0" /></div>
Comtesse d’Yanville and Her Four Children
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_0.916666666667" id="zoomer_69883_61918iip_loading" src="http://www.artsconnected.org/media/48/47/9e835583f8e9bcc2c0a6391bfc0b/140/120/69883.jpg" class="iip_loading" title="" alt="Comtesse d’Yanville and Her Four Children, James Tissot" height_offset="0" /></div>
Realism
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<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_1.33333333333" src="http://i1.ytimg.com/vi/DPLraMUCSOw/0.jpg" width="140" height="105" aspect_ratio="1.33333333333" height_offset="0" /></div>
Portrait of Countess Phelps-Resse
What are some characteristics you have noticed in this and the preceding paintings?
Subject matter? Colors? Style?
What kinds of mood or tones are being conveyed through these works?
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.915364583333" id="zoomer_72876_27879iip_loading" src="http://www.artsconnected.org/media/d5/e0/12f73c68516c5dd24ef4336c5e85/93.24/79.92/72876.jpg" class="iip_loading" title="" alt="Portrait of Countess Phelps-Resse, Marlo Calistri" height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.8046875" id="zoomer_42039_56271iip_loading" src="http://www.artsconnected.org/media/0c/b6/31d3318770c19ac8ab1a84d91bf1/93.24/79.92/42039.jpg" class="iip_loading" title="" alt="Woman, Willem de Kooning" height_offset="0" /></div></div></div>
Untitled by Jasper Johns
History of Abstract Painting:
Abstract art grew as a field from one major technological advancement: the invention of the camera. Before the camera, painting was predominantly used to convey images and people as they were; however, with the camera the need for realistic paintings and portraits sharply declined. In this moment, abstract art was born. Its focus is not the subject matter, as in realism, but rather it attempts to create aesthetically pleasing and challenging works for enjoyment. As many people say, abstract art is "art for art's sake."
<div class="unzoomed_thumbnail" style="width:140px; height:108.277945619px;"><img class="inline_img fake_1.29296875" id="zoomer_20667_47315iip_loading" src="http://www.artsconnected.org/media/99/b9/232df4b84a843c5774a76cee7ea8/140/120/20667.jpg" class="iip_loading" title="" alt="Untitled, Jasper Johns" height_offset="0" /></div>
Tahkt-I-Sulayman Variation II by Frank Stella
<div class="unzoomed_thumbnail" style="width:140px; height:69.1796875px;"><img class="inline_img fake_2.02371541502" id="zoomer_5062_14344iip_loading" src="http://www.artsconnected.org/media/41/dc/c99851675c5593caf4f1fd17553c/140/120/5062.jpg" class="iip_loading" title="" alt="Tahkt-I-Sulayman Variation II, Frank Stella" height_offset="0" /></div>
Untitled XII by Willem de Kooning
Characteristics of Abstract Painting:
Abstract art does not need to have any subject matter at all. If it does have a subject, such as the de Kooning painting, "Woman" earlier in the slideshow, it is usually distorted in some way, either by simplifying the shapes or exaggerating main areas of the image. It does not need to be representational of a human figure, bowl of fruits, etc. The colors, shapes, and combinations of these two are what matter in abstract art.
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_0.880208333333" id="zoomer_22168_47000iip_loading" src="http://www.artsconnected.org/media/e2/2c/a9775f51fe5a1cf91c5aa9289ff0/140/120/22168.jpg" class="iip_loading" title="" alt="Untitled XII, Willem de Kooning" height_offset="0" /></div>
Julie Mehretu
Think about how Mehretu describes her work. Does her thinking reflect abstract art? What do you think of her work that we can see so far?
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img" src="http://www.artbabble.org/sites/default/files/imagecache/video_thumbnail/bvideos/b2/b20d0d52970ff970/poster-image-06.jpg" style=" border: 1px black; position:relative; overflow: hidden; padding: 0px; margin: 0px;"/></div>
Portraiture
These paintings by Chuck Close and Edouard Manet have similar subject matter. Which of these paintings do you like the best? Why?
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.829427083333" id="zoomer_20911_15432iip_loading" src="http://www.artsconnected.org/media/d2/4f/d331d024510207de992c01f2188e/93.24/79.92/20911.jpg" class="iip_loading" title="" alt="Self-Portrait, Chuck Close" height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.802083333333" id="zoomer_3331_25728iip_loading" src="http://www.artsconnected.org/media/b1/1c/6216b686593b0be5d77937174300/93.24/79.92/3331.jpg" class="iip_loading" title="" alt="The Smoker, Edouard Manet" height_offset="0" /></div></div></div>
Sol LeWitt and Mark Rothko
What do you find similar or different about these paintings? What do you think the artists were attempting to convey with these paintings?
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_1.00130208333" id="zoomer_30958_30955iip_loading" src="http://www.artsconnected.org/media/28/f7/f13e48dc14fda1946619c3d216ce/93.24/79.92/30958.jpg" class="iip_loading" title="" alt="Lines in Four Directions with Alternating Color and Gray Bands, Sol LeWitt" height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><img class="inline_img ar_0.526041666667" id="zoomer_110349_15075iip_loading" src="http://www.artsconnected.org/media/e9/09/6874a0f2849ee43260bc52e07678/93.24/79.92/110349.jpg" class="iip_loading" title="" alt="Untitled, Mark Rothko" height_offset="0" /></div></div>
Consider this...
"Of all the arts, abstract painting is the most difficult. It demands that you know how to draw well, that you have a heightened sensitivity for composition and for colors, and that you be a true poet. This last is essential." - Wassily Kandinksky
Do you agree with Kandinsky? Why or why not? What do you think makes a great artist?
Stephen Slaughter and Susan Rothenberg
Which of these paintings do you enjoy the most? What kinds of emotions do you feel when you look at these paintings? Can you think of any similarities?
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.990885416667" id="zoomer_104978_7347iip_loading" src="http://www.artsconnected.org/media/f3/32/03001c3ae7ea0cdd3897285d46c1/93.24/79.92/104978.jpg" class="iip_loading" title="" alt="Portrait of Sir Edward Walpole's Children, Stephen Slaughter" height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:78.950738699px;"><img class="inline_img fake_1.18098958333" id="zoomer_22311_49704iip_loading" src="http://www.artsconnected.org/media/c4/2c/af95c2ebd4a7afe45965cd523143/93.24/79.92/22311.jpg" class="iip_loading" title="" alt="Night Ride, Susan Rothenberg" height_offset="0" /></div></div></div>