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Designing Everyday
ArtsConnectEd iPad Challenge #2
Designing Everyday
Objects surround us. We often overlook the fact that someone created each of these at times functional, at times bizarre, and at times poorly designed objects. Every curve, bolt, color, and material revels a decision that someone made about the objects design. Because objects are made within the context of society, the decisions that lead to their existence can reveal economic, political, social, and ethical expectations which reflect that society.
This set explores everyday objects by looking at how engineering and design occur within the context of society and history. The associated lesson plan is intended for 8th grade middle school science and engineering students and meets Minnesota Academic Science Standards related to The Nature of Science and Engineering strand.
Students will use the set to explore examples of utilitarian objects from various time periods and cultures. The exploration will provide a lens with which students can further investigate the objects that surround them. As a summative project, students will design a new object or redesign an existing object to function within the context of society.
Considering the Objects in My Life
Think about objects that you use everyday.
Complete the following in your Journal:
- How do objects affect our daily life?
- If you could change something about one of these objects what would it be? Explain why you would make this change.
Everyday Objects?
Check out the following slides that show examples of everyday objects from throughout history and from different parts of the world.
As you look, think about how you would use these objects and how they were made.
"Electrolux" model 30
Artist: Lurelle Van Arsdale Guild ; Electrolux Corporation
Date: c. 1950 (designed 1937)
Medium: Decorative Arts and Utilitarian Objects, Industrial Design
Size: 10 1/4 x 24 1/4 x 7 3/4 in. (26 x 61.6 x 19.7 cm) (motor, overall)
Institution: Minneapolis Institute of Arts
Accession #: 2000.175a-m
<div class="unzoomed_thumbnail" style="width:140px; height:76.69921875px;"><img class="inline_img fake_1.82531194296" id="zoomer_89305_35308iip_loading" src="http://www.artsconnected.org/media/54/78/fd40a21a900841754c657ee18bc7/140/120/89305.jpg" class="iip_loading" title="" alt="'Electrolux' vacuum cleaner, model 30, Lurelle Van Arsdale Guild ; Electrolux Corporation" height_offset="0" /></div>
"Silver Streak"
Artist: Corning Glass Works (pyrex glass shell) ; Saunders (heating element and steel body)
Date: c. 1940
Medium: Decorative Arts and Utilitarian Objects, Industrial Design
Size: 5 5/8 x 8 7/8 x 3 3/4 in. (14.29 x 22.54 x 9.53 cm) (without cord)
Institution: Minneapolis Institute of Arts
Accession #: 2003.92
<div class="unzoomed_thumbnail" style="width:140px; height:108.277945619px;"><img class="inline_img fake_1.29296875" id="zoomer_97380_43580iip_loading" src="http://www.artsconnected.org/media/98/7b/62b47c699aca24e49c880b4812c6/140/120/97380.jpg" class="iip_loading" title="" alt="'Silver Streak' electric iron, Corning Glass Works (pyrex glass shell) ; Saunders (heating element and steel body)" height_offset="0" /></div>
Predicta "Princess"
<img src="http://www.artsconnected.org/media/work.png" width="140" height="105" />
Biscuit box
Artist: Emmanuel Josef Margold
Date: c. 1925
Medium: Decorative Arts and Utilitarian Objects, Metalwork
Size: 4 1/2 x 8 1/4 x 2 in. (11.43 x 20.96 x 5.08 cm)
Institution: Minneapolis Institute of Arts
Accession #: 98.276.248a,b
<div class="unzoomed_thumbnail" style="width:140px; height:95.56640625px;"><img class="inline_img fake_1.46494992847" id="zoomer_71400_15404iip_loading" src="http://www.artsconnected.org/media/db/27/b9a7416c672fb6c411046a8962f1/140/120/71400.jpg" class="iip_loading" title="" alt="Biscuit box, Emmanuel Josef Margold" height_offset="0" /></div>
Artist: James Waring Carpenter ; McKay Company
Date: c. 1935
Medium: Decorative Arts and Utilitarian Objects, Metalwork
Size: 12 x 20 x 8 1/2in. (30.5 x 50.8 x 21.6cm)
Institution: Minneapolis Institute of Arts
Accession #: 98.276.245
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_1.1640625" id="zoomer_93451_5541iip_loading" src="http://www.artsconnected.org/media/87/4d/255369f1f31e06d7e307e0c4ade2/140/120/93451.jpg" class="iip_loading" title="" alt="Magazine rack, James Waring Carpenter ; McKay Company" height_offset="0" /></div>
"Streamliner" model 410
<img src="http://www.artsconnected.org/media/work.png" width="140" height="105" />
It is not just for decoration. What is it?
Artist: Artist Unknown (Netherlands)
Date: 18th century
Medium: Decorative Arts and Utilitarian Objects, Judaica
Size: 6-7/8 x 5-1/2 x 4-1/2 in. (17.5 x 14.0 x 11.4 cm)
Institution: Minneapolis Institute of Arts
Accession #: 2002.137.6a,b
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_0.798177083333" id="zoomer_93873_9320iip_loading" src="http://www.artsconnected.org/media/60/2b/a5670d0a6ebe0d6a64738373ddee/140/120/93873.jpg" class="iip_loading" title="" alt="Spice container, Artist Unknown (Netherlands)" height_offset="0" /></div>
"Twin-O-Matic" model 2060
Artist: Karl Ratliff ; Manning-Bowman & Co.
Date: c. 1941 (designed 1937)
Medium: Decorative Arts and Utilitarian Objects, Industrial Design
Size: 8-3/4 x 12 x 11-3/16 in. (22.2 x 30.5 x 28.4 cm)
Institution: Minneapolis Institute of Arts
Accession #: 2001.84.2a,b
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_1.15755208333" id="zoomer_94005_6419iip_loading" src="http://www.artsconnected.org/media/2c/4b/b4de6395dda2b7c024ef0f6e1ba1/140/120/94005.jpg" class="iip_loading" title="" alt="'Twin-O-Matic' waffle iron, model 2060, Karl Ratliff ; Manning-Bowman & Co." height_offset="0" /></div>
"Normandie" pitcher
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_0.783854166667" id="zoomer_70021_55437iip_loading" src="http://www.artsconnected.org/media/88/26/996c14d41416b512319b93130d07/140/120/70021.jpg" class="iip_loading" title="" alt="'Normandie' pitcher, Peter Müller-Munk ; Revere Copper and Brass Co." height_offset="0" /></div>
"Swingline Electric Pointer XI"
Artist: Edward Hoffman ; Triple E Products Company
Date: 1941
Medium: Decorative Arts and Utilitarian Objects, Industrial Design
Size: 5 3/4 x 3 1/2 x 8 1/4in. (14.6 x 8.9 x 21cm)
Institution: Minneapolis Institute of Arts
Accession #: 98.276.255
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_1.01692708333" id="zoomer_94022_61739iip_loading" src="http://www.artsconnected.org/media/18/ac/1f6f6b03e2b008925dab0d6b8d75/140/120/94022.jpg" class="iip_loading" title="" alt="'Swingline Electric Pointer XI' pencil sharpener, Edward Hoffman ; Triple E Products Company" height_offset="0" /></div>
Artist: Michael Graves ; Black & Decker ; Target Corporation
Date: 1989
Medium: Decorative Arts and Utilitarian Objects, Industrial Design
Size: 8-7/8 x 12-1/2 x 9 in. (22.5 x 31.8 x 22.9 cm)
Institution: Minneapolis Institute of Arts
Accession #: 2001.15.2
<div class="unzoomed_thumbnail" style="width:140px; height:118.153846154px;"><img class="inline_img fake_1.18489583333" id="zoomer_106931_30622iip_loading" src="http://www.artsconnected.org/media/e7/e9/4c205e7007598501a2edf3f9660e/140/120/106931.jpg" class="iip_loading" title="" alt="Toaster, Michael Graves ; Black & Decker ; Target Corporation" height_offset="0" /></div>
Artist: Hotchkiss Sales Company
Date: c. 1935
Medium: Decorative Arts and Utilitarian Objects, Metalwork
Size: 2 3/4 x 5 11/16 x 1/2in. (7 x 14.4 x 1.3cm)
Institution: Minneapolis Institute of Arts
Accession #: 98.276.182.1
<div class="unzoomed_thumbnail" style="width:140px; height:96.66015625px;"><img class="inline_img fake_1.44837340877" id="zoomer_94097_34222iip_loading" src="http://www.artsconnected.org/media/38/49/53e51cc7060b44f6ea18bc828ec2/140/120/94097.jpg" class="iip_loading" title="" alt="Stapling pliers, E.H. Hotchkiss Company" height_offset="0" /></div>
"Pastille" or "Gyro"
<div class="unzoomed_thumbnail" style="width:140px; height:101.171875px;"><img class="inline_img fake_1.38378378378" id="zoomer_104812_461iip_loading" src="http://www.artsconnected.org/media/8e/85/dc900cf95fa70beb456fb3e4e86f/140/120/104812.jpg" class="iip_loading" title="" alt="Pastille chair, Eero Aarnio ; Asko Oy" height_offset="0" /></div>
Objectified
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_1.33333333333" src="http://i.ytimg.com/vi/S9E2D2PaIcI/0.jpg" width="140" height="105" aspect_ratio="1.33333333333" height_offset="0" /></div>
What is Good Design?
Scan the Bios of some of the IKEA Designers.
Identify designers and/or ideas about design that best reflect your view of design.
Complete the following in your Journal:
- What is design?
- What do you consider to be good design?
Searching for Design
Now that you have an idea about what good design is, let's consider the design of the following chairs.
Before you begin make a quick sketch of a chair in your Journal.
As you evaluate the chairs consider:
- materials used
- time period of production
- intended purpose
- cultural & societal significance
- cost
“Wiggle” side "Easy Edges" series
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_0.76171875" id="zoomer_102809_36943iip_loading" src="http://www.artsconnected.org/media/b0/b9/80a7c4beb9c599c2f37dd767effa/140/120/102809.jpg" class="iip_loading" title="" alt="âWiggleâ side chair from the 'Easy Edges' series, Frank Gehry" height_offset="0" /></div>
"Zig-Zag" chair
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.669270833333" id="zoomer_93752_43648iip_loading" src="http://www.artsconnected.org/media/ff/c1/25fb15a8c8e3be146fb98e49c863/93.24/79.92/93752.jpg" class="iip_loading" title="" alt="'Zig-Zag' chair, Gerrit Rietveld ; Gerard A. van de Groenekan" height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.86328125" id="zoomer_103567_6938iip_loading" src="http://www.artsconnected.org/media/79/36/2f8ddc976c736e38bb4ad8c75edf/93.24/79.92/103567.jpg" class="iip_loading" title="" alt="Side chair, (Ludwig) Mies van der Rohe ; Bamberg Metallwerkstätten" height_offset="0" /></div></div></div>
Chief's Stool (no'oanga)
Artist: Artist Unknown (Cook Islands)
Date: 1800-1825
Medium: Decorative Arts and Utilitarian Objects, Woodwork
Size: 6 1/8 x 19 1/8 x 9 7/8in. (15.6 x 48.6 x 25.1cm)
Institution: Minneapolis Institute of Arts
Accession #: 2001.2.3
<div class="unzoomed_thumbnail" style="width:140px; height:81.07421875px;"><img class="inline_img fake_1.72681281619" id="zoomer_92819_11765iip_loading" src="http://www.artsconnected.org/media/3f/11/bbe25e83a7c2366e2381f2574a4c/140/120/92819.jpg" class="iip_loading" title="" alt="Chief's Stool (no'oanga), Artist Unknown (Cook Islands)" height_offset="0" /></div>
Folding Roundback Armchair
When and where was this chair designed?
Artist: Artist Unknown (China)
Date: late 16th century
Medium: Decorative Arts and Utilitarian Objects, Furniture
Size: 41 3/16 x 30 1/8 x 30 in. (104.62 x 76.52 x 76.2 cm) (unfolded)
Institution: Minneapolis Institute of Arts
Accession #: 98.80.3
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_0.776041666667" id="zoomer_103468_33568iip_loading" src="http://www.artsconnected.org/media/98/79/d05901974e74ffed86f2dc73533c/140/120/103468.jpg" class="iip_loading" title="" alt="Folding Roundback Armchair, Artist Unknown (China)" height_offset="0" /></div>
"Egg" rocking chair
Compare the design of these chairs.
Artist: Società Anonima Antonio Volpe ; Formerly attributed to Josef Hoffmann
Date: c. 1922
Medium: Decorative Arts and Utilitarian Objects, Furniture
Size: 29 1/4 x 21 1/4 x 42 1/4in. (74.3 x 54 x 107.3cm)
Institution: Minneapolis Institute of Arts
Accession #: 98.276.139
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.83090301px;"><img class="inline_img fake_1.16796875" id="zoomer_109789_13147iip_loading" src="http://www.artsconnected.org/media/81/80/4473734eb811ee08216fe357a545/93.24/79.92/109789.jpg" class="iip_loading" title="" alt="'Egg' rocking chair, Società Anonima Antonio Volpe ; Formerly attributed to Josef Hoffmann" height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.77734375" id="zoomer_92971_17726iip_loading" src="http://www.artsconnected.org/media/10/63/568d2a0b41647820f2b9666e66a9/93.24/79.92/92971.jpg" class="iip_loading" title="" alt="'Hogestoel' highback chair, Gerrit Rietveld ; Gerard A. van de Groenekan" height_offset="0" /></div></div></div>
"Sitzmaschine" reclining armchair, model no. 670
How would you use this chair? Where would you find it?
Artist: Josef Hoffmann ; Jacob & Josef Kohn
Date: c. 1905
Medium: Decorative Arts and Utilitarian Objects, Furniture
Size: 43 x 32 1/8 x 25 1/4in. (109.2 x 81.6 x 64.1cm)
Institution: Minneapolis Institute of Arts
Accession #: 98.276.243
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_0.813802083333" id="zoomer_93588_34584iip_loading" src="http://www.artsconnected.org/media/f7/8d/59f2ef7edf632bdb7f2c02b9e637/140/120/93588.jpg" class="iip_loading" title="" alt="'Sitzmaschine' reclining armchair, model no. 670, Josef Hoffmann ; Jacob & Josef Kohn" height_offset="0" /></div>
"Berlin" chair
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.75" id="zoomer_93205_27641iip_loading" src="http://www.artsconnected.org/media/54/d8/2800e1dcd98756eb7b658d8049e8/93.24/79.92/93205.jpg" class="iip_loading" title="" alt="'Berlin' chair, Gerrit Rietveld ; Gerard A. van de Groenekan" height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><img src="http://www.artsconnected.org/media/work.png" width="93.24" height="69.93" /></div></div>
How does the design of this chair reflect its use?
How does the design of this chair reflect its use?
Artist: Minneapolis Institute of Arts
Date: 2008
Medium: commentary
Institution: Minneapolis Institute of Arts
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="inline_audio" id="av_25939" aspect_ratio="1" height_offset="0" ><a id="player_av_25939" href="http://www.adobe.com/go/getflash">Click here to get the Flash Player.</a></div><script type="text/javascript">
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Child's chair
Little is know about this children's chair except that it was designed by Piet Zwart for a Montessori school in Wassenaar, Germany. Zwart was a designer who, like so many of his Dutch De Stijl colleagues, moved comfortably from architecture to furnishings to product and graphic design. There is, however, an interesting link to another chair design dated 1920 and attributed to Zwart and Vilmos Huszár (1884-1960). Whether it was ever made is unknown, but its blocky components, particular the bottom interlocking rails, are quite similar.
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.639322916667" id="zoomer_102075_40348iip_loading" src="http://www.artsconnected.org/media/ba/f3/7e528c7f35db545eaad45ca69dae/93.24/79.92/102075.jpg" class="iip_loading" title="" alt="Child's chair, Piet (Pieter) Zwart" height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><div class="gallery_item_text" style="width:135px; height:115px;" >Little is know about this children's chair except that it was designed by Piet Zwart for a Montessori school in Wassenaar, Germany. Zwart was a designer who, like so many of his Dutch De Stijl colleagues, moved comfortably from architecture to furnishings to product and graphic design. There is, however, an interesting link to another chair design dated 1920 and attributed to Zwart and Vilmos Huszár (1884-1960). Whether it was ever made is unknown, but its blocky components, particular the bottom interlocking rails, are quite similar.</div></div></div>
Reflection 1
Complete the following in your Journal:
- Compare the design of a chair from the slides to the one you sketched in your Journal.
- If you could design a new chair or redesign an old one, how would you do it?
- Draw a sketch of what you consider to be the perfect chair.
Continue to explore design by looking at the following lamps. How is a lamp supposed to look?
Table lamp
Artist: Christian Dell ; Belmag
Date: 1928
Medium: Decorative Arts and Utilitarian Objects, Metalwork
Size: 16 1/2 x 9 1/2 in. (41.91 x 24.13 cm)
Institution: Minneapolis Institute of Arts
Accession #: 98.276.185
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_0.778645833333" id="zoomer_70619_41658iip_loading" src="http://www.artsconnected.org/media/07/8b/cc94d94c4973917846d5ac15bccd/140/120/70619.jpg" class="iip_loading" title="" alt="Table lamp, Christian Dell ; Belmag" height_offset="0" /></div>
Table lamp
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.5078125" id="zoomer_93558_8280iip_loading" src="http://www.artsconnected.org/media/a1/92/e6441089df4f03119ca8d8b30296/93.24/79.92/93558.jpg" class="iip_loading" title="" alt="Table lamp, Attributed to Fritz August Breuhaus de Groot ; Württembergische Metallwaren Fabrik (a.k.a. WMF)" height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.716145833333" id="zoomer_94095_59820iip_loading" src="http://www.artsconnected.org/media/2d/08/68ae4f00d85b4e7660ef19733ae4/93.24/79.92/94095.jpg" class="iip_loading" title="" alt="'Jumo' collapsible desk lamp, " height_offset="0" /></div></div></div>
Lamp
Artist: Jacques Le Chevallier (1896-1987) & Rene Koechlin (1866-1951)
Date: c. 1927-1930
Medium: Decorative Arts and Utilitarian Objects, Metalwork
Size: 16 1/2 x 7 1/2 x 11 in. (41.91 x 19.05 x 27.94 cm)
Institution: Minneapolis Institute of Arts
Accession #: 98.276.156
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.608072916667" id="zoomer_70013_60282iip_loading" src="http://www.artsconnected.org/media/52/cb/61674ad0def648201e540310e144/93.24/79.92/70013.jpg" class="iip_loading" title="" alt="Lamp, Jacques Le Chevallier ; Rene Koechlin" height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:51.536953125px;"><img class="inline_img fake_1.80918727915" id="zoomer_70135_60212iip_loading" src="http://www.artsconnected.org/media/c3/7b/9841a3d86082747e1fc527aef2c0/93.24/79.92/70135.jpg" class="iip_loading" title="" alt="Desk lamp, Peter Pfisterer" height_offset="0" /></div></div></div>
Lamp
Do these lamps serve the same function?
Artist: Attributed to William Lescaze
Date: c. 1933
Medium: Decorative Arts and Utilitarian Objects, Metalwork
Size: 32 x 11in. (81.3 x 27.9cm)
Institution: Minneapolis Institute of Arts
Accession #: 98.276.170a,b
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.424479166667" id="zoomer_93197_48344iip_loading" src="http://www.artsconnected.org/media/36/d1/88b51069f93367e6d127def9dad9/93.24/79.92/93197.jpg" class="iip_loading" title="" alt="Lamp, Attributed to William Edmond Lescaze" height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:43.159921875px;"><img class="inline_img fake_2.16033755274" id="zoomer_71397_8366iip_loading" src="http://www.artsconnected.org/media/8f/18/8c8577ada2f77af436143280bded/93.24/79.92/71397.jpg" class="iip_loading" title="" alt="Piano lamp, Jacobus Johannes Pieter Oud ; W. H. Gispen" height_offset="0" /></div></div></div>
Table lamp
Could you buy one of these?
Artist: Raoul-Francois Larche
Date: c. 1900
Medium: Decorative Arts and Utilitarian Objects, Metalwork
Size: 13 x 7in. (33 x 17.8cm)
Institution: Minneapolis Institute of Arts
Accession #: 98.276.76
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_0.4921875" id="zoomer_93744_56408iip_loading" src="http://www.artsconnected.org/media/76/b8/ef11d3d1a0b6eb8907b09f55ac5e/140/120/93744.jpg" class="iip_loading" title="" alt="Table lamp, Raoul-Francois Larche" height_offset="0" /></div>
"Mushroom" lamp
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.915364583333" id="zoomer_92964_25975iip_loading" src="http://www.artsconnected.org/media/0c/3e/9a8d99737f5b85775c6afc968e78/93.24/79.92/92964.jpg" class="iip_loading" title="" alt="'Mushroom' lamp, Fulper Pottery Company, 1860-1955" height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.872395833333" id="zoomer_71229_3204iip_loading" src="http://www.artsconnected.org/media/f2/d1/d4ac79a2b14e2feb4569871437a8/93.24/79.92/71229.jpg" class="iip_loading" title="" alt="Lily pad lamp, Louis Comfort Tiffany" height_offset="0" /></div></div></div>
Reflection 2
Complete the following in your Journal:
- Which lamp would you put in your room? Why this one?
- How much should designers consider the people who may buy their designs?
Look at the last few slides and think about the design of the objects you use everyday. What objects would you redesign or what objects still need to be invented?
"RCA Victor Special" portable phonograph, model M
Do you need one of these? Does anyone? Did anyone ever need one?
Artist: John Vassos ; RCA Victor Manufacturing Co., Inc. , New York City
Date: c. 1935
Medium: Decorative Arts and Utilitarian Objects, Metalwork
Size: 8 x 15 1/2 x 17 1/4 in. (20.3 x 39.4 x 43.8 cm) (closed)
Institution: Minneapolis Institute of Arts
Accession #: 98.276.162
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_0.770833333333" id="zoomer_93950_39123iip_loading" src="http://www.artsconnected.org/media/4c/2b/edfa6850c5ab4920d8f72ce8f1da/140/120/93950.jpg" class="iip_loading" title="" alt="'RCA Victor Special' portable phonograph, model M, John Vassos ; RCA Victor Manufacturing Co., Inc." height_offset="0" /></div>
"Sparton" radio
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:61.006640625px;"><img class="inline_img fake_1.52835820896" id="zoomer_70136_9706iip_loading" src="http://www.artsconnected.org/media/90/db/108e88546c39d6514846eab3043b/93.24/79.92/70136.jpg" class="iip_loading" title="" alt="'Sparton' radio, Walter Dorwin Teague ; Sparton-Withington Company" height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.91015625" id="zoomer_70987_44199iip_loading" src="http://www.artsconnected.org/media/c2/a0/55c3694a14ba1d0fb44ff158b505/93.24/79.92/70987.jpg" class="iip_loading" title="" alt="'Nocturne' radio, Walter Dorwin Teague ; Sparton Corporation" height_offset="0" /></div></div></div>
"Z" clock
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_1.09244791667" id="zoomer_93185_39125iip_loading" src="http://www.artsconnected.org/media/f9/fc/9e96ddfc95bda48d5a3f7c7a4808/93.24/79.92/93185.jpg" class="iip_loading" title="" alt="'Z' clock, Gilbert Rohde ; Herman Miller Clock Company, Zeeland, Michigan" height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.615885416667" id="zoomer_71071_15105iip_loading" src="http://www.artsconnected.org/media/b8/11/92de9487863757fccb23d6af2c8a/93.24/79.92/71071.jpg" class="iip_loading" title="" alt="Digital clock, " height_offset="0" /></div></div></div>
Teapot
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_1.06901041667" id="zoomer_71065_56764iip_loading" src="http://www.artsconnected.org/media/2f/7c/ed5c0f03575f79938f9e2876046b/93.24/79.92/71065.jpg" class="iip_loading" title="" alt="Teapot, ; William Hutton & Sons" height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.817708333333" id="zoomer_106932_4046iip_loading" src="http://www.artsconnected.org/media/6c/73/ab1771e55a7f148be3b1a8257230/93.24/79.92/106932.jpg" class="iip_loading" title="" alt="Tea kettle, Michael Graves ; Target Corporation" height_offset="0" /></div></div></div>
Pitcher
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:40.7014453125px;"><img class="inline_img fake_2.29082774049" id="zoomer_93819_63867iip_loading" src="http://www.artsconnected.org/media/ba/8f/9d1f51040c83a832bf55b7104b94/93.24/79.92/93819.jpg" class="iip_loading" title="" alt="Pitcher, Paul Schreckengost ; Gem Clay Forming Co." height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.0378807947px;"><img class="inline_img fake_1.1796875" id="zoomer_92536_54371iip_loading" src="http://www.artsconnected.org/media/e8/86/5e2c0fe2c861a187373267849963/93.24/79.92/92536.jpg" class="iip_loading" title="" alt="Pitcher, Franz Hagenauer" height_offset="0" /></div></div></div>
Pitcher
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.639322916667" id="zoomer_350_50583iip_loading" src="http://www.artsconnected.org/media/d2/52/a4cf70507e9acfa326d9426d9ed1/93.24/79.92/350.jpg" class="iip_loading" title="" alt="Pitcher, Artist Unknown (Syrian)" height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:79.92px;"><img class="inline_img fake_0.895833333333" id="zoomer_70836_21538iip_loading" src="http://www.artsconnected.org/media/89/5f/355dfcb803d43e44a5e7cde1f37a/93.24/79.92/70836.jpg" class="iip_loading" title="" alt="Pitcher, Artist Unknown (Ancient Puebloan (Anasazi))" height_offset="0" /></div></div></div>
Perfume Vessel
How long have people had to perfect the design of everyday objects?
Artist: Artist Unknown (Roman)
Date: 1st-5th century
Medium: Decorative Arts and Utilitarian Objects, Glass
Size: 3 3/4 x 1 3/8 x 5/8 in. (9.53 x 3.49 x 1.59 cm)
Institution: Minneapolis Institute of Arts
Accession #: 76.73.60
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_0.510416666667" id="zoomer_820_34926iip_loading" src="http://www.artsconnected.org/media/ae/6f/d6205588a881dd52d1c1984ca486/140/120/820.jpg" class="iip_loading" title="" alt="Perfume Vessel, Artist Unknown (Roman)" height_offset="0" /></div>
Basket
<div style="width:140px; height:120px;"><div style="position:relative; width:93.24px; height:79.92px; margin-left:0px; margin-top:0px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:69.747890625px;"><img class="inline_img fake_1.33681462141" id="zoomer_70621_27334iip_loading" src="http://www.artsconnected.org/media/ab/79/ccbfabb807e7b977e3669918b2d1/93.24/79.92/70621.jpg" class="iip_loading" title="" alt="Basket, Josef Hoffmann ; Wiener Werkstätte (Vienna Workshops)" height_offset="0" /></div></div><div style="position:relative; width:93.24px; height:79.92px; margin-left:46.62px; margin-top:-39.96px;"><div class="unzoomed_thumbnail" style="width:93.24px; height:69.2015625px;"><img class="inline_img fake_1.34736842105" id="zoomer_69426_50037iip_loading" src="http://www.artsconnected.org/media/83/1b/1af2872ff9a640b5f2973444dc4e/93.24/79.92/69426.jpg" class="iip_loading" title="" alt="Basket, Artist Unknown (Akimel O'odham (Pima))" height_offset="0" /></div></div></div>
Tatra T87: Intelligent Design
How are form and function considered in this "Intelligent Design?"
Artist: Minneapolis Institute of Arts
Date: 2006
Medium: commentary
Institution: Minneapolis Institute of Arts
<div class="unzoomed_thumbnail" style="width:140px; height:105px;"><img class="inline_img fake_1.33333333333" id="zoomer_26559_53310iip_loading" src="http://www.artsconnected.org/media/ad/26/391f04c321654dfb46a6f22f5e0d/140/120/26559.jpg" class="iip_loading" title="" alt="Tatra T87: Intelligent Design, Minneapolis Institute of Arts" height_offset="0" /></div>
Small Group Discussion
Discussion: Use your Journal to discuss good design.
- What object from the slides most influenced your ideas about design? Why this object?
- How do culture, society, and design influence each other?
- How have people from around the world influenced design over human history?
- How does cost influence design?
- What ideas do you have about redesigning the objects that surround you?
Assessment
Assessment
Use your ideas of good design to create a new object that to your knowledge has never existed before.
OR
Use your ideas of good design to redesign an object that you use everyday.
Your design must include the following:
- A drawing from at least three views of your object.
- A description of the materials used and retail cost.
- A statement describing the intended purpose and/or use.
- An explanation of how the object will fit into society.
- A statement of your philosophy of good design.
You choose the format!
Science & Engineering
Want to continue your exploration of everyday design?
Check out the Art Finder at artsconnected.org
Use "utilitarian objects" in your search.
<div class="unzoomed_thumbnail" style="width:140px; height:120px;"><img class="inline_img fake_1.6393442623" src="http://farm5.staticflickr.com/4090/5212427207_e0bcf391d6_t.jpg" height_offset="0" style=" border: 1px black; position:relative; overflow: hidden; padding: 0px; margin: 0px;"/></div>
Academic Standards 8.1.3.2.1
8.1.3.2.1
1. The Nature of Science and Engineering
3. Interactions Among Science, Technology, Engineering, Mathematics and Society
2. Men and women throughout the history of all cultures, including Minnesota American Indian tribes and communities, have been involved in engineering design and scientific inquiry.
Describe examples of important contributions to the advancement of science, engineering and technology made by individuals representing different groups and cultures at different times in history.
Academic Standards 8.1.3.3.1
8.1.3.3.1
1. The Nature of Science and Engineering
3. Interactions Among Science, Technology, Engineering, Mathematics and Society
3. Science and engineering operate in the context of society and both influence and are influenced by this context.
Explain how scientific laws and engineering principles, as well as economic, political, social, and ethical expectations, must be taken into account in designing engineering solutions or conducting scientific investigations.