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Photo courtesy
of the Queens Museum of Art
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See it at the
fair
Mrs. Hattie Levine
went to the New York World's Fair in 1939, and wrote this in her diary
about Paul Manship's Time and the Fates Sundial:
At the end of the
pool, right before the T and P [Trylon and Perisphere] is a giant sundial-yes,
the biggest sundial in the world. It can only be described as bizarre.
There is a tree growing up the underside of the huge pointer. A lady stands
upright beneath it and, in front of her, beneath the pointer's tip, another
lady stands on another tough, tubby little cloud . . . the second lady
leans forward like a ship's figurehead and holds a tall pointy spool of
yarn, or maybe it is cotton candy. There is a third huddled-up lady facing
in the other direction, holding what looks like poultry shears. The loose
classical dress of the upright woman is slipping down her shoulders, and
the leaning-forward woman is naked to the waist, which perhaps accounts
for their terribly somber frowns. (Gelernter, David 1939, The Lost World
of the Fair)
What information is
Hattie Levine missing that might have helped her understand why Manship
dressed the Fates the way he did?
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