REMEMBERING LIKE JUDY: STUDYING THE WORK OF JUDY ONOFRIO
USING OUR OWN MEMORYWARE
|JUDY ONOFRIO BIOGRAPHY|
|While recovering from back surgery and unable to create large artworks, Onofrio started making jewelry from her collected beads, buttons and other bits. Bracelets and pins led to small shrines often using images relating to her personal experiences. She became interested in blurring the lines between traditional art categories like fine art, crafts and kitsch. Following the inspiration of Aunt Trude and outsider art spaces created by self-taught artists such as the Dickeyville Grotto in Wisconsin and Simon Rodia's Watts Towers in Los Angeles, her artwork began to change. Onofrio explains, "Although I've been acquiring objects, images, and ideas all of my life, it seems that only recently that everything - my art, environment, and life - has come together and merged into a wonderful oneness."
By 1991 she had pushed her assembled shrines into large sculptural and architectural artworks encrusted with everyday objects, from buttons to broken dishes, mirror pieces to seashells. Onofrio's backyard assemblages have become Judyland, an amazing garden of her unique and expressive art that continues to grow. She is an avid garage sale and thrift store shopper. Onofrio continues to fill her studio with a highly organized collection of found art materials used to create her unique sculptures.
Onofrio's work is noted for its spirit of play and humor. She states, "I've always tried to enjoy the good times in my life, revel in the humor and, like Rapunzel, have taken the bad times and tried to spin something good out of them. I think the magic of my work is the natural inclination of most people to do the same. So, humor and playfulness being the fabric of my life, continues to inform my work." Judy Onofrio's artwork is exhibited at several galleries and museums including the Minneapolis Institute of Arts and the Frederick R. Weisman Art Museum at the University of Minnesota.
Onofrio Vocabulary Terms
Ceramic -- Art made from kiln-fired clay.
Dickeyville Grotto -- Built between 1920 and 1931 in Dickeyville, Wisconsin by Father Mathias Wernerus. The grotto consists of a number of freestanding structures made of cement encrusted with the homely objects of domestic life, from souvenir plates and commemorative statuary brought to him by his parishioners and by visitors. The structures are dedicated to a variety of themes including the Virgin Mary, Christopher Columbus, George Washington, and Abraham Lincoln.
Grotto -- an artificial cave, or special space created using stone or cement and often used as a shrine.
Outsider artist -- Self-taught artists who create artworks for their own joy and desire rather than to be a part of the established fine art world and market displayed, protected and/or celebrated.
Site-specific installation -- Art built to fit and be experienced in one particular place. Site-specific installation art is often temporary.
Watts Towers -- Amazing cement and tile towers up to 38 feet tall in south Los Angeles, California were built by Italian immigrant Simon Rodia between 1921 and 1954. He titled his work "Nuestro Pueblo", Our Town.
Visionary artist -- Self-taught artists who create artworks from their own personal visions and desires, often creating unique and obsessive imagery.
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