| HIGH SCHOOL
TITLE OF LESSON: USING OUR OWN MEMORYWARE CARL ANDERSON |
||||||||||||||||||||||||||||||||||||||||||||
 |
||||||||||||||||||||||||||||||||||||||||||||
|
Assemblage Sculpture Unit
Suitable for grades 9-12
A. Objectives 1. The student, using memoryware, will create an assemblage sculpture that is a symbolic representation of their world. 2. The students will be able to describe, interpret, and analyze the work of Judy Onofrio and other assemblage artists. 3. The students will be able to identify the elements and principles of design, apply the concepts, and be able to demonstrate the skills necessary to create an assemblage artwork. 4. The students will be able to respond to multiple types of feedback and reflect on how this project relates to their previous body of work B. Materials
C. Vocabulary Assemblage: the 3-D counterpart to collage; a sculptural art form in which pre-existing elements are assembled to create a work of art Found object: any natural or manmade object aesthetically chosen and displayed or incorporated into an artwork Deconstruct: to investigate and pull apart – in this lesson – act as symbol detective Outsider art: art created, often not intentionally as art, by one who has no formal or conventional training in art Grout: a thin mortar or fine plaster used, e.g., for filling the spaces between objects in a mosaic Armature: framework providing skeletal structure to a sculpture Memoryware: objects or containers, usually functional, created using bits of personal memorabilia as surface decoration. *In an article by Donna Sapolin (Metropolitan Home 1990) it says … “Throughout the ages – from ancient African funerary vessels assembled from the dead’s beloved objects, to our century’s majestic Watts Towers, a Los Angeles folk monument of crockery, glass and sea shells – ordinary people have found fulfillment in grafting fragments of their lives into sculpture and vessels. It goes by many names: in France, pique assiette (“stolen from plates”); here, bits-and-pieces, or the more memorabilia-laden memoryware." Visionary: one who creates mold breaking, forward-thinking art, leading the way to new viewpoints. Mosaic: technique for surface decoration in which small pieces of glass, ceramic, stone, or other materials are set in a mortar. Relief: a three-dimensional work of art (height, width and depth) that is not free standing, it is often attached to a wall. Sculpture: a piece of art that is three dimensional (height, width, depth), free standing, completed on all sides, and meant to be viewed “in the round.” D. Preparation Snappy Launch The teacher shall prepare the five-memoryware shoeboxes. Select items that will provoke critical thinking and complex narratives. Award a prize for the most “out of the box” narrative. The students will work in small groups to investigate the teacher’s box and develop a narrative/history/story using their Deconstruction Worksheet (30 minutes). One student will report the group’s findings in a 3-5 minute presentation. Discourage “show and tell” recitations of the box contents. OR: challenge students to move beyond show and tell recitations of the box contents. Encourage them to create a “history”, using imagination, exaggeration and humor (Take pictures!). See notes on deconstruction sheet questions. What calendar date will the “memoryware" narrative target? Who do/did the objects belong to? Why did this person save these items?
E. Procedure Outdoor (group project):
*For stages 10-12 students and teachers will consult advisors via e-mail or web board for advice regarding construction methods. Web Board Activities 1. To log onto the Web Board, go to www.artsconnected.org/artsnetmn/ 2. Scroll down and select, on the left, “Join the Discussion” 3. The students will ask three questions they still have about the work or the artist. 4. The students will answer/respond to three different questions from their peers. 5. Each student will be required to write a paragraph describing his or her plan. 6. The students will print out their posts to include in journals for assessment. This will be the place where materials problems will be shared and mistakes avoided, deep thinking rewarded, and new friendships forged! Click here to see Carl Anderson's illustrated step-by-step directions for outdoor sculpture construction. F. Assessment
Click here to read about the Onofrio project in the local Remer newspapers. Students will complete the following Assessment and Evaluation worksheets throughout this project. 1. Comparing & Contrasting Worksheet Individual strands To view individual unit strands developed by six master art teachers—five from middle schools and one from a high school—here in Minnesota, click below.
|
||||||||||||||||||||||||||||||||||||||||||||
