About
the Artist
L.A. II is the "tag" or alias taken by Angel Ortiz, a young
graffiti artist from the Lower East Side of New York City. L.A. stands
for "Little Angel." He also occasionally used the tag L.A.
Rock or L.A. 2.
When he was 13 or 14 years old, Ortiz was befriended by artist
Keith Haring and they collaborated on a number of works from 1981
to 1984. Haring felt Ortiz' "tag" style stood out from
that of other New York graffiti writers. It seemed to resemble Asian
calligraphy done. Haring and Ortiz began combining their styles
to create an overall surface of intermingling lines. Haring said,
"All the work [Angel and I did] was about surface and usually
covers or transforms the object it is applied to." They covered
Day-Glo painted plaster sculptures, real objects, or room-sized
installations with a kind of graffiti writing that was a mixture
of contemporary and ancient symbols.
The Italian word graffito means "scratch" in
English. Graffiti (the plural form) means drawings or images scratched
into the surfaces of walls. Illicit graffiti dates back to ancient
Egypt. Beginning in the 1970s with the wide availability of aerosol
spray paint, graffiti began to appear everywhere in major cities,
particularly in the poor neighborhoods of Brooklyn and the Bronx
in New York. Based on underground comics and personalized bubble
writing, some graffiti in the 1970s and '80s evolved from elaborate
signatures and abstract letter forms to political and allegorical
themes.
Most taggers were not professional artists or art students, but
streetwise urban teenagers. They paint on subway cars, buildings,
walls, billboards, and signs of all types. Viewed by many as destructive
vandals, graffiti painters were recognized by some as valid public
artists.
Several exhibitions held in the New York area in the early 1980s
move graffiti from the street to the gallery. Graffiti-style works,
many by the same young people who had painted in the streets and
subways, began to be purchased by art collectors. This offered some
graffiti painters opportunities for exhibitions and sales.
The popularization of graffiti as an art style raises questions
about aesthetics and sociological issues.
Is graffiti vandalism or urban folk art?
Were young people from the ghettos being exploited by the novelty-crazed
art market? What is the difference between street graffiti and graffiti-style
art?
Vocabulary
Terms
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