About
the Artist
James Ensor grew up in the Belgian seaside resort of Ostend where
his family owned a souvenir shop on the ground floor of their house.
The store sold curiosities such as grotesque masks, puppets, dolls,
seashells, and hats. The town often held elaborate carnival festivities.
The festivities and the store's curious left a permanent mark upon
Ensor's imagination and eventually became important motifs
in his art.
During the early 1880s his work was well-received in both avant-garde
and conservative exhibitions. His approach, however, began to change,
moving toward brutal and shocking subject matter. The form and content
of his work became so shockingly avant-garde that he was excluded
from the group of independent artists with whom he had once exhibited.
During the last decades of his long life, however, Ensor was recognized
for the very works that were scorned years earlier. He was titled
Baron by King Albert I, and his bust was placed in a square in Ostend,
where he remained throughout his life. Ensor is now considered an
important turn of the century artist. His individual revolt against
conventional painting technique and his emphasis upon personal expression
influenced the movements of both German Expressionism
and Surrealism.
Vocabulary
Terms
avant-garde--Describes
new and innovative art or artists that depart from tradition to
experiment with a new style, technique, or subject matter. From
the French word for "vanguard."
expressionism--Generally,
expressionism (with a lowercase "e") refers to any art
that emphasizes strong emotions or feelings. Shortly before World
War I, a group of artists in Germany set as their goal the depiction
of emotional and psychological concerns of themselves and their
times. Some of these German Expressionists (with an uppercase "E")
used strong color contrasts, angular simplified forms, and heavy
black outlines to express their anger and hostility; others explored
color and abstraction to express spiritual or mystical ideas.
motif--A
dominant theme, idea, or pattern in a work of art. Motifs are often
repeated.
Surrealism--Movement
in art and literature from 1924 to 1945 where artists attempted
to give visual representation to dreams, fantasies, and the unconscious
mind. Emphasized real objects in unreal situations, surprise, contradiction
and shock.
[See Yves Tanguy and Kay
Sage for more information]
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